In this documentary titled "Cancer : The Forbidden Cures" we discover many effective and highly successful forms of cancer treatment that have been suppressed and discredited for a long time by the pharmaco-medical crime syndicate and the state-terrorist organization called FDA. Millions of people could have been saved. The FDA may have killed more people than Hitler.

In the last 100 years dozens of doctors, scientists and researchers have come up with the most diverse, apparently effective solutions against cancer, but none of these was ever taken into serious consideration by official medicine.


Most of them were in fact rejected out-front, even though healings were claimed in the thousands, their proposers often being labeled as charlatans, ostracized by the medical community and ultimately forced to leave the country. At the same time more than 20,000 people die of cancer every day, without official medicine being able to offer a true sense of hope to those affected by it. Why?


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"Metanoia : A New Vision of Nature" is a Documentary Film film by Simon G. Powell. The film is principally about the paradigm of natural intelligence. Moving beyond the confines of orthodox science and orthodox religion, the natural intelligence paradigm views Nature (and evolution) as a system of self-organizing intelligence.

Metanoia is the world's first film to delineate the paradigm of natural intelligence. And it does so accompanied by an original upbeat soundtrack - making this film an enticing blend of art and science.

This film is designed to promote a new way of thinking about Nature, the biosphere, and the evolutionary process that built the biosphere. This new way of thinking involves the concept of natural intelligence. The underlying premise is that our current definitions of what life is, and what evolution represents, fall short of the mark and thereby do Nature a major disservice. Rather than seeing the evolution of life as a blind and dumb process, evolution can be viewed as an inherently sensible process whereby Nature selects and preserves sensible changes to the genetic code (i.e. changes in the genetic code which happen to promote the kinds of sensible biological behaviour that facilitate survival and reproduction). It is precisely this sensible and sense-making aspect of natural selection that gives evolution a specific direction. Thus, the natural intelligence concept does not invoke supernatural forces or new mechanisms lying 'outside' of Nature but is, rather, a complete reinterpretation of Nature. Moreover, as the Metanoia film attests, such a reinterpretation of Nature is crucial if our relationship with the rest of the biosphere is to be improved and healed. It should also be noted that the natural intelligence paradigm is not wholly aligned with any currently existing 'ism', be that atheism, pantheism, deism, theism, ID creationism, or similar. For this reason, the concept of natural intelligence (and its various metaphysical implications) needs to be judged according to its own merits.

"Stunning and mind-blowing... I'm so grateful to you for letting me see Metanoia. You have delivered on the promise in your title of providing a new vision of Nature."

- Paul Flynn, UK Member of Parliament.


                                                  Metanoia by Nathan Jalani Taylor

Reference : Bouncing Bear Botanicals


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On November 12th 2011, the city of New Orleans witnessed an amazing sight in the night skies. Literally thousands of people saw a UFO Fleet fly over, moving slowly blinking on and off ... kinda flickering time to time, as they all just kept on coming as seen in this 4 and a half minute video (before the camera's battery or memory ran out)... Here is the video taken from Raven Street of these lights ... Incredible !!!


The people on the streets sound totally awestruck at what they were seeing. Some literally ecstatic with joy, laughing and cheering ! There was another recent sighting at the St. Louis Cathedral in New Orleans when NBC's cameras returned from a commercial break during the NFL game between the New Orleans Saints and Indianapolis Colts and focused on the historic, triple-steepled St. Louis Cathedral and caught a streak of something really bright flashed across the screen. When viewed frame by frame, this is what was revealed ... a rod like object with 2-4 really bright blue lights above and some below lights below as well,  moving at an incredibly high speed. The object moved quite like the Rods captured on camera by Jose Escamilla and many others across the world. However, the lights on the object as seen in the still frames are something quite unique to the rod phenomena.


