The first full moon of this year 2010 will be rising tonight, 30th January 2010 and will be 14 percent larger and 30 per cent brighter than the usual full moons of the year. This is because the moon orbits the earth in an elliptical orbit with one side 50,000 km closer to earth than the other. In astronomy these two extremes are called apogee, which means far away and perigee that means nearby.

The moon at perigee looks larger and brighter than it looks in all other positions. Once or twice a year, perigee coincides with a full moon, as it will tonight, making the moon larger and brighter than any other full moons during the year. It will be seen in its full glory at around 8pm tonight. Mars, the red planet will also be visible towards the left of the moon.

Full Moon names date back to Native Americans, of what is now the northern and eastern United States. Those tribes of a few hundred years ago kept track of the seasons by giving distinctive names to each recurring full moon. Their names were applied to the entire month in which each occurred.

New Moon & Full Moon Dates for 2010

New Jan 15 2010
Full Jan 30 2010

New Feb 14 2010
Full Feb 28 2010

New Mar 15 2010
Full Mar 30 2010

New Apr 14 2010
Full Apr 28 2010

New May 14 2010
Full May 27 2010

New Jun 12 2010
Full Jun 26 2010

New Jul 11 2010
Full Jul 26 2010

New Aug 10 2010
Full Aug 24 2010

New Sep 8 2010
Full Sep 23 2010

New Oct 7 2010
Full Oct 23 2010

New Nov 6 2010
Full Nov 21 2010

New Dec 5 2010
Full Dec 21 2010

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Timothy Francis Leary was born is Springfield, Massachusetts in 1920. He attended West Point in the early '40s (where he didn't exactly fit in) and then served in the military during WWII. He earned his PhD in psychology from U.C. Berkeley and taught there briefly but moved to Harvard after his first wife's death. He first took psilocybin mushrooms in 1960 during a trip to Mexico. When he returned to Harvard he began the Harvard Psilocybin Project, studying the effects of psilocybin on humans. As part of the project he, along with Richard Alpert and Ralph Metzner, gave psilocybin to a series of volunteers including Allen Ginsberg, Jack Kerouac, Neal Cassady, and Arthur Koestler, among others.

In 1962 Leary was introduced to LSD for the first time by Michael Hollingshead. He had what he later described as "the most shattering experience of his life". Leary became a spokesman for LSD and the psychedelic movement, encouraging people to "turn on, tune in, and drop out". In 1963, he and Richard Alpert were fired from their positions at Harvard after which they both lived at Millbrook for a time. At Milbrook they continued to work with psychedelics both therapeutically and recreationally...with the occasional help of Allen Ginsberg, Jack Kerouac, William Burroughs, Abbie Hoffman and Aldous Huxley.

In 1965, while crossing into the U.S. from Mexico, Leary's daughter was caught with marijuana. Leary took responsibility, was convicted of marijuana possession under the Marijuana Tax Act and sentenced to 30 years in prison. He appealed the case based on the argument that the Marijuana Tax Act required self-incrimination in order to comply with it, and therefore was unconstitutional. In 1969, the U.S. Supreme Court agreed with him, declaring the Marijuana Tax Act unconstitutional and overturning his conviction.

In 1970, Leary was convicted once again of marijuana possession and sentenced to 10 years in prison. He escaped from the minimum security prison and fled with his wife to Algeria and then Switzerland. In 1973 he was arrested by DEA agents in Afghanistan and returned to prison in California. He served three years before being parolled 1976.

Leary became interested in virtual reality and cyberculture and spent the last twenty years of his life writing and lecturing. He worked with a group of friends to document his own process of dying from prostate cancer. He died quietly in his own bed, surrounded by friends, and on Feb 9 1997, a portion of Leary's cremated remains were launched into space.

Timothy Leary 's life experiences and the psychedelic 60s have a lot we can learn from ... a good opportunity to evolve from the 5 sensory to the multisensory as we journey through the shamanic visions of the golden age ... we are co-creating here, now ...

In Lak'ech ...

References :

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Ron Mann, the director of the famous Grass Documentary is back with another marvelous documentary, this time on Shrooms, the Magical Fungus, titled 'Know Your Mushrooms' !

