,
One of the most talked about cases in all of UFO history is that of 'The Phoenix Lights'. On March 13th, 1997 over ten thousand people saw a massive V shaped boomerang kind of a UFO, the size of 3 football fields drift across the state of Arizona creating one of the most spectacular UFO spectacles ever witnessed in modern times.


The Phoenix Lights - We Are Not Alone Documentary is based on the bestselling book, "The Phoenix Lights... A Skeptic's Discovery That We Are Not Alone", over 30 credible eyewitnesses reports from children, scientists, military, and experts, as well as NASA footage and the recent disclosure by former Governor Fife Symington, give compelling testimony to the reality of these mysterious unexplained visitations. The project is a collaborative effort between Lynne D. Kitei, M.D. (Executive Producer/Director, Author & Key Witness) and Steve Lantz (Producer, Director of Photography, Editor & Composer). The inexplicable and awesome event was witnessed by thousands of people, while they were looking up at the sky, purposely to catch a glimpse of the Halle-Bopp Comet. The significant statewide incident garnering headline news, catching the attention of USA Today, CNN, MSNBC, The Discovery Channel, EXTRA, national morning TV shows, as well as the Evening News with Tom Brokaw and Dan Rather. UFO buffs call it the most documented and important mass sighting ever recorded. But still today, the military and government can only offer questionable explanations as to what the anomalous lights truly were. In over 10 years, the strange phenomena have never been duplicated or re-enacted [although the military tried fruitlessly, three years later]. Many experts and witnesses insist that what appeared in the Arizona skies was something beyond this world.


"The Phoenix Lights : The Discovery Channel Documentary"

Eyewitness Accounts Though the huge lighted formation seemed to move in a tauntingly slow speed over Arizona, it was reported that strange lights had sped from the Henderson-Las Vegas, Nevada area toward Arizona, and seemed to slow down as it entered the Arizona area. Initial reports described anywhere from 5-7 points of light, and ultimately 8 with a trailing ninth. The enormous object was extremely low, and mountainous areas could be seen behind the craft in pictures, therefore giving photographic experts scale to approximate the elevation from the ground, and the distance from the camera.

This would enable an estimate of the craft being a whopping one mile or more in length! The color of its lights were described as "blue-white," to "yellow-white," to "amber." Again, these differences of description do not necessitate there being more than one object. During the crafts fast moving period, it was estimated to be moving at Mach 2-3. As it slowed down as if posing to be filmed, the speed dropped to an estimated 10-15 MPH. At one point over Sky Harbor, it reportedly hovered for several minutes. The object was also reported to change shapes, speeds, and colors, as it made its way across the skies of Arizona. Between 9:00 and 9:30 PM on the 13th, one extraordinary description was made by a family in Mesa. They said that an enormous craft with a distinctive structure flew over their area.

They described a triangle-shaped object with lights at the three corners, and another larger light in its center. Amazingly, they could clearly see panels on the craft which were in a grid pattern. There were also, about this same time, several reports of two round objects which seemed to detach from the larger "V" shaped object, only to later rejoin the mother-ship. One witness described the "V" shaped mother-ship dividing itself into two separate craft as it moved toward the city of Tucson. Another dramatic description of the mother-ship was made by a group of real estate agents who had subdivided property over the northern part of Phoenix. They would also get a close-up view of the gigantic disc. They estimated the craft to be a staggering two miles wide as it flew at a low altitude near Phoenix. They could see dozens of bright lights along the leading edges, and also a row of windows with "silhouettes of people."

It also seems highly probably that for some reason, the giant craft turned off its lights, as observers could see only the windows with what appeared to be people shadowed in the glow of the inside. Another family got a brightly lit view of the unknown object, and described its color as "flat blue-black, like the color of a shotgun barrel." Among the most reliable witnesses of the craft's movements that first night were two airplane pilots, one retired from an airline, and another from Vietnam, who was also a U. S. Marshall. Though seeing the object at different times and places, both men described a craft of "immense size," measuring up to a mile long. The Marshall could also see the city lights of Phoenix reflecting from the bottom of the massive object, while it "blocked out the stars."

