Tune yourself to the heartbeat of our planet ...

To understand the healing power behind 432Hz, you must first learn about another frequency, 8Hz. It is said that 8Hz is the fundamental “beat” of the planet. The heartbeat of the Earth is better known as Schumann resonance and is named after physicist Winfried Otto Schumann, who documented it mathematically in 1952.

Schumann resonance is a global electromagnetic resonance, which has its origin in electrical discharges of lightning within the cavity existing between the Earth’s surface and the ionosphere. This cavity resonates with electromagnetic waves in the extremely low frequencies of approximately 7.86Hz – 8Hz.

The “ordinary” thought waves created by the human brain range from 14Hz to 40Hz. This range only includes certain types of dendrites belonging to brain cells, predominantly within the left (the more rational) hemisphere of the brain, which is the center of activity.

If the two hemispheres of our brain are synchronized with each other at 8Hz, they work more harmoniously and with a maximum flow of information. In other words, the frequency of 8Hz seems to be the key to the full and sovereign activation potential of our brain.

8Hz is also the frequency of the double helix in DNA replication. Melatonin and Pinoline work on the DNA, inducing an 8Hz signal to enable metosis and DNA replication. A form of body temperature superconductivity is evident in this process.


What 8Hz has to do with 432Hz tuning

432Hz resonates with the frequency of 8Hz
On the musical scale where A has a frequency of 440Hz, the note C is at about 261.656 Hz. On the other hand, if we take 8Hz as our starting point and work upwards by five octaves (i.e. by the seven notes in the scale five times), we reach a frequency of 256Hz in whose scale the note A has a frequency of 432Hz.

According to the harmonic principle by which any produced sound automatically resonates all the other multiples of that frequency, when we play C at 256 Hz, the C of all other octaves also begins to vibrate in “sympathy” and so, naturally, the frequency of 8Hz is also sounded. This is why (together with many other mathematical reasons) the musical pitch tuned to 432 oscillations per second is known as the “scientific tuning.”
This tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.
In contrast, the frequency chosen in London in 1953 as the worldwide reference frequency and which all music today has been tuned to, has come to be defined as ‘disharmonic’ because it has no scientific relationship to the physical laws that govern our universe.


Natural healing with 432Hz

432Hz is the harmonic intonation of nature

According to the above information, playing and listening to music that has been tuned to 432Hz would make your body, and the organic world which surrounds it, resonate in a natural way. This would fill you with a sense of peace and well-being, regardless of the kind of song chosen to play or listen to.

Opening your ears for music that has been tuned to the “scientific” 432Hz frequency would benefit the entire planet and everyone who lives on it, while listening to music tuned to the “disharmonic” 440Hz frequency does harm by causing stress, negative behaviors and unstable emotions.
Listening to 432Hz music resonates inside your body, releases emotional blockages, and expands consciousness. 432Hz music allows you to tune into the knowledge of the universe around us in a more intuitive way.




The neo-cortex of the brain, 90% unassigned becomes awakened in this synchronization, and one then operates in all brain cell dendrites with the maximum information flow possible on that scale.

" Ordinary" awareness brain waves ranges from 14-40 hz. Here one is operating only in some brain cell dendrites, and predominantly with the left brain as the centre of activity, where information flow is billions of times slighter (like using an old PC 386 compared to a parallel process Pentium IV, or an old Mac Performa, compared to a Parallel processing G4).

In other words at 8 hz one is an operating supercomputer, or congressing towards Superconsciousness.

It is often cited that humanity only uses 10% of the brain (for someone like Einstein, who profusely meditated his equations in ecstasies), and Einstein relays in his General Relativity Theory, that were the other 90% to become assigned, e = mc4 would result.

Einstein states that the body would transform into pure energy: the resurrection/ascension of the Gnostic traditions of the west, the Rainbow Body and Diamond Body as it is known to the Tibetan Buddhists and Taoists of the far east. 8 hz then is possible the key to such a potential full Sovereign brain activation.

At the least it is a Golden Midway Bridge towards that internal Revolution.

Dr. Andrija Puharich demonstrated in the late 1970s (Proto-Communication II), that 8 hz could not be blocked by any electromagnetic shielding metal or even a triple vacuum. Which implies that it rotates through the Virtual (Everywhere and Everywhen) and quantum non-local hyperspace, constantly. Ortho-rotating through what the Hermetic Gnostic and Shaman Psychonauts may have attempted to grapple with under the term, loosely appropriated as "Spirit", and the Taoistic Wu Chi.

A film was made in the Himalayas in the 1930's showing a group of Tibetan monks, who with the use of ordinary Tibetan musical instruments, would gather into a pie-shape configuration and direct their playing towards a huge boulder that was located on the ground roughly one hundred fifty feet away and at the base of sheer rising mountain wall. About three minutes after the 'concert' began, the boulder began to vibrate and lift off the ground. A moment later, it shot up about 150 feet into the air and landed on a ledge above it, where other monks were using the boulders to seal the entrance of meditation enclaves that they had cut into the sides of the mountain.


References :

• Attuned Vibrations
• Altered States

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For long, humans have been closely associated with Felines. In Ancient Egypt, Cats have played an important role in shaping their history as we know it, also evident in the depiction of their gods and goddesses in the half human and half feline form. Some of the Egyptian gods also have the Canine form, such as Anubis. It is no coincidence that the Sphinx faces the star Sirius, also known as the "Dog Star". Sirius is in the constellation 'Canis Major' or the 'Big Dog', hence the word 'Canine'.



The Canines and Felines (Felidae and the Canidae) as we know them are both from Sirius A and exist as fully evolved, crystalline light beings, non physical from our perspective. The household versions of these beings we see on Earth are in fact physical formats, genetically engineered by the Sirians to assist humanity in ways we are just beginning to understand as a species.

The Cat's purr falls well within the 20-50 hertz anabolic range, and extends up to 140 hertz and is known to assist in bone growth/fracture healing, muscle and tendon repair, pain relief, swelling reduction, dyspnoea (shortness of breath) and to improve mobility of joints.