Mushrooms ... we put them on our pizza and steaks and in our soups and salads, we marvel at their variety and are sometimes repelled by their grotesque beauty when encountering them in the bush. And yeah, some have even sampled their more exotic possibilities and asked the question: “Do mushrooms come from a far away planet?”

Still, others have asked: “Can mushrooms save the planet?”

The world of fungi and their integral relationship with the health of the planet have only recently been appreciated. The oldest and largest living organisms recorded on Earth are both fungi. And their use by a new, maverick breed of scientists and thinkers has proven vital in the cleansing of sites despoiled by toxins and as a “clean” pesticide among many other environmentally-friendly applications.

Inspired by a chance conversation with fellow filmmaker and mushroom buff Jim Jarmusch, Mann set off to the annual Telluride Mushroom Festival in Colorado. It was there he encountered the unique sub-sub-subculture surrounding fungi that includes an unlikely assortment of nerds, nuts, hipsters, tripsters, artists, chefs, musicians, foodies, foragers, and seekers all paying homage to the mighty mushroom.

'Know Your Mushrooms' follows uber myco visionaries Gary Lincoff and Larry Evans (two of the more expert and unforgettably mercurial characters in the community) as they lead us on a hunt for the wild mushroom and the deeper cultural experiences attached to the mysterious fungi.

Combining material filmed at the Telluride Mushroom Fest with animation and archival footage along with a neo-psychedelic soundtrack by the Flaming Lips, KNOW YOUR MUSHROOMS opens the doors to perception, takes the audience on a longer, stranger trip and delivers them to a brave new world where the fungi might well guide humanity to a saner, safer place… with extra cheese…

CONSUMER WARNING : Don’t Go Into The Forest Without This Movie !

Source : Sphinx Productions

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Ratu Bagus discusses Energy Orbs or the Devas in this fascinating short documentary on the Orb phenomena called 'Playing With The Planets' ...

Recently at the ashram the phenomenon of Energy Orbs has become more and more visible. These beautiful representations of planetary energy are becoming manifest in response to the ever-growing level of consciousness present at this time.

In this DVD Ratu discusses the significance of these energies. With many photographic examples. The pictures taken at the ashram and around Ratu were taken by many people, on many cameras at different times. They capture the essence of these energies at play.
Source : Ratu Bagus
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Light is absolutely critical to all life that continues to evolve and grow on the surface of our planet, Earth. The Sun is the primary source of life sustaining energy at the core of our solar system nourishing all of creation and if we can learn to sungaze as described beautifully in this video lecture by Hira Ratan Manek (HRM) we can attune to the highest aspects of our being and increase our frequencies to a level where disease and the constant hunger for food can easily be transcended allowing us to recharge and regenerate our bodies naturally with the sun's radiant energy.

The Solar Healing Center is focused on helping humanity to develop a better understanding of how the sun can be used to heal the mind, body and spirit as demonstrated by Hira Ratan Manek, who, as a result of sungazing, has claimed better physical, mental, emotional and spiritual health.

Hira Ratan Manek (HRM), among others, have proven that a person can live just on solar energy for very long periods without eating any food. This has come to be known as the HRM phenomenon. The method is used for curing all kinds of psychosomatic, mental and physical illnesses as well as increasing memory power and mental strength by using sunlight. One can get rid of any kind of psychological problems, and develop confidence to face any problem in life and can overcome any kind of fear including that of death within 3 months after starting to practice this method. As a result, one will be free from mental disturbances and fear, which will result in a perfect balance of mind. If one continues to apply the proper sungazing practice for 6 months, they will be free from physical illnesses. Furthermore, after 9 months, one can eventually win a victory over hunger, which disappears by itself thereafter.

This is a straight-forward yet effective method based on solar energy, which enables one to harmonize and recharge the body with life energy and also invoke the unlimited powers of the mind very easily. Additionally, it allows one to easily liberate from threefold sufferings of humanity such as mental illnesses, physical illnesses and spiritual ignorance.