As more and more such awesome sightings continue to happen all around the world, the question of ETs / UFOs / Aliens / Advanced Technologies / Free Energy will be answered for the masses to know, as we all awaken collectively to realize a more harmonious and balanced world where everyone is equally empowered and truly live as one being ... we are !



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Before Leonardo da Vinci painted "The Last Supper," Tibetan craftsmen were creating stunning artistry of their deities in the remote Himalayan kingdom of Mustang.

In "Lost Treasures of Tibet," NOVA goes behind the scenes with the first conservation team from the West, as it undertakes the painstaking restoration of these ancient masterpieces and the beautiful monasteries that house them. The documentary has 4 parts to it ...

Before and After
Watch centuries of grime vanish from nine stunning paintings.

Creating a Wall Painting
Conservationists and locals revive Mustang's artistic traditions.

Tour Mustang
Journey through this hidden Tibetan kingdom in northwest Nepal.

Deciphering Buddha Imagery
What you need to know to recognize an image of Buddha.

Located in present-day Nepal, Mustang contains some of the last remaining relics of an almost vanished world of ancient Buddhist culture. Across the border in Tibet, Chinese occupiers have destroyed thousands of monasteries since taking control of the country in 1950. Therefore, the survival of Mustang's monasteries or gompas is more important than ever. But preservation is extremely difficult because of the centuries of neglect, weather, and earthquakes that have brought many buildings to the brink of collapse. Inside, their exquisite murals are in a near-ruined state.


In the course of their restoration work, conservators from the West come face-to-face with a thorny problem of culture clash: local people want missing sections of the murals completed. Westerners are aghast at the idea, but their hosts are equally shocked at the thought of worshiping unfinished deities.

The program follows the struggle of an international team headed by British conservationist John Sanday to restore the greatest gompa of all—Thubchen, the royal monastery in Mustang's capital of Lo Monthang. The first order of business is fixing Thubchen's roof—no small feat since 200 tons of dirt have been piled on its flat surface over the centuries to seal out leaks. To bear that much weight, the hidden ceiling beams must be more than two feet thick, an apparent impossibility considering that Mustang is virtually treeless. Sanday solves this riddle when his team excavates down to the beams and discovers an elaborate jigsaw puzzle of construction that uses interlocking small timbers to create a lightweight, load-bearing structure.

Mustang is a land untouched and ageless, the highest kingdom in the world. Life is as it was 500 years ago. Here, the sacred blends with the landscape.

Long rock walls with the prayers of Buddha carved in each stone leave their impression on the passing minds of travelers. Religious structures are a form of art, a means to teach the world about Buddhist ideals. Pigments used on monuments mimic the vibrant hues of nearby mountains. Each stripe represents an individual deity.


Fortress-like homes protect against the hostile forces of nature. Over time, the oldest structures, the monasteries and ancient palaces, have dissolved and crumbled, threatening the art, and cultural survival of all of Mustang.

Ancient Tibetan craftsmen were equally inventive in engineering an ideal wall surface for their murals. Six layers of plaster were applied to the walls, starting with a coarse grain and becoming progressively finer. The same method was used for secco (dry plaster) murals in Europe during the Renaissance, although there is no evidence that Tibetans and Europeans exchanged information on the technique.

As for Thubchen's paintings, they are badly obscured by eons of butterlamp soot, animal glues, and abrasions from yak tail dusters. To deal with the disfigurement, Sanday calls in Rodolfo Lujan from Italy, one of Europe's premier experts in art restoration.

After painstaking treatment to stabilize the plaster, which is badly flaking, Lujan and his assistants start removing the grime. What emerges is startling to behold: brilliantly colored scenes depicting the life of the Buddha. The artists have left no signatures, but Lujan places them in a class with the Italian Renaissance masters. "Maybe the quality is even better than ... a Leonardo, Michelangelo, Raphael," he marvels. Which makes it all the more difficult when he is asked to take his own brush in hand to complete the missing sections of these priceless masterpieces.




Reference : PBS Nova


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