There is also an old veterinary saying which states, " If you put a cat and a bunch of broken bones in the same room, the bones will heal."





Cat's purring is often compared to the Dhikr, the rhythmic chanting of the Sufis , which is used in many Islamic hospitals as a healing process.


Being around a cat when one is not feeling too well definitely helps as it hastens the healing process. Lying down next to a purring cat when one has a migraine helps one feel better as the healing frequencies alleviate the symptoms and this has been noted in many families which keep cats as pets. If only we had the sensitivity to understand animals and other lifeforms around us, perhaps we would have been a less aggressive species, more in tune with the natural way of life, living in harmony with other members of the Earth Tribe.

"I have studied many philosophers and many cats. The wisdom of cats is infinitely superior."

- Hippolyte Taine


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"Inner Worlds Outer Worlds" is a a fascinating documentary film highlighting certain deep spiritual realizations and inevitable truths, as described by different sources such as the Kabbalah, Cymatics and ancient masters like Buddha and Jesus. An inner journey towards realization of absolute oneness with all there is, seems to be the foundation of all spiritual practices and teachings. Modern day religions have digressed so far away from this truth, that we see today is nothing more than a charade which continues to self perpetuate the lie of a separate individual self, the ego. Well, the lie too serves a purpose, as it gives us the chance to experience duality in its most dense and rigid form ... and sooner or later, we choose to transcend the illusions of the material realm, as we journey towards this realization of who we truly are, beyond the confines of flesh and bone.

The divine order in which all things exist in the universe is something of total awe and unceasing wonder ... We have found ways to describe this inherent creative intelligence as the Holographic Universe or Fractals ... Golden Ratio ... The Fibonacci Series etc. All of this is a clear indication of this intelligence being omnipresent, omniscient ... the source of all there is, some simply call it the Field. Quite aptly called so as all things originate from this field and return to it once that journey is done.


Here is a really interesting documentary titled, "Inner Worlds Outer Worlds", which I'm sure you'd love to watch as it simplifies a lot and answers a whole lot of questions we might have about ourselves in relation to the external, our experiential reality.


The Akasha


Akasha is the unmanifested, the "nothing" or emptiness which fills the vacuum of space. As Einstein realized, empty space is not really empty. Saints, sages and yogis who have looked within themselves have also realized that within the emptiness is unfathomable power, a web of information or energy which connects all things. This matrix or web has been called the Logos, the Higgs Field, the Primordial OM and a thousand other names throughout history. In part one of Inner Worlds, we explore the one vibratory source that extends through all things, through the science of cymatics, the concept of the Logos, and the Vedic concept of Nada Brahma (the universe is sound or vibration). Once we realize that there is one vibratory source that is the root of all scientific and spiritual investigation, how can we say "my religion", "my God" or "my discovery".



The Spiral


The Pythagorian philosopher Plato hinted enigmatically that there was a golden key that unified all of the mysteries of the universe. The golden key is the intelligence of the logos, the source of the primordial om. One could say that it is the mind of God. The source of this divine symmetry is the greatest mystery of our existence. Many of history's monumental thinkers such as Pythagoras, Keppler, Leonardo da Vinci, Tesla and Einstein have come to the threshold the mystery. Every scientist who looks deeply into the universe and every mystic who looks deeply within the self, eventually comes face to face with the same thing: The Primordial Spiral.

As Kundalini awakens within one's self, one begins to see the signature of the spiral in all things. The Spiral is the link between our Inner and Outer Worlds.



The Serpent and the Lotus


The primordial spiral is the manifested world, while Akasha is the unmanifested, or emptiness itself. All of reality is an interplay between these two things; Yang and Yin, or consciousness and matter. The spiral has often been represented by the snake, the downward current, while the bird or blooming lotus flower has represented the upward current or transcendence.The ancient traditions taught that a human being can become a bridge extending from the outer to the inner, from gross to subtle, from the lower chakras to the higher chakras. To balance the inner and the outer is what the Buddha called the middle way, or what Aristotle called the Golden Mean. You can be that bridge. The full awakening of human consciousness and energy is the birthright of every individual on the planet. In today's society we have lost the balance between the inner and the outer. We are so distracted by the outer world of form, thoughts and ideas, that we no longer take time to connect to our inner worlds, the kingdom of heaven that is within.

It's is the removal of all resistance, that allows evolutionary energy to unfold. For those identified only with the illusions of the material world, Kundalini will always remain a metaphor, an idea rather than a direct experience of one's own energy and consciousness.



Beyond Thinking


Life, liberty and the pursuit of happiness. We live our lives pursuing happiness "out there" as if it is a commodity. We have become slaves to our own desires and craving.

Happiness isn't something that can be pursued or purchased like a cheap suit. This is Maya, illusion, the endless play of form. In the Buddhist tradition, Samsara, or the endless cycle of suffering is perpetuated by the craving of pleasure and aversion to pain. Freud referred to this as the "pleasure principle." Everything we do is an attempt to create pleasure, to gain something that we want, or to push away something that is undesirable that we don't want. Even a simple organism like the paramecium does this.

It is called response to stimulus. Unlike a paramecium, humans have more choice. We are free to think, and that is the heart of the problem. It is the thinking about what we want that has gotten out of control.The dilemma of modern society is that we seek to understand the world, not in terms of archaic inner consciousness, but by quantifying and qualifying what we perceive to be the external world by using scientific means and thought. Thinking has only led to more thinking and more questions. We seek to know the innermost forces which create the world and guide its course. But we conceive of this essence as outside of ourselves, not as a living thing, intrinsic to our own nature. It was the famous psychiatrist Carl Jung who said, "one who looks outside dreams, one who looks inside awakes." It is not wrong to desire to be awake, to be happy. What is wrong is to look for happiness outside when it can only be found inside.


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Sounds and Vibrational Frequencies have for long known to affect human consciousness and stimulate awareness often bringing one into a higher vibrational state totally in the present moment.

It's these unseen frequencies which alter our state of consciousness and carry us into an ocean of ecstasy and joy.