If we can activate the human brain and awaken these infinite powers inherent in ourselves then we can raise ourselves to higher levels. We can achieve any results we want. In order to operate the brain effectively, it needs to be activated. Being a holistic entity it needs a holistic power supply. Sun energy is the source that powers the brain, which can enter and leave the human body or the brain only through one organ that is the human eye. Eyes are the Sun Energy’s entry door to the human brain. They are also known as the windows of the soul.

Source : Solar Healing

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The onscreen version of Tom Wolfe's literary cult hit 'The Electric Kool-Aid Acid Test' is primed to hit theaters by 2010. When published in 1968, the book shattered cultural perceptions of the peaceful, passive hippie zeitgeist by introducing the Merry Pranksters, author Ken Kesey's roving gonzo army of LSD-fueled pioneers who tripped about the country, mixing it up with rowdy Oregonians, Bay Area hippies, Hollywood rockers, Hell's Angels and a flurry of left-handed characters that launched the psychedelic movement into mainstream America and ushered in the Grateful Dead.

Over the years, footage and audio of the Oregon-based Merry Pranksters have surfaced, but was little more than ragged, disjointed documentation of the group tripping and weirding out. Except for Neal Cassady's endless speed-jacked rap, there was little narrative. Now, director Gus Van Sant, an Oregon native, is hemming the book's adaptation to the big screen with Milk and Big Love writer Dustin Lance Black. Milk's director of photography Harris Savides is also committed to the film.

Here's a short 42 minute documentary on the LSD driven Psychedelic Revolution of the 60's titled Electric Kool-Aid ...

After several false starts, the project is coming together. "These seeds have been in the wind for a long time," says Ken Babbs, Kesey's best friend and fellow Merry Prankster. "I talked to Gus. And I was happy he was making the movie. Back in the 1970s, Kesey and Gus were friends and Ken told him if anyone ever made the film he wanted Gus to do it."

Van Sant originally pictured the late Heath Ledger for the Kesey role, but now has two marquee names in mind: Woody Harrelson and Jack Black, which might make the film more of comedy than a zany drug jag. Carolyn Garcia (a.k.a. Mountain Girl), a Prankster and former wife of Jerry Garcia, said Harrelson visited Kesey shortly before he died. "They went out into the field and had a pretty good mind meld," Garcia says. "I just know he could play the role." Garcia mentioned Black might be a fit for "The Mad Chemist," the infamous LSD impresario Owsley "Bear" Stanley, who launched an untold number of minds into outer space and was an artist and early sound engineer for the Dead (he's credited with revolutionizing live stereo sound). Black's camp had no comment. And who will play Caroline Garcia? She suggests Scarlett Johansson. Maybe Maura Tierney. "Well, I'm 5'10", so she would have to be tall. I mean, I ride a Harley Davidson."

Lynn Nesbit, Wolfe's literary agent, said the writer will not likely be involved or play a major character in the film. Instead the focus will be on Kesey and his acid-guzzling band of Merry Pranksters. She added Wolfe left the twisted tales years ago and never looked back, "But I should call him before he reads about this in the papers."

And then there's the music. Should it reflect the actual Prankster playlist, it will be an outstanding soundtrack.

Kesey's crew took earnings from One Flew Over The Cuckoo's Nest to fund their legendary Acid Tests, where they hired a relatively unknown band called the Warlocks (later named the Grateful Dead). But at the time of the bus trips, Babbs says they played Ray Charles and John Coltrane: "But mainly we did our own music, which was a form of communication without words." Garcia says there was also plenty of Bob Dylan, early Beatles, Miles Davis, lots of Motown and Pete Seeger. "We also played kids' music," she says. "That and classical music like Beethoven, Wagner, Strauss. Some John Phillips."

Being in the wheelhouse during the early heady days of the Merry Pranksters and the Grateful Dead, Garcia has strong feelings about LSD, the book and those Halcyon days. "This is a very valuable substance and appeared on the planet at the same time as the atomic bomb," she says. "We called it inner space. I'll do it now time to time, but I never took it lightly. When LSD came into my life I realized there was another way. Now, I'm about bringing LSD out into the front."

There are still questions about how the film will bring the book to life — similar dilemmas plagued another chemical classic, Hunter S. Thompson's Fear & Loathing in Las Vegas. Can certain aspects of the book be translated, or will third-party observations and interior monologue flow naturally through the storyline? Bear says "a very large CGI budget" could do the trick. "I think I, along with a design crew of my choosing, can work it out."

