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Based on the hugely popular book by best-selling author Deepak Chopra, the How To Know God Movie is an exciting, insightful journey towards a better understanding of one of life's greatest mysteries.

Uniquely blending science and philosophy, Chopra offers such an inspiring approach in spiritual thinking, that any viewer, regardless of faith, can undergo a profound quest "to know God"...and attain a new concept of what they think they know !

Ultimately, through Chopra's brilliant narration, one may come to understand that the quest for God is really a journey in self-understanding. Thought-provoking, practical and thoroughly entertaining, this material, presented by one of the most advanced thinkers of our time, is perhaps the one of the most uplifting movies you'll ever see.


Here is an excerpt from Deepak Chopra's "How to Know God : The Soul's Journey into the Mystery of Mysteries" ... God has managed the amazing feat of being worshiped and invisible at the same time. Millions of people would describe him as a white-bearded father figure sitting on a throne in the sky, but none could claim to be an eyewitness. Although it doesn't seem possible to offer a single fact about the Almighty that would hold up in a court of law, somehow the vast majority of people believe in God -- as many as 96 percent, according to some polls. This reveals a huge gap between belief and what we call everyday reality. We need to heal this gap. What would the facts be like if we had them? They would be as follows. Everything that we experience as material reality is born in an invisible realm beyond space and time, a realm revealed by science to consist of energy and information.

This invisible source of all that exists is not an empty void but the womb of creation itself. Something creates and organizes this energy. It turns the chaos of quantum soup into stars, galaxies, rain forests, human beings, and our own thoughts, emotions, memories, and desires. In the pages that lie ahead we will see that it is not only possible to know this source of existence on an abstract level but to become intimate and at one with it. When this happens, our horizons open to new realities. We will have the experience of God. After centuries of knowing God through faith, we are now ready to understand divine intelligence directly. In many ways this new knowledge reinforces what spiritual traditions have already promised. God is invisible and yet performs all miracles. He is the source of every impulse of love. Beauty and truth are both children of this God. In the absence of knowing the infinite source of energy and creativity, life's miseries come into being. Getting close to God through a true knowing heals the fear of death, confirms the existence of the soul, and gives ultimate meaning to life.

Our whole notion of reality has actually been topsy-turvy. Instead of God being a vast, imaginary projection, he turns out to be the only thing that is real, and the whole universe, despite its immensity and solidity, is a projection of God's nature. Those astonishing events we call miracles give us clues to the workings of this ineffable intelligence. Consider the following story: In 1924 an old French villager is walking home. With one eye lost in the Great War and the other severely damaged by mustard gas in the trenches, he can barely see. The setting sun is bright, so the old man is completely unaware of the two youths on bicycles who have wheeled around the corner and are barreling down on him. At the moment of impact an angel appears. He takes the lead bicycle by its two wheels, lifts it a few feet in the air, and sets it down safely on the grass beside the road. The second bicycle stops short, and the youths become tremendously excited. "There are two! There are two!" one of them shouts, meaning that instead of just the old man alone, two figures are standing in the road.

The entire village becomes very worked up, claiming afterward that the youths were drunk or else have made up this fantastic tale. As for the old man, when he is asked about it, he says he doesn't understand the question. Could we ever come to an answer ourselves? As it happens, the old man was a priest, Père Jean Lamy, and the appearance of the angel has come down to us through his own testimony before his death. Lamy, who was saintly and beloved, seems to be credited with many instances where God sent angels or other forms of divine aid. Although reluctant to talk about them, his attitude was matter-of-fact and modest. Because of Lamy's religious vocation, it is easy to dismiss this incident as a story for the devout. Skeptics would not be moved. Yet I am fascinated simply by whether it could have happened, whether we can open the door and allow helpful angels into our reality, along with miracles, visions, prophecy, and ultimately that great outsider, God himself.

We all know that a person can learn about life without religion. If I took a hundred newborn babies and filmed every moment of their lives from beginning to end, it wouldn't be possible to predict that the believers in God will turn out to be happier, wiser, or more successful than the nonbelievers. Yet the video camera cannot record what is happening below the surface. Someone who has experienced God may be looking on the entire world with wonder and joy. Is this experience real? Is it useful to our lives or just a subjective event, full of meaning to the person having it but otherwise no more practical than a dream? One bald fact stands at the beginning of any search for God. He leaves no footprints in the material world. From the very beginning of religion in the West, it was obvious that God had some kind of presence, known in Hebrew as Shekhinah. Sometimes this word is simply translated as "light" or radiance.