In the following video Eckhart shares his views on music ...






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Perhaps one of the most underestimated aspects of human existence is the power of our thoughts and intent. While some of us like to play victim to life’s experiences happening beyond our control, there are others who have awakened to the truth as to how we create our own reality, hence attract all that we experience in our lives, quite literally. Dr. Masaru Emoto is one such soul who shares with the world his groundbreaking discovery which clearly shows the affect of human consciousness on water molecules. We can understand this better if we can understand that all life forms , everything in the universe is inherently a vibration !


In his experiments, Dr. Emoto exposed music, words spoken, words typed, pictures and videos to Water. After it was crystallized the water showed some remarkable patterns. Positive words such as ‘Thank You’, ‘Love’, ‘Truth’, ‘Compassion’, and ‘Happiness’ gave the water molecule a beautiful crystalline structure contrary to the water molecules which were exposed to negative terminology and intent with words and phrases such as ‘hate’, ‘greed’, ‘you make me sick’ which made the structure all distorted and chaotic.

This is what Dr. Emoto has to say about his experiments with water … "It was 1994 when the idea to freeze water and observe it with a microscope came upon me. With this method, I was convinced that I should be able to see something like snow crystals."

After two months of trial and error, this idea bore fruit. The beautifully shining hexagonal crystals were created from the invisible world. My staff at the laboratory and I were absorbed in it and began to do many researches.

At first, we strenuously observed crystals of tap water, river water, and lake water. From the tap water we could not get any beautiful crystals. We could not get any beautiful ones from rivers and lakes near big cities, either. However, from the water from rivers and lakes where water is kept pristine from development, we could observe beautiful crystals with each one having its own uniqueness. Since our bodies are mostly water one can only imagine how our thoughts, words and intent affect our vibrational state. Some recent studies also suggest that water has memory of its own and can carry the memory of that substance even after it has been so diluted than none of the molecules of the molecules of the original substance remain. This is exactly what Homeopathy is based on.

 ‘Cymatics’, which is the scientific study of how vibrational frequencies affect physical matter also corroborates with Dr. Emoto’s discovery of water being affected by waves of intent and thought forms. The term Cymatics was coined by Dr. Hans Jenny which is derived from the Greek word 'kyma' meaning 'wave' or 'ta kymatica' meaning 'matters pertaining to waves'.

In his research with the tonoscope, Jenny noticed that when the vowels of the ancient languages of Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while our modern languages, on the other hand, did not generate the same result! How is this possible? Did the ancient Hebrews and Indians know this? Is there something to the concept of "sacred language," which both of these are sometimes called? What qualities do these "sacred languages," among which Tibetan, Egyptian and Chinese are often numbered, possess? Do they have the power to influence and transform physical reality, to create things through their inherent power, or, to take a concrete example, through the recitation or singing of sacred texts, to heal a person who has gone "out of tune"?

After we’ve known this, the question arises as to what can we do to put this knowledge into practice. Well, its quite simple really. Be aware of your own feelings and work towards enhancing your own vibrational state to a higher frequency of love and compassion for all. To get to this state of being one needs to transcend the limiting beliefs of the old paradigm and make way for the realization of our innate spiritual oneness with all there is.

Clearly, our homes are not restricted to the concrete jungles we pay a fortune to get into and we must awaken to our individual contribution in keeping our home, Planet Earth clean and beautiful as its supposed to be. Its about time we go beyond these nonexistent illusory boundaries of village, state or country and live a life in harmony with nature, not treating everything as a resource with a price tag attached to it.

In a wonderland that is Goa, we have the opportunity to stay close to natural surroundings with clean rivers and lakes which we must strive to keep clean. Our individual efforts and our sense of awareness makes a world of a difference in our lives and those around us. Everything changes when we start emitting our own frequency rather than absorbing the frequencies around us, when we start imprinting our intent on the universe rather than receiving an intent from existence.

It’s about time we start beaming positivity and good vibes wherever we are … start becoming the change we wish to see in the world ! As solid as it may appear to our five senses, our realities are quite literally manifestations of our thoughts.



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Super-heated death rays... High-tech rockets... Powerful sonic weapons... Are these examples of modern day science or could these technologies have originated thousands of years ago? Is it possible that early man possessed scientific knowledge far beyond that of our own century? Ancient texts, folklore and art suggest humans witnessed disc-shaped flying machines and fire-spewing chariots. Could these be accounts of flying saucers and rocket ships? And if so, was advanced technology left here by visitors from the stars? Did mankind's quest to unlock the secrets of levitation, anti-gravity and laser technology merely spring from our imaginations or did these ideas come from otherworldly beings?



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In this show titled "Amazing Water" on Coast to Coast AM, Filmmaker and Mystic Ecologist David Sereda discusses some of the amazing properties of water. It may actually have memory and consciousness, he said. Human beings are mostly made up of water and he suggested that restructured water could have healing properties on their bodies.


Following up on the groundbreaking work of Masaru Emoto, Sereda exposed water to the sounds of the sun, and the water crystals changed to a beatific shape. A subject drank restructured water and their blood cells showed a healthy response, and prayer/intention directed at water can beneficially alter its structure, he detailed. Such water must be drank right away as the restructuring may be temporary, he added.


Could water itself be a kind of memory system, actually containing the Akashic Records?, Sereda pondered. He noted in addition to healing, structured water could potentially be useful in exploring nuclear fusion, reclaiming polluted areas, and developing "super sensors" -- instantaneous signals that can be sent out into the galaxy.





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Cymatics is the study of the effects of sound vibrations on physical matter and the many geometric patterns that emerge from varying the frequency of vibration ... Crop Circles too are believed to be created by some kind of an unseen electromagnetic force with microwave like properties, however not damaging the crop in the layering process which truly is clear proof of non-physical intelligences behind the phenomena ... Here is an excerpt from the book "Secrets in the Fields" by leading Crop Circle researcher Freddy Silva discussing how Sound might be creating these awesome Crop Circle Formations.