One of the pilots also videotaped the UFO, but had the tape confiscated in a "men in black" encounter. In a completely separate incident, a group of witnesses had reported a "huge discoid" craft which was "larger than Sun Devil Stadium at Arizona State University." This object was hovering just above tree tops at the west end of Sky Harbor runway between 2:00 and 3:00 AM about two weeks prior to March 13.

Military Involvement It was almost inevitable that the United States Air Force would become involved in an event of this magnitude, and the Phoenix lights mystery would be no exception. While driving down Interstate-I-17 from Camp Verde, a truck driver had been seeing two amber colored UFOs moving ahead of him southward for two whole hours. His destination was a materials plant near Luke Air Force Base. Upon arriving there, the two UFOs hovered nearby. While his truck was being loaded, the driver walked upon a pile of materials to get a better look at the two UFOs. He could make out two identical "toy, top-like amber orbs" with a white glow to them. A band of red lights pulsated on the craft as it hovered near the Luke AFB runway. Suddenly, two F-16s "blasted out of Luke with their afterburners on full."

Soon, a third plane followed, and all three made a direct run toward the hovering UFOs. As the first two jets were about to reach the UFOs, the unknown objects shot straight upward, and disappeared "in an instant." The two jets flew right through the exact spot the UFOs had previously occupied. A Luke ground crewman later confirmed to NUFORC that the driver's account was true. He also stated that upon returning to the base runway, one of the pilots had to be helped from his cockpit. He was visibly shaken from what had just happened. According to Peter Davenport of the NUFORC one of the more intriguing reports was submitted by a young man who claimed to be an Airman stationed at Luke Air Force Base, located to the west of Phoenix in Litchfield Park.

He telephoned the National UFO Reporting Center at 3:20 a.m. on Friday, some eight hours after the sightings on the previous night, and reported that two USAF F-15c fighters had been “scrambled” from Luke AFB, and had intercepted one of the objects. Although the presence of F-15’s could never be confirmed, the airman provided detailed information which proved to be highly accurate, based on what investigators would reconstruct from witnesses over subsequent weeks and months. Two days after his first telephone call, the airman called to report that he had just been informed by his commander that he was being transferred to an assignment in Greenland. He has never been heard from again since that telephone call.



References :



Related Articles :

,
'Phase 1'

The Galactic Butterfly Hunab Ku Crop Circle appeared in the fields at Cannings Cross, Wiltshire first on the 27th of June and then the circle maker(s) returned on 10th of July, 2009 to reconstruct and add on to the crop circle. The formation symbolizes solar flares and the galactic alignment of 2012 with a stylized version of the mayan supreme creator god, Hunab Ku, which the mayans and the indigenous people know as 'The Galactic Butterfly' - The one that represents all consciousness that has ever existed in the galaxy. In Phase 2 of the crop circle tiny Orbs were created around the edges of the rays depicting solar flares, also improvising on the 'Galactic Butterfly'. The edges of the inner rays were damaged due to the farmer clipping the edges with his Tractor as you can see in the picture below.



'Phase 2'

Overwhelmingly, cultural myth and lore honor the Butterfly as a symbol of transformation because of its impressive process of metamorphosis. From egg, to larvae (caterpillar), to pupa (the chrysalis or cocoon) and from the cocoon the Butterfly emerges in her unfurling glory. What a massive amount of transition this tiny creature undergoes. Consider for a moment the kind of energy this expends. Imagine the whole of your life changing to such an extreme you are unrecognizable at the end of the transformation. Mind you, this change takes place in a short span of about a month too (that’s how long the butterfly life cycle is).


Herein lies the deepest symbolic lesson of the Butterfly. She asks us to accept the changes in our lives as casually as she does. The Butterfly unquestioningly embraces the changes in her environment and her body. This unwavering acceptance of her metamorphosis is also symbolic of faith. Here the Butterfly beckons us to keep our faith as we undergo transitions in our lives. She understands that our toiling, fretting and anger are useless against the turning tides of nature – she asks us to recognize the same. Interestingly, in many cultures the Butterfly is associated with the soul – further linking our animal symbolism of faith with the Butterfly.