Shekhinah formed the halos around angels and the luminous joy in the face of a saint. It was feminine, even though God, as interpreted in the Judeo-Christian tradition, is masculine. The significant fact about Shekhinah was not its gender, however. Since God is infinite, calling the deity He or She is just a human convention. Much more important was the notion that if God has a presence, that means he can be experienced. He can be known. This is a huge point, because in every other way God is understood to be invisible and untouchable. And unless some small part of God touches the material world, he will remain inaccessible forever. We personify God as a convenient way of making him more like ourselves. He would be a very perverse and cruel human, however, to remain so hidden from us while demanding our love. What could possibly give us confidence in any kind of benevolent spiritual Being when thousands of years of religion have been so stained by bloodshed? We need a model that is both part of religion yet not bounded by it. The following simple, three-part scheme fits our commonsense view of God. Shaped like a reality sandwich, this scheme can be pictured as follows :

God ---- TRANSITION ZONE ---- Material World

The picture is not new in its top and bottom layers, placing God above the material world and removed from it. God must be separate from us, or else we would be able to see him here, strolling about as he did in the Book of Genesis. There, after the seven days of creation, God walked in the garden of Eden, enjoying his handiwork in the cool of the evening. Only the middle element of our diagram, called the transition zone, is new or unusual. A transition zone implies that God and humans meet on common ground. Somewhere miracles take place, along with holy visions, angels, enlightenment, and hearing the voice of God. All of these extraordinary phenomena bridge two worlds: They are real and yet they are not part of a predictable cause-and-effect. To put it another way, if we stubbornly cling to material reality as the only way to know anything, skepticism about God is totally justified. Miracles and angels defy reason, and even though holy visions may be catalogued time after time, the rational mind remains defiant, defending its sure grip on the material plane. "You really think God exists?

Well, let's break it down. You're a doctor, I'm a doctor. Either God is causing these diseases we see every day, or else he can't do anything to stop them. Which one is the God you want me to accept?" This voice is from a skeptical colleague I used to make rounds with in the hospital, a confirmed atheist. "I don't want you to accept either one," I would protest. But he would press the point. "Reality is reality. We don't have to argue over whether an enzyme or hormone is real, do we? God can't survive any kind of objective test. But we all know that. Some of us just choose not to keep on fooling ourselves."

On one level he was right. Materialist arguments against God remain powerful because they are based on facts, but they fall apart once you dive deeper than the material world. Dame Julian of Norwich lived in England in the fourteenth century. Dame Julian asked God directly why he had created the world. The answer came back to her in ecstatic whispers: You want to know your lord's meaning in what I have done? Know it well, love was his meaning. Who reveals it to you? Love. What did he reveal to you? Love. Why does he reveal it to you? For love. For Dame Julian God was something to eat, drink, breathe, and see everywhere, as though she were an infatuated lover. Yet since the divine was her lover, she was elevated to cosmic heights, where the whole universe was "a little thing, the size of a hazelnut, lying in the palm of my hand."

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Pink Floyd The Wall is a 1982 musical film by British director Alan Parker based on the 1979 Pink Floyd album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

The film is highly metaphorical and is rich in symbolic imagery and sound. It features very little dialogue and is mainly driven by the Pink Floyd sound ...

Directed by Alan Parker ; Produced by Alan Marshall
Written by Roger Waters ; Narrated by Pink Floyd

Starring ...

Bob Geldof
Christine Hargreaves
Eleanor David
Alex McAvoy
Bob Hoskins
Michael Ensign

Music by Pink Floyd & Michael Kamen (orchestrations)




The film depicts the construction and ultimate demolition of a metaphorical wall. Though the film is open to interpretation, the wall itself clearly reflects a sense of isolation and alienation.

Pink played by Bob Geldof, the protagonist of the film, is a rock star, one of several reasons behind his apparent depressive emotional state. He is first seen in a quiet hotel room, having trashed it. The opening music is not by Pink Floyd, but is the Vera Lynn recording of "The Little Boy that Santa Claus Forgot". During the following scenes, it is revealed that Pink's father was killed during World War II while he was just a baby.

The movie then flashes back to Pink as a young English boy growing up in the early 1950s. Throughout his childhood, Pink longs for a father figure. At school, he is humiliated for writing poems in class. The poems that the teacher reads aloud are lyrics from "Money" from the Pink Floyd album The Dark Side of the Moon. Pink is also affected by his overprotective mother. He eventually gets married, but he and his wife grow apart and she has an affair while Pink is on tour. When Pink learns of the affair, he resorts to acquiring expensive materialistic possessions and turns to a willing groupie (Jenny Wright), only to trash the hotel room and drive her away.