Now that the movie is closer to becoming a reality, both Owsley and Garcia are reexamining their relationship to Wolfe's text. "If you ask the people [Wolfe] spoke with they will tell you he wrote what they told him, and that may be true as to the words said — much of which was designed to prank him," Bear says. "The book however is more than the results of his interviews. The real tragedy was that they did not manage to dose him, a common practice of the era."

When Wolfe spoke with Rolling Stone's Mark Binelli for one of our 40th anniversary issues in 2007, he described his Kool-Aid reporting process: "One day Kesey said to me, 'Why don't you put the notebook and the pen away and just be here, and then write about it.' The idea was, join in, take some acid, have a few trips, and then write about it. I didn't say anything. The next day I arrived with my notebook and ball-point pen. He didn't say anything, but that was the answer."

"The movie is long overdue," Garcia says. "On the surface, the book ain't bad. But Wolfe didn't dig into the darker, weirder corners. As a film it will reflect the party. But hopefully it will get the meaning of it all."


Source : Rolling Stone

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The term Cymatics was coined by Dr. Hans Jenny which is derived from the Greek word 'kyma' meaning 'wave' or 'ta kymatica' meaning 'matters pertaining to waves'. In 1787, the jurist, musician and physicist Ernst Chladni published "Entdeckungen über die Theorie des Klangesor", "Discoveries Concerning the Theory of Music". In this and other pioneering works, Chladni laid the foundations for that discipline within physics that came to be called acoustics, the science of sound.

Among Chladni´s successes was finding a way to make visible what sound waves generate. With the help of a violin bow which he drew perpendicularly across the edge of flat plates covered with sand, he produced those patterns and shapes which today go by the term Chladni figures. Chladni demonstrated once and for all that sound actually does affect physical matter and that it has the quality of creating geometric patterns.

In 1967, the late Hans Jenny, a Swiss doctor, artist, and researcher, published the bilingual book 'Kymatik -Wellen und Schwingungen mit ihrer Struktur und Dynamik' / 'Cymatics - The Structure and Dynamics of Waves and Vibrations'. In this book Jenny, like Chladni two hundred years earlier, showed what happens when one takes various materials like sand, spores, iron filings, water, and viscous substances, and places them on vibrating metal plates and membranes. What then appears are shapes and motion patterns which vary from the nearly perfectly ordered and stationary to those that are turbulently developing, organic, and constantly in motion. When Jenny experimented with fluids of various kinds he produced wave motions, spirals, and wave-like patterns in continuous circulation. In his research with plant spores, he found an enormous variety and complexity, but even so, there was a unity in the shapes and dynamic developments that arose. With the help of iron filings, mercury, viscous liquids, plastic-like substances and gases, he investigated the three-dimensional aspects of the effect of vibration. In his research with the tonoscope, Jenny noticed that when the vowels of the ancient languages of Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while our modern languages, on the other hand, did not generate the same result! How is this possible? Did the ancient Hebrews and Indians know this? Is there something to the concept of "sacred language," which both of these are sometimes called? What qualities do these "sacred languages," among which Tibetan, Egyptian and Chinese are often numbered, possess? Do they have the power to influence and transform physical reality, to create things through their inherent power, or, to take a concrete example, through the recitation or singing of sacred texts, to heal a person who has gone "out of tune"? An interesting phenomenon appeared when he took a vibrating plate covered with liquid and tilted it. The liquid did not yield to gravitational influence and run off the vibrating plate but stayed on and went on constructing new shapes as though nothing had happened. If, however, the oscillation was then turned off, the liquid began to run, but if he was really fast and got the vibrations going again, he could get the liquid back in place on the plate. According to Jenny, this was an example of an anti-gravitational effect created by vibrations. What Hans Jenny pointed out is the resemblance between the shapes and patterns we see around us in physical reality and the shapes and patterns he generated in his investigations. Jenny was convinced that biological evolution was a result of vibrations, and that their nature determined the ultimate outcome. He speculated that every cell had its own frequency and that a number of cells with the same frequency created a new frequency which was in harmony with the original, which in its turn possibly formed an organ that also created a new frequency in harmony with the two preceding ones. Jenny was saying that the key to understanding how we can heal the body with the help of tones lies in our understanding of how different frequencies influence genes, cells and various structures in the body.