It’s connection with the soul is rather fitting.

We are all on a long journey of the soul. On this journey we encounter endless turns, shifts, and conditions that cause us to morph into ever-finer beings. At our soul-journey’s end we are inevitably changed – not at all the same as when we started on the path. To take this analogy a step further, we can look again to the grace and eloquence of the Butterfly and realize that our journey is our only guarantee. Our responsibility is to make our way in faith, accept the change that comes, and emerge from our transitions as brilliantly as the Butterfly. Related Articles :
,

The Wonderland Experience is an absolutely classic cult feature film on the psychedelic world of Goa at the end of the 20th century. The story is about a boy called Charlie who is looking for his missing father in Southern India and finds himself in a surreal and comic psychedelic world.


Synopsis

During a trip to India to visit his father, a young man wakes up on a sun-drenched beach, unsure of where he is or how he got there. Before long he finds himself on an extraordinary journey meeting a series of ever more peculiar characters, in the search for his Dad. Eventually, riddled with confusion and haunted by recurring flashbacks of a party he can't remember, he heads into the jungle, where he's been told his father is waiting for him. Only one thing is certain: all is not what it seems.
The story is a gently surreal and comedic tale based loosely on 'Alice in Wonderland' and 'Through the Looking Glass' by Lewis Carroll. The film was shot entirely in Goa, India, which with it's fantastic range of natural locations, provides a varied and continuously beautiful backdrop to the action. The Wonderland Experience is an upbeat celebration of life, travelling and parties. Written and produced by Andrew brown and directed by Ben Hardyment.



Related Articles :

,

Liquid Crystal Vision is a movie about our psychedelic world and the magical alchemy of consciousness with the sacred ritualistic use of plant based psychedelics to invoke mystical vibrations of the trance dance experience. Liquid Crystal Vision fuses the ancient and the future. It blends scenes of exotic places such as Angkor Wat, Goa, Laos, Japan, and others with superb graphics, sounds, performances, and channeled interviews.

Liquid Crystal Vision presents dancing as one of the means to initiate a far-reaching personal evolution. It contrasts control versus freedom. The impact of the mystical arts movement on planetary consciousness is highlighted during the 60 minutes play time. Liquid Crystal Vision makes an artistic and political statement that leaves a strong imprint on the audience.

Liquid Crystal Vision was inspired by the controversy of the incredible magic experienced during the psychedelic experience and the conditioned fear programming among the general public about psychedelic drugs.


Shamans, Pagans and Mystics used sacred medicines in ritual all over the world for centuries to communicate with higher forces. Psychedelics have the ability to wake people up to the fundamental truth of life. They can induce a deep mystical understanding and inspire a spiritual evolution in human beings when used in the right environment with proper guidance!

The filmmakers believe that through the use of entheogenic substances one can find liberation from the "known"! Anthropological studies suggest that most of our religions originated from a mystical experience that was most likely induced by the ingestion of psychedelic plants, such as mushrooms, cacti, fungi etc. Psychedelics can create blissful feelings when used and not abused! In the Vedic text (Sanskrit writings) it is suggested that union with GOD can be achieved through psychedelic drugs as well.

Unfortunately even today the world is still ruled by power, money, ignorance, and greed, instead common sense, love, and wisdom! Governments control the media that spreads bogus propaganda to support unreasonable laws - just to brainwash the taxpayer and consumer population. This creates global turmoil, destruction and religious wars that need to end NOW! It is overtime for a mystical evolution that brings global unity! Time to be honest and truthful! Time to transcend differences, time to celebrate beauty! Eat a mushroom and dance. To prohibit self-discovery is madness! This is why Liquid Crystal Vision was created!


A Sadhu gives an initiatory explanation about a mystical dance ritual that has its roots in India, but spread all over the world today. Followed by Raja Ram from Shpongle, the Infinity Project, and the Yeti, who gives an explanation about healing and higher consciousness, magnificent images of carved Apsaras and Monks in Angkor Wat (Cambodia) flash by. A beautiful dancer is moving to the rhythm of the music while a holy man from India gives a great description of the mystical state. Famous musicians and key figures of the scene explain scientifically what it all means to them. Gregory Sams articulates how people have their own spiritual experiences when going into trance.