Is Sound Creating Crop Circles ?

During the twilight days of December 1998, small articles tucked away in the nether regions of the British press quietly announced 'Unknown Force Was Behind Corn Circles, Claims Hoaxer'. This dramatic U-turn by the surviving member of the infamous Doug & Dave duo who since 1991 have misled the world with tales of their crop flattening prowess with planks of wood illustrates that the hand of man materialized in crop circle lore long after the real phenomenon manifested.

Latterday hoaxers claim that they applied boot to wheat in 1978, yet crop circles have appeared throughout the world since the early 1900s, with dozens of eyewitnesses even reporting crop circles forming in a matter of seconds as far back as 1890; several descriptive accounts were even documented in 1678 by Robert Plot, then curator of the Ashmolean. If hoaxers are responsible, then, they appear to have mastered the art of time travel, in which case it is they who should be under scientific scrutiny.

To date some 10,000 crop circles have been catalogued worldwide, and their anomalous features continue to be not possible to replicate: plants bent an inch above soil and gently laid down in geometrically-precise patterns with no physical signs of damage, light burn marks at the base of stems, altered cellular structure and soil chemistry, discrepancies in background radiation, alteration of the local electromagnetic field, depletion of the local watershed, and dowsable, long-lasting energy patterns, not to mention measured effects on the human biological field. So much, then, for two guys and a piece of wood. But thanks to a virtual embargo on research coverage throughout the media, a popular myth has developed that all crop circles have been nothing more than a prank with a plank.

By definition, hoaxes are forgeries, and forgeries require originals from which to copy. So what is this 'unknown force' that creates genuine crop circles? One answer may lie with sound.

Echoed in all the world's faiths and traditions, Universal matter was created by sound: 'In the beginning was the Word, and the Word was with God', St. John reminds us. Hopi and Navajo traditions even assert that in ancient times shamans would utter words onto sand and create patterns, a concept not dissimilar to the Hindu mandalas which are said to be expressions of the vibration of God. Consequently, the Eastern faiths- Islam in particular- chose sacred geometry to express the image of God, a technique later used in those hymns to sacred geometry, Gothic cathedrals.

Modern science now shows that these geometric rhythms lie at the centre of atomic structures. When Andrew Gladzewski carried out research into atomic patterns, plants, crystals and harmonics in music he concluded that atoms are harmonic resonators, proving that physical reality is actually governed by geometric arrays based on sound frequencies. Even that primeval Hindu sound, the OM, from which is derived our modern term 'hum', when sung into a tonoscope produces the very geometric shapes attributed with 'sacredness'. Perhaps the most important of these shapes is the hexagon, upon which the Egyptian matrix named the Flower of Life is based. This series of outwardly-rotating divisions of the circle accommodate the branches of the building blocks of life, the amino acids. This Flower of Life has subsequently manifested as a crop circle.

As the expression of number in space, geometry is inextricably linked to music since the laws of the former govern the mathematical intervals that make up the notes in the western music scale- the diatonic ratios- hence why the ancient Egyptians referred to geometry as frozen music.

In the February 1992 edition of Science News, Prof. Gerald Hawkins used the principles of Euclidean geometry to prove that four theorems can be derived from the relationships of elements in crop circles. More significantly, he discovered a fifth theorem from which he could derive the other four. Despite an open challenge, over half a million subscribers have been unable to create such a theorem, which Euclid himself only hinted at twenty-three centuries earlier in his thirteen treatises on mathematics. So it came as a slight surprise when its equilateral version materialized as 160,000 sq. ft. of flattened barley at Litchfield, Hampshire.

Since Hawkins' Euclidean theorems also produce diatonic ratios, a link exists between crop circles and musical notes, themselves the by-product of the harmonic laws of sound frequency. Soon, crop circles bearing unmistakable associations with sound then began to appear. One contained a curious ratchet feature from which is constructed a musical diagram also dating to the Egyptians, the Lambdoma. Also known as the Pythagorean Table, it defines the exact relationships between musical harmonics and mathematical ratios.

In 1996 another crop circle demonstrated the combination of two important figures: the 3-4-5 triangle and the Golden Mean, producing the geometric diagram necessary to produce musical ratios. But it was a convincing formation at Goodwood Clatford- which had its plants bent six inches from the top- that gave the proverbial nod to sound, for here was a representation of a cymatic pattern etched in 5000 sq ft of barley.

Cymatics is the study of vibrational wave patterns. One of its earliest pupils was Margaret Watts-Hughes who, in 1891, captured precise geometric patterns on film as she sang sustained notes into a device containing lycopodium powder. But it would be another seventy six years before Swiss scientist Hans Jenny published the first of his painstaking studies on the transmission of sound through physical mediums, this time in the shape of monitored electronic frequencies.

He observed how sound vibration created geometric shapes- a low frequency produced a simple circle encompassed by rings, whereas a higher frequency increased the number of concentric rings around a central circle. As the frequencies rose so, too, did the complexity of shapes, to the point where tetrahedrons, mandalas and other sacred forms could be discerned. Like Margaret before him, Jenny enabled humanity to observe 'frozen music'.

Jenny also provided a physical connection to the creation of crop circles since many of the vibrational patterns found in his photos mimic their designs. Some are blatant imitations, such as the circle surrounded by concentric rings typical of early 80s patterns, the tetrahedron at Barbury Castle in 1991, the spider's web mandala at Avebury from 1994, even the highly structured star fractals of 1997. Other photos demonstrate the construction geometry encoded within the crop circles' skeleton.

Visually, then, there is little room to deny the connection. But what evidence is there of sound in crop circles at a physical level?

Many accounts exist of a trilling sound heard by people prior to witnessing crop circles forming. The reports describe a sudden stillness in the air, the morning birdsong superseded by a trilling sound and the banging together of wheat heads despite an absence of wind. A whole section of crop then lays down in spiral fashion, the whole episode lasting less than fifteen seconds. Circles researcher Colin Andrews came across the trilling noise himself when, in mild frustration during his search to find a single answer to the phenomenon, he beseeched the heavens, "God, if only you could tell me how these things are created". The reply he received was eventually captured on magnetic tape. Subsequent analysis at Sussex University and NASA's Jet Propulsion Lab concluded the noise was mechanical in nature and beating at a frequency of 5.0-5.2 kHz.