 References :
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We live in a Holographic Reality where any one change in the Hologram creates a ripple effect and begins to change and affect the entire hologram.

This effect was also observed in the 1960's by several Japanese primatologists who were studying the Japanese macaques or Snow monkeys.

Here is an article by Owen Waters about the 100th Monkey Effect which clearly shows this quantum evolution taking effect.

The Shift & The Hundredth Monkey Effect by Owen Waters

The Shift is the awakening of humanity’s heart. This transformation of consciousness, the greatest one ever recorded, first became apparent in the mid-1960s and has been building momentum ever since.

The Shift is a collective transformation consisting of the sum of each individual’s step into the New Reality. Each person, in their own time, is moving forward into a stage of consciousness which brings a wider vista and an awareness which springs from the heart. When enough people’s primary attention becomes focused through their heart chakras, then the ‘hundredth monkey effect’ will occur.

The Hundredth Monkey Effect was first introduced by biologist Lyall Watson in his 1980 book, ‘Lifetide.’ He reported that Japanese primatologists, who were studying Macaques monkeys in the wild in the 1950s, had stumbled upon a surprising phenomenon.

His book was soon followed up with a deeply inspired work by Ken Keyes in 1981, called “The Hundredth Monkey Effect.” In this, Ken Keyes made an impassioned appeal for an end to the Cold War and its policy of mutually assured destruction. Here, in the words of Ken Keyes, is a description of the key elements of the Hundredth Monkey Effect:

The Japanese monkey, Macaca fuscata, had been observed in the wild for a period of over 30 years.

In 1952, on the island of Koshima, scientists were providing monkeys with sweet potatoes dropped in the sand. The monkeys liked the taste of the raw sweet potatoes, but they found the dirt unpleasant.

An 18 month old female named Imo found she could solve the problem by washing the potatoes in a nearby stream. She taught this trick to her mother. Her playmates also learned this new way and they taught their mothers too.

This cultural innovation was gradually picked up by various monkeys before the eyes of the scientists.

Between 1952 and 1958 all the young monkeys learned to wash the sandy sweet potatoes to make them more palatable.

Only the adults who imitated their children learned this social improvement. Other adults kept eating the dirty sweet potatoes.

Then something startling took place. In the autumn of 1958, a certain number of Koshima monkeys were washing sweet potatoes -- the exact number is not known.

Let us suppose that when the sun rose one morning there were 99 monkeys on Koshima Island who had learned to wash their sweet potatoes.

Let's further suppose that later that morning, the hundredth monkey learned to wash potatoes.

Then it happened!

By that evening almost everyone in the tribe was washing sweet potatoes before eating them.

The added energy of this hundredth monkey somehow created an ideological breakthrough!

But notice.

A most surprising thing observed by these scientists was that the habit of washing sweet potatoes then jumped over the sea –

Colonies of monkeys on other islands and the mainland troop of monkeys at Takasakiyama began washing their sweet potatoes.

Thus, when a certain critical number achieves an awareness, this new awareness may be communicated from mind to mind.

Although the exact number may vary, this Hundredth Monkey Phenomenon means that when only a limited number of people know of a new way, it may remain the conscious property of these people.

But there is a point at which if only one more person tunes-in to a new awareness, a field is strengthened so that this awareness is picked up by almost everyone!”

Lyall Watson had originally researched and assembled the story from the available testimonies of the primate researchers. Because the phenomenon took the researchers so much by surprise, they had not counted how many monkeys it took to trigger this effect. So, Watson proposed an arbitrary figure of ninety-nine monkeys, and said that one more, the so-called one-hundredth monkey, would then provide the critical mass of consciousness necessary to trigger the effect.

The new behavior pattern spread to most, but not all, of the monkeys. Older monkeys, in particular, remained steadfast in their established behavior patterns and resisted change. When the new behavior pattern suddenly appeared among monkey troupes on other islands, only a few monkeys on those islands picked up on the new idea. The ones most receptive to new ideas started imitating the new behavior and demonstrating it to the impressionable younger ones. Thus, they too began their own path towards their eventual hundredth monkey effect.