Famous Youth from Killing Joke explains how it all started years ago in Goa. Through a 3-D visual gate the film changes drastically into a part that is called: "Globalization". Pagans sing magical songs at the historical opening on summer solstice in Stonehenge, before the imagery blows the audience away with a mind-expanding interview of Alex Grey! A visual interlude of 3-D graphics leads to Dr. Spook, who says exactly what the filmmakers are trying to get across to the public! Images of people wildly dancing to undomesticated drumming rhythms with sculptures of burning skulls and a Shaman talking to the audience brings us to the legendary musicians of System 7, who explain in incredible detail how sound is used in the music to manipulate brainwaves and to entrain people.

Liquid Crystal Vision goes backwards as it comes towards the ending, because it's created as a geometrical fractal, so sounds begin to repeat and characters come back to finish their story. Various individuals explain what effect partying has on them. This gives the viewer a feeling of how great the unity experience really is! Liquid Crystal Vision tells us that the visions experienced during the mystical experience have to be integrated into daily life to really have a lasting effect! The final rap is to a live set of Banco de Gaia, where a fire spinner is projected onto the oldest Buddhist temple in Laos. Suddenly, the film turns backwards at light speed until it reaches the first image of the film, where the final question is asked !



"Synopsis of the Movie"


Goa Gil

For me when I come to the party and I set up the altar and I sprinkle the Ganga water and say the mantra and make the offering to the cosmic spirit, the whole party becomes the offering, the music becomes the offering, the dance becomes the offering. The cosmic spirit should come to the place and bless all of us! The longer it goes on the more the trance comes and it comes to a point where every song is so perfect in the moment - it's timelessness. So perfect you start to get chills up your spinal column and up your skin and everybody's getting it all at once - it’s like a cosmic orgasm! Then at some point it comes like a bolt of lightning, like a shock of lightening through everybody all at once —cccchhhhh… and that’s when the seed is being planted in everyone’s subconscious that will hopefully grow and flower and make people more aware of themselves, there surroundings, the crossroads of humanity, and the needs of the planet. This is what our Goa party, our holy ritual is all about. And this is what we are trying to achieve with it!



This piece is about ten years old. It's called Theologue - the union of human and divine consciousness weaving the fabric of space and time in which the self and its surroundings are embedded. That’s the subtitle... Rather long...

What I try to do in the work is to show the interpenetration between the physical dimension and the more metaphysical dimensions. In the body it shows up as the acupuncture meridians points and chakras auras and halos and things like that. This particular painting is one of my favorites because it came from an experience I had some time ago, it was a high dose LSD experience and I was wearing a blindfold seated in a lotus posture. I was staring into this… it was a device I invented called a mind fold. It's just a light type blindfold with space to open your eyes, so you look into total darkness, but somehow I was seeing an electric grid that was all along the horizon - just this incredible kind of perspective grid.

And it seemed that I was projecting this at the same time as I was seeing it outside, but I was in my head, so it was very confusing, but I felt like this is the loom of space and time. This is like when you dream! You are dreaming in space and so you are always creating space. Somehow our mind is creating the space that we are surrounded by, so how to visualize that? It was solved by putting this kind of seated Buddha there and having the horizon line - the vanishing point of the horizon line of the perspective be synonymous with the cone of perception that’s spreading out. It’s appearing to project the space that he is seated in.


Raja Ram

This is a search to find ways of changing our own minds and triggering our inner feelings that are going to come out one way or another... If you want to be a yogi — be a yogi! If you are going to take drugs, that’s what you are going to do, if you want to be straight that’s what you are going to be!

The main thing is, the whole game is to alter our consciousness to get higher and to go to those other dimensions, to fulfill our potential. And one of the ways we can do this is through music, because it’s healing and elevating, and it will take people to a higher realm of consciousness, if they let it!


Source : Liquid Crystal Vision


Related Articles :

Follow Us @psychedelicadventure