Whilst recording an interview inside a crop circle the same sound was heard by a BBC cameraman shortly before it rendered a £30,000 TV camera obsolete. Interestingly, when the sound made another appearance during group research inside another formation it exhibited qualities of non-linear movement, and behaved in tandem with specific requests, sometimes on a psychic level. Since it also has the ability to transmit on radio frequencies and interfere with electronic equipment, birds and insects can be ruled out; and although skeptics are quick to accuse that the recorded sound is, in fact, the grasshopper warbler, stroboscopic analysis of both voice prints revealed vast differences between this bird and the bizarre noise. Besides, these birds frequent marshes, not vast, open fields of cereal crop.

Interestingly, the Aborigines relate to this trilling sound. During their ceremonies to contact- in their words- the sky spirits, a 'bora' consisting of a specially-shaped piece of wood is attached to the end of a long string and whirled, creating a noise practically identical to the crop circle hum. One has to wonder where the inspiration for this device came from, who these sky spirits were, and what on earth made the timeless Aborigines associate this noise with them. That was until it was discovered that not only have crop circles appeared in Australia, many throughout the 1960s, but their manifestation figures in Aboriginal lore, just as their geometries appear in rock paintings.

In 1998 sounds of a more melodic kind were heard and recorded inside a formation by three witnesses (or is it earwitnesses?); the design was founded on sevenfold geometry, a representation of the intervals in the diatonic music scale. Several months later I came across a diagram called the Web of Athena, in which all the points of the heptagon are connected. Despite the jumble of lines the diagram consists of just three line lengths, and by juxtaposing these onto a stringed instrument, the exact same notes were recreated.

But perhaps the greatest connection linking sound to the manifestation of crop circles lies in their greatest anomaly: the permanent bending of the plants' stems. In Canada during the 1960s, laboratory experiments measured the effects of music on plants by subjecting them to different tones. Exposure to heavy metal music made the plants tilt in the opposite direction, whereas classical music lulled the plants toward the speakers.

But in the case of Hindu devotional music- and the songs of Ravi Shankar, in particular- the stems bent in excess of 60º to the horizontal, perhaps the closest any human has ever come anywhere to achieving that right angle common to genuine crop circles.

Further experiments at Annamalai University applying Indian devotional song generated additional effects: the number of stomata in the experimental plants was 66% higher, the epidermal walls were thicker, and the palisade cells were longer and broader than control specimens, sometimes by as much as 50%. Similar biophysical changes are known to occur in plants collected from crop circles. Tests performed since 1989 by American physicist Dr. W. Levengood consistently show how the energy creating crop circles is able to affect seed embryo and plant growth, elongate the plant's nodes, even alter the pattern of the chromosomes themselves.

Yet the effect extends beyond plants. Agricultural researcher George Smith found that exposing corn to sound frequencies produced a higher heat content in soil, as well as a slight burnt appearance in the plants. The effect is consistent with the slight 'baking' regularly observed in crop circles, where the affected area appears noticeably drier than the rest of the field despite overnight rain; the same applies to the 'slight burning' at the base of crop circle stalks. Oddly enough, Smith speculated at the time that sound energy also increased molecular activity in plants, three decades before it was found in crop circle samples by Levengood.

Since a sudden and abnormal burst of growth is also known to occur in crop circle plants it was postulated that microwave was the culprit behind the creation of crop circles. However, microwave has the ability to render biological systems sterile, and a certain dose will even kill organisms. Yet the crop circles plants are alive and well. After four years of experiments on regular wheat at the University of Ottawa, Mary Measures and Pearl Weinberger found accelerated growth in laboratory samples, and postulated that the sound frequency they applied had produced a resonant effect in the plants' cells, thereby affecting their metabolism. The frequency Measures and Weinberger applied was identical the crop circle trilling noise.

Sound as one energy source capable of creating crop circles now becomes very feasible. But what type of sound coaxes plants to bend and lie down, applying firm and gentle pressure and, given the intricacy and complexity of latterday patterns, with a fine degree of control?

Interestingly, ultrasound is capable of interacting with physical elements to such an incredible degree. It can be aimed, focused and reflected almost like a light beam, and specific frequencies can be focused to cause certain kinds of molecules to vibrate while others nearby are left unmoved. The higher the frequency of ultrasound, the greater its ability to be directed. This requires frequencies in the high MHz range, such as those detected in crop circles by Paul Vigay. His empirical data shows how the level of background readings drop abruptly when he crosses the threshold of a formation. Close to the centre, readings hover in the vacinity of 260-320 MHz.

However, just as crop circles have made a quantum leap in mathematical complexity over the past two years, so readings have recently jumped to 540 MHz. Incredibly, this coincides with Jenny's experiments which show that a relationship exists between the rising complexity of cymatic geometries in proportion to the rise of dispensed frequency. In other words, the level of frequency, whether in a laboratory or a field, correlates with the increase in design intricacy.

Such extremely high frequencies are known to affect the state of awareness and consciousness in humans. Interestingly, people visiting crop formations often notice this, where even simple left brain functions such as counting are affected. When tuned in the MHz range ultrasound also prevents damage to sensitive tissues, so its healing properties are used in treating muscular ailments, and cases of people reporting healings when inside crop circles are becoming commonplace. One long-time sufferer of Parkinson's Disease reported being cured overnight.

Below 20 Hz sound becomes infrasonic, and such frequencies are directly involved with biological processes. It is well known that long exposure to infrasound can cause unpleasant conditions such as fatigue and nausea, and such symptoms are reported by visitors to crop circles. When combined with high-pressure, the acoustic power created by infrasound is in the order of kilowatts. In the case of plants, this pressure boils the water held inside the stems in a nanosecond. As water heats it expands, and a close look at crop circle plants reveals tiny holes in their nodes where this superheated water has escaped. With a hollow cavity near the base, and the stems made subtle like molten glass by the heat, the now top-heavy plants collapse into their new horizontal position.