How the Hundredth Monkey Effect Works The mechanism for this transference of ideas works the same way for monkeys as it does for all sentient beings. We exist within an atmosphere of global mind. The human brain is constantly receiving and transmitting mental pictures and information to and from that mental atmosphere in which we are immersed. The global mind, otherwise known as Jung’s collective unconscious, does not cease to function because a few skeptics don’t like its effects. It functions just like it always has, passing information from one individual to another based upon their common frequency of consciousness. If progressive monkeys had a new idea, then so did other progressive monkeys on other islands. They resonated at the same frequency of consciousness. Inventions often occur at the same time by inventors who are not in physical contact with each other. For example, in 1941, Les Paul designed and built the first solid-body electric guitar just when Leo Fender of Fender Musical Instruments was doing exactly the same thing. Have you ever had an idea, then seen other people express or use that idea. You probably said, “Hey! I thought of that first!” Well, that’s the way the global mind works. It’s an atmosphere that you share with all other sentient beings, but you tune in especially to the particular topics and frequencies of mind that interest you the most. What This means to The Shift When enough people have gone through their personal version of The Shift to the new consciousness, then a critical mass will form and suddenly everyone will become aware of the New Reality and its heart-centered values. That is the day when heart-centered values will become the focus of everyday thinking for the vast majority of people. That is the day when humanity will begin to look back on what has changed and realize that a massive shift has occurred. Source : Infinite Being Related Articles :

Is the world literally an Illusion or is it just your perception that is the illusion? If the world is an illusion what then?

Leap! is a movie that explores the ageless idea that the world is an illusion. This idea may challenge your current beliefs and ideals, but then again Einstein did say "Reality is merely an illusion, albeit a very persistent one."

This movie is not about denying our physical experience. Leap! takes you on a journey that offers you a powerful way to perceive yourself and the world. To leap beyond the illusion is to let go and live from inspiration—to leap beyond the constraints of your current perceived reality and what you think you know. Although the film is a bit long, and slow in parts, it contains many good points.

Join international seminar leaders and filmmakers Ike Allen and Chad Cameron as they explore the ancient spiritual idea that our world is an illusion. Witness their cosmic adventure to the source of reality itself, and discover how you can benefit from this knowledge. The discoveries they made will change your life profoundly for the better. LEAP! The Movie features interviews with many of the greatest visionaries, scientists and authors in the world today. It is mind-expanding, heart-opening, and a real treat for the senses.

Watch the rest of the videos ... Leap Ventures' YouTube Channel ! Featuring Peter Russell, Dan Millman, Joe Vitale, Robert Scheinfeld, Fred Alan Wolf, James Twyman, Max Simon, and Puppetji.

Leap! A Quantum Awakening

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Synchronicities and the magic behind these meaningful coincidences reveal messages from the unseen dimensions of our universe where Angels, Spirit Guides & other divine messengers of love & light float freely .... always around us guiding us through our spiritual journey, here now ! Synchronicities are the medium for the universe to communicate with us and the message begins to become clearer when the egoic mind ... the illusion of separation has been transmuted or transcended allowing the divine light of our soul to shine through .... the key is to trust in the process always in tune with the highest vibration of love for all ...

As we attune and align ourselves with the infinite energy field, we are ... the gap between thought and manifestation begins to get shorter ... moving towards realization of one's fullest potential and abilities to manifest the highest good for all ... this is what some call 'a spiritual awakening' or 'god realization' ! By being the essence of love and light we start to unfold something magical ... we initiate this ongoing conversation with the invisible and become clear channels of divine expression, allowing the light within to shine through ..... The Gift of Synchronicity by David Richo, PhD ... Synchronicity is the phenomenon of meaningful coincidence. It is a resemblance, correspondence, or connection between something going on outside us and something happening inside us. In any ordinary coincidence, the events are connected by meaning rather than by cause and effect. This may not yet be synchronicity but simply synchronization. It becomes synchronicity when it makes a meaningful connection with our life’s purposes or helps unfold our destiny to show love, see wisely, and bring healing to ourselves and our world. All coincidences are connected by meaning, but synchronicity happens when the meaningfulness is relevant to our personal evolution. It is the spur of the moment in that it spurs us on and in that it may happen suddenly! It happens just in time. It is also just in time in the sense that it is part of the justice of the universe in bringing us exactly the pieces we need to fashion— or be fashioned by— our destiny.