Pink slowly begins to lose his mind to metaphorical worms. He shaves off all of his body hair (an incident inspired by former band member Syd Barrett, who appeared at a 1975 recording session of Wish You Were Here, having shaved his eyebrows and body hair and, while watching The Dam Busters on television, morphs into his neo-Nazi alter-ego. Pink's manager (Bob Hoskins), along with the hotel manager (Michael Ensign) and some paramedics, discover Pink, and inject him with drugs to enable him to perform. On stage, Pink hallucinates that he is a neo-Nazi dictator, his concert a rally in a suburban neighbourhood singing "Waiting for the Worms". The scene is inter-cut by images of the animated marching hammers ...

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Sixto Paz Wells is one of the most famous UFO / ET contactees in the world and a required guest in the world’s most important international congresses on the UFO subject. Similarly, he’s been interviewed in the world’s most prestigious radio and TV programs.

Sixto is a 54 year old Peruvian citizen, born in Lima, Perú on December the 12th, 1955. He studied primary and secondary school with the Marian Brothers (Maristas in Spanish) and also studied history at the Pontificia Universidad Católica.

He has been in contact with a race of Mongolian looking humans originally from the Orion constellation who have established a large base on one of Jupiter's moon's Ganymede. He has had a number of contact experiences after he first established telepathic communication with the extraterrestrials in 1974. These were quickly followed by a number of UFO sightings and physical contact with the extraterrestrials in the desert area of Chilca, Peru.

The sightings involved multiple witnesses and the physical contacts involved a number of individuals who were being prepared for more extensive human extraterrestrial interactions. Sixto's case was independently investigated by the Spanish journalist Juan José Benitez who was so impressed by the sightings and contacts that he wrote a number of books describing what was happening at Chilca, Peru.

Here is a video documentary called "The Cosmic Plan" in which Sixto shares information passed on to him by the Extraterrestrials about Earth, it's creation, the birth of the human species etc ...



Sixto Paz is one of the most famous UFO/ET contactees in the world and a required guest in the world's most important international congresses on the UFO subject. Similarly, he's been interviewed by many radio and TV programs. He was able to establish contact with the UFOs and their crews in the 1970's and produced his vision for the Cosmic Plan over recent decades.

This documentary discusses Creation, Evolution, UFO contact, Crop Circles, ET communication at Chilbolton, Atlantis, Extraterrestrials such as the Pleiadians, the Orions, the Sirian Tribes, the Shining Ones, Hollow Earth, the inner kingdom of Agartha, city of Shambhala, 2012 and more. Much of the narrative and philosophy given in this presentation mirrors that given to Billy Meier and revealed in his videos and contact notes.

You can also watch "The Cosmic Plan" in parts on YouTube ...


The video contains some excellent animations throughout the story told by Sixto. At the end of the main sequence is the DVD extra footage of some of Sixto's regular contacts/appearances of UFOs on video and stills.

" Namaste ... Shine On Dear Ones ... :) "

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Search for Ancient Technology is a documentary featuring Erich Von Daniken, author of the 'Chariots of the Gods' who presents compelling evidence of the presence of highly advanced flight technology in ancient times.

Born on April 14th, 1935, in Zofingen, Switzerland, Erich von Daniken was educated at the College St-Michel in Fribourg, where already as a student he occupied his time with the study of the ancient holy writings.

While managing director of a Swiss 5-Star Hotel, he wrote his first book, Chariots of the Gods, which was an immediate bestseller in the United States, Germany, and later in 38 other countries.



In the United States, Erich von Daniken won instant fame as a result of the television special “In Search of Ancient Astronauts,” based upon his first book. In 1993, the German television station SAT-1 started a twenty-five part TV series with and by Erich von Daniken, entitled “Auf den Spuren der All-Machtigen” (Pathways of the Gods). In 1996, the American TV company ABC/Kane produced a one-hour special, filmed all over the world, entitled Chariots of the Gods – The Mysteries Continue.

This film was broadcast on the ABC network on September 26th 1996. In 1996/97 ABC/Kane produced another documentary with Erich von Daniken (seen on the Discovery Channel). In Germany, the biggest TV network, RTL, showed the film on November 26th, 1996. 7,7 million viewers in Germany alone watched the program. Today, Erich von Daniken continues his filming with ABC and RTL.


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