Since this 'vapour cavitation' also creates local temperature increases of hundreds of thousands of degrees for a fraction of a second it is not now difficult to see why millions of gallons of groundwater disappear within the area of a crop circle, or why the plants have a cooked, malty odour. Combine this with Levengood's discovery of microscopic blow-holes in the plants' cell wall pits (indicating the rapid boiling of water inside the plant), and everything starts to fall into place.

This infrasonic/ultrasonic process also creates a hissing sound, and if you are fortunate enough to visit a crop circle within a few hours of its appearance you will find yourself surrounded by this. Since infrasound is also capable of atomizing water molecules and creating a fine mist, it should be mentioned that in 1996 a farmer out harvesting his field at Etchilhampton saw what he describes as 'a series of columns of mist rising like cannonshot from the field next door'. Mist looks very out-of-place in a wheat field, in mid-afternoon on a dry, summer's day. Yet shortly after the incident a series of thirteen circles connected by a three quarter-mile long avenue and a Sanskrit-type glyph appeared in the very same field.

Finally, vapour cavitation is accompanied by a sudden spark of light called sonoluminescence, caused by the production of electrical discharges as the water/vapour is ionized. And the lower the operating frequency, the greater the effect. In a laboratory, 18 Hz has been used as the lowest safety threshold below which the pressure formed by infrasound is known to produce disruption to chromosomes. Every summer, crop circle plants of every variety are sent blind to Dr. Levengood, and some inevitably show unmistakable disruption to their chromosomes. Yet give him samples deliberately produced by field forgers and he'll find something really unusual-perfectly normal plants.

The musical scale, constructed on the harmonics of sacred geometry, and now found within the framework of crop circles, represents the mathematical structure of the soul of the world because it embodies the essence of the Universe. So it's no coincidence that a large percentage of crop circles can be identified with- and by- ancient cultures, who to this day honour their histories through song and music, their healing rituals performed with sound or rhythm. This relationship is further extended in Buddhist mandalas, whose elaborate geometries are used to alter states of consciousness. Perhaps it is not by coincidence that crop circle designs mirror these intricate patterns, just as they bear an uncanny familiarity to Jenny's materializations of sound.

If sound vibrations are both encoded into and generated by crop circles, is it not possible that they, too, can arouse the individual at a spiritual level? After all, it's through music that whole human experiences are celebrated and carried from generation to generation. It is very probable that it is for this reason that the very shape of the human ear- more specifically the cochlea- is a spiral constructed according to the harmonic laws of tone, just as the same spiral forms the primary basis from which thousands of crop circles have sprung.


Music is a carrier for social change. The effects of Handel's music is believed to have reversed the state of morality in Victorian England, just as the anarchic overtones of Punk corralled disillusioned youth into fighting an establishment that held no tolerance for those who stepped outside the system. The effects in people's states of awareness through contact with crop circles is similarly documented. In 1990 a pictogram at Alton Barnes sported the trident of Shiva the Transformer. Ironically, it was through exposure to this crop circle that millions around the world were transformed, just as images of crop circles today continue to enlighten the awareness of those who come into contact with them.

If sound is one of the formative principles behind crop circles, it is not surprising that they are leaving psychological impressions on those whose antenna is extended and receptive to their tune.

© Freddy Silva 1997


Source :

• Crop Circle Secrets
• Cymatics Source ~ Crop Circles

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The term Cymatics was coined by Dr. Hans Jenny which is derived from the Greek word 'kyma' meaning 'wave' or 'ta kymatica' meaning 'matters pertaining to waves'. In 1787, the jurist, musician and physicist Ernst Chladni published "Entdeckungen über die Theorie des Klangesor", "Discoveries Concerning the Theory of Music". In this and other pioneering works, Chladni laid the foundations for that discipline within physics that came to be called acoustics, the science of sound.

Among Chladni´s successes was finding a way to make visible what sound waves generate. With the help of a violin bow which he drew perpendicularly across the edge of flat plates covered with sand, he produced those patterns and shapes which today go by the term Chladni figures. Chladni demonstrated once and for all that sound actually does affect physical matter and that it has the quality of creating geometric patterns.

In 1967, the late Hans Jenny, a Swiss doctor, artist, and researcher, published the bilingual book 'Kymatik -Wellen und Schwingungen mit ihrer Struktur und Dynamik' / 'Cymatics - The Structure and Dynamics of Waves and Vibrations'. In this book Jenny, like Chladni two hundred years earlier, showed what happens when one takes various materials like sand, spores, iron filings, water, and viscous substances, and places them on vibrating metal plates and membranes. What then appears are shapes and motion patterns which vary from the nearly perfectly ordered and stationary to those that are turbulently developing, organic, and constantly in motion. When Jenny experimented with fluids of various kinds he produced wave motions, spirals, and wave-like patterns in continuous circulation. In his research with plant spores, he found an enormous variety and complexity, but even so, there was a unity in the shapes and dynamic developments that arose. With the help of iron filings, mercury, viscous liquids, plastic-like substances and gases, he investigated the three-dimensional aspects of the effect of vibration. In his research with the tonoscope, Jenny noticed that when the vowels of the ancient languages of Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while our modern languages, on the other hand, did not generate the same result! How is this possible? Did the ancient Hebrews and Indians know this? Is there something to the concept of "sacred language," which both of these are sometimes called? What qualities do these "sacred languages," among which Tibetan, Egyptian and Chinese are often numbered, possess? Do they have the power to influence and transform physical reality, to create things through their inherent power, or, to take a concrete example, through the recitation or singing of sacred texts, to heal a person who has gone "out of tune"? An interesting phenomenon appeared when he took a vibrating plate covered with liquid and tilted it. The liquid did not yield to gravitational influence and run off the vibrating plate but stayed on and went on constructing new shapes as though nothing had happened. If, however, the oscillation was then turned off, the liquid began to run, but if he was really fast and got the vibrations going again, he could get the liquid back in place on the plate. According to Jenny, this was an example of an anti-gravitational effect created by vibrations. What Hans Jenny pointed out is the resemblance between the shapes and patterns we see around us in physical reality and the shapes and patterns he generated in his investigations. Jenny was convinced that biological evolution was a result of vibrations, and that their nature determined the ultimate outcome. He speculated that every cell had its own frequency and that a number of cells with the same frequency created a new frequency which was in harmony with the original, which in its turn possibly formed an organ that also created a new frequency in harmony with the two preceding ones. Jenny was saying that the key to understanding how we can heal the body with the help of tones lies in our understanding of how different frequencies influence genes, cells and various structures in the body.


 References :

• World Mysteries : Cymatics
• Cymatics
• Cymatics : Visible Sound

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Through music and word is the ability to use sound, music and voice to affect changes in others and in one self. Almost every society has had teachings which usually fell to the individuals schooled in the natural or spiritual laws of the universe. These ancient traditions of the word are not lost. It involves one opening up to heal and be healed through the magic of music and sound.

Take for instance the humming sound. It carries sound internally and can be a powerful tool. Establishing a rapport between our spiritual aspects, and our emotional, mental and physical aspects bringing them into harmony with each other. The power of the mantra can be felt in humming “Om”, it actually performs a micro-massage upon the internal organs, releasing stress and restoring balance creating sympathy, harmony and poise.



Music and singing awakens ones creativity. Singing release’s stress while listening can stimulate movement and thought. Learn to play with your voice and with your singing you may recapture joy and balance in the process. Singing is a way of cleansing the Etheric body, strengthening the flow of energy into the physical body. The Gregorian chants that we know today are still powerful tools of consciousness inspiring awe. They are quite cleansing to any negative environment.

There are many ways in which sound combined with the energy of crystals may restore balance and release stress. Within everyone are all the energies and forces of our universe carrying the potential to manifest greater fulfillment, abundance, health and awareness. Through the transformation of sound we can touch upon learning to use energies and abilities long forgotten but still within our reach.


Excerpted from "Sacred Sounds: Magic & Healing Through Words & Music" By Ted Andrews


THE HEALING ASPECTS OF TONING

The voice has a tremendous ability to be an instrument for healing. Pythagoras recognized the considerable therapeutic power of human speech. He treated diseases through the reading of poetry. He taught his students how a skillful, well-modulated voice, with beautiful words and pleasing meter, could restore balance to the body and soul. The belief in the healing capacity of the human voice is common to many parts of the world. Shamans and holy men of primitive societies would use a spirit language to commune with higher intelligences so as to extract proper remedies.

Confession has been used by many societies and religions as a means of accelerating the healing process. This process aligns itself with many of modern psychology's psychosomatic remedies. It was used voluntarily by the Apache Indians during times of illness. The Apaches recognized that all levels of consciousness and action were intimately connected to the physical. By confessing, the individual faced what had created the illness.

More commonly, the Catholic Church still utilizes confession. It has lost the physical healing aspects that once were associated with it. Today it is more focused upon the spiritual and emotional cleansing, and few today acknowledge its intimacy with physical well-being. Our speech is comprised of two elements: consonants and vowels. Every letter and combination of letters has significance. The vowel sounds are the most dynamic aspect of spoken sound, for without them the consonants could not be sounded. Many of the early alphabets excluded the vowels, because they believed they were too stimulating, causing certain energies to be activated.

The Chaldean alphabet, one of the forerunners of our alphabet, was designed to be a tool for attaining higher wisdom. Their letters, sounds, glyphic forms, and their numerological correspondences provide clues to the more archetypal energies operating and activated through the words.

Mantra yoga is a technique of human self-realization through the use of inner sounds or nadas that are awakened through outer toning and chanting. In Tibetan beliefs, the most important musical instrument is the human voice, and the Tibetan shamans are trained in the use of outer sound projection to create inner, esoteric vibrations. They learn to use the head and chest as resonance chambers for the entire human body. The repeated toning of vowels creates a reverberation so that when the chanting stops, the sounds continue to echo within the mind and within the chambers of the body.

Each vowel opens a particular part of the body. This part of the body should be visualized during the inhalation and also when the vowel is spoken or toned internally. This inner sounding is the key to many metaphysical teachings concerning sound and mantras. Without the inner sounding occurring before the outer, audible sounding, the effects are minimized. The process of Directed Esoteric Toning involves both aspects. It is simple: as we inhale, we focus our minds on the region of the body associated with the vowel, and we sound it silently. Then as we exhale, we vibrate or tone the sound again audibly.

This method of opening by the vowels can be better understood if we realize that breath penetrates deeply into the region concerned, according to our thoughts. The breath takes the energy of prana and combines it with the vowel tones and together they open specific inner regions of the body or consciousness.


Source : Lightworkers & Spirit Sound

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"He made the whole world an instrument of sound, and an instrument for carrying messages, resounding praise to the Creator of all.
- Frank Waters - The Book of the Hopi

Sound

There is something called the Sacred Sound Current which correlates to the spiritual Hindu "OM" and the Sufi "HU", and the Sant Mat "Shabd". This Music of the Spheres, Logos or Word as called in mystical teachings, goes beyond our limited spoken language. Such ethereal music is referred to also as the Sound of God or the Breath of God since the sound permeates all things. And as we know, all things are composed of energy.

This all pervading sound in the current of the Ocean of Consciousness is believed to be the connecting link between God and man. The divine currents are always playing a symphony of ethereal music, however, it does not become audible until we have progressed spiritually enough to hear with the inner ear. Additionally, many mystics, ancient and modern, have reported seeing various colors with the inner eye(s) while in meditation.

As physics deems, all is in a vibrational state, and thus can be converted into mathematical renditions, musical notes and color frequencies. Shabd is believed to be the pinnacle point of all the powers of nature in which, according to scriptures, is the method in which God creates.

"I dwell in undefiled Light and a Thought revealed itself perceptibly through the great Sound...And it is a Word by virtue of the Sound; it was sent to illumine those who dwell in darkness...I am a Light that illuminates the All. I am the Light..."
- Trimorphic Protennoia - Nag Hammadi

Light and Sound is also viewed as synonymous with each other in the ancient scriptures. This has been mentioned in various contexts within this site as well. They are Interconnected and part of the Whole within the wave/particle duality.

We can parallel the holographic universe concept with what Philo of Alexandria's wrote circa 40 CE, "The whole creation, this entire world perceived by our senses is a copy of the Divine Image...But the shadow of God is his Word which he used like an instrument when he was making the world. And this shadow, and, as it were, model, is the archetype of other things.." We can also note the similarity to Carl Jung's archetypes within the collective unconscious.

"The musician is very close to mysticism, far closer than the philosopher...because music is meaningful without any words; it is meaningful simply because it rings some bells in your heart..creates a synchronicity between you and itself, when your heart starts resonating in the same way, when you start pulsating in the same way."
- Osho, Philosophia Ultima


Synchronicity

Carl Jung made significant progress in his theories of the soul and shamanism, on many levels. This psychologist's work on the deep aspects of the soul dawned a new age for scientific and religious thinkers. Carl Jung's depth in understanding the self and realms therein parallels the knowledge and characteristics of shamanism.

With this understanding, Carl Jung felt that no causal connection can be demonstrated between two events, but a meaningful relationship nevertheless exists between them. This direct encounter with the patterning of events in nature as a whole reveals the meaningful connections between the subjective and objective world. Jung called this principle of meaningful coincidences: "synchronicity".

Jung describes in his research into the collective unconscious that coincidences were connected in meaningful ways. Their occurrence seemed to defy the calculations of probability. Because Jung believed the phenomenon of synchronicity was connected to psychic conditions, he felt the inner and outer realities (subjective and objective) evolved through the archetypes. Jung formulated that these archetypal images belonged to a part of the unconscious not derived from personal experience. The archetypal images forms the "collective unconscious". This collective is all things working in tandem indicating 'singleness of purpose', in this case, our very totality of consciousness vibrating and working as one coherent mass of energy.

We can also see archetypal images or symbols as energetic structures that create a bridge between us and the higher realities. In some unintelligible way, they connect us with the spiritual realms and the divine order that unites us all. Archetypes thus become a doorway that provides access to the experience of meaningful coincidence.

Jung's concept of synchronicity speaks of the "oneness" and interdependence of the universe. Jung states, "peculiar interdependence of objective elements among themselves as well as with the subjective (psychic) states of the observer or observers". Jung was also heavily influenced by the "new" physics dawning which he wrote, "Physics has demonstrated...that in the realm of atomic magnitudes objective reality presupposes an observer, and that only on this condition is a satisfactory scheme of explanation possible...This means that a subjective element attaches to the physicist's world picture, and secondly that a connection necessarily exists between the psyche to be explained and the objective space-time continuum."

These discoveries confirmed what Jung recognized intuitively: that matter and consciousness are, in fact, interconnected in an essential way. Quantum theory and synchronous events along with matter and consciousness function as complementary aspects of a unified total reality.

In an essay by Gerhard Adler titled "Reflections on "Chance" and "Fate" - "This interconnectedness manifests itself in so many ways that one has to accept it as undisputable reality."

Arthur Koestler, a twentieth century philosopher, refers to the capacity of the human psyche to "act as a cosmic resonator" and in his book, "The Roots of Coincidence", presumes the "fundamental unity of all things," which transcends mechanical causality, and which relates coincidence to the "universal scheme of things."

Koestler also refers to "the universal hanging-together of things, their embeddedness in a universal matrix." Many ecologists and scientists know without a doubt, this sense of interrelation in and of the world.

The mystical concepts of one universal scheme parallels the scientific theme of oneness. The relevancy of science and consciousness is immense.

"Call it Nature, Fate, Fortune; all these are names of the one and selfsame God."
- Lucius Annaeus Seneca 5 BC-65 AD


Shamanism

"I see science and mysticism as two complementary manifestations of the human mind; of its rational and intuitive faculties."
Fritjof Capra - Tao of Physics.
"Shamanism" is basically the practice of contacting the "spirit world" and doing work on the dimensional and/or on a soul level. This could encompass many methods and modes of doing such. Shamans/Healers have been the corner stone of many spiritual traditions throughout the world. The roots of these ancient Healers and Priests regarded the soul and consciousness as a part of the whole cosmos. The shamanistic concept of "journeying" could be explained by as traveling through space and time dimensions to heal the soul and the person or many various other reasons depending on the culture of that healer. For many healer/shamans multidimensional traveling is a way of life. There is no distinct separation.

Science has also come to explain how "magic" of the shamans operates to some degree. A scandalous trial in London in 1877, grabbed the attention of many notable physicists. Henry Slade, a psychic from the United States, was charged with fraudulent activity. What marked this normally mundane trial of trickery is that physicists and astronomers around the world, some who won the Nobel Prize in physics, came to Slade's defense. These scientists claimed "miraculous feats" could be done by manipulating objects in the 4th dimension.

This other worldly ability is something shamans have been to known to do, either alter something in the physical or manifest something from "thin air". Physicists are coming close to explaining the science of the shaman.

Eventually, Henry Slade was convicted despite the help he received.

The well known tenet in shamanism is the "axis mundi", the transcendental center of the worlds, designates "parallel world realities within a single universe", coexisting on each side of the "axis mundi" the axis by which our world is brought into communication with the upper and lower worlds.

In "The Nature of Shamanism" it states, "Uniformities of forms do appear to exist in our empirical universe which transgress the quanta of the human mind...falling into the domain of the Jungian 'collective unconsciousness'".

"By invoking modern physics, we can say, together with many a shaman, that all reality is only a continuum of the same spectrum. Put otherwise, reality is always in a state of Being or Existing."

"Magic is any sufficiently advanced technology."
Arthur C. Clarke




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