Synchronicity is a word made from two Greek terms meaning "joined with" and "time." Synchronicity is a bond or connection that happens in a timely way. A correspondence between two things is suddenly made clear. The unifying connection was always present but an immediate and meaningful coincidence makes it visible here and now. Synchronicity thus combines an essential unity with an existential one. The eternal present makes an appearance in the momentary present. This is why it seems fitting to say that synchronicity guides us into spirituality.

Synchronicities cluster around significant events. Many meaningful coincidences occurred, for instance, when the Titanic sank and when Lincoln and Kennedy were assassinated. Personal disasters or crises in our personal life will also invite synchronicity. Norma orders a red dress for a party but a black dress is delivered to her. As she is about to phone the store to report the error, her sister calls: "Mother has died. Come for the funeral." Norma thought she was in control of her life; she thought she knew what would happen next. The synchronous event told her otherwise and outfitted her for what was actually coming next: something much deeper was about to occur.

Synchronicity is the surprise that something suddenly fits! Synchronous events are meaningful coincidences or correspondences that guide us, warn us, or confirm us on our path. Coincidence happens at a specific moment. In this sense it is existential, tied to the here and now. Correspondences are ongoing. This is how synchronicity is essential, always present, to our human experience. Synchronicity is also found in a series of similar events or experiences. It can appear as one striking event that sets off a chain reaction. It is always unexpected and somehow uncanny in its accuracy of connection or revelation. This is what makes it impossible to dismiss synchronicity as mere coincidence.
      Jung called synchronicity: "A non-caused but meaningful relationship between physical and psychic events.... A special instance of acausal orderliness.... Conscious succession becomes simultaneity.... Synchronicity takes the events in space and time as meaning more than mere chance." A coincidence is two unplanned events that happen simultaneously. It becomes synchronicity when it is connected by meaning. You and I love red roses. That is a coincidence. If unknown to each other, we meet as our heads bump while we are both smelling the same red rose that caught our eye at the same time and then later, we are married, that is synchronicity! Synchronicity gives us a clue to the deep underlay of purpose and meaning in the universe and how that purpose is working itself out in our lives. Our own wholeness has a foundation and support in the larger order of things.

All objective events have a corresponding subjective configuration in our psyche. Synchronicity is an instant instance of this correspondence. Its spontaneous timely events are articulations of the continuous nature of creation, intimations about the irrefrangible unity underlying it. Synchronicity is always striking and sometimes eerie. The "other worldly" feeling we have when it happens to us may be an indicator that an archetype is arising into consciousness from the depths of our psyche. Things happen as they need to for the best purposes of the universe. Our belief that we can interfere with this is another trick of the arrogant ego. We may not know how what is happening right now really fits into our future.

I can only trust that in addition to all I see, there is some other vision that will appear and make all this appear as just right. Yet synchronicity cannot happen by any conscious intervention of ego since it is a phenomenon of grace: an entry of the transpersonal world onto our personal turf. It is a moment that manifests the unity that always and already existed between psychological and spiritual, mind and universe, you and me, me and everything. It occurs when our unconscious is ready for a step into wider consciousness. The ancient oracles were about precisely this!

The inner artist of our true Self uses two brushes: a conscious one: synchronicity, and an unconscious one: dreams. The synchronicities (meaningful coincidences) of our lives and the dream images that have most excited or stupefied us are the best— though often most ambiguous— clues to our self-actualization. When a dream confirms a movement in the psyche, that is itself synchronicity. Prayer that is answered is synchronicity since prayers that are answered are the ones that are consistent with our destiny. Synchronicity is the special moment in which destiny summons us to move forward. It is the spur of the moment that initiates movement and is experienced as though being intelligently guided !

This is the process by which archetypal reality incarnates itself in historical time: something unknown is doing we do not know what or why or through whom. Synchronicity really means that we are never alone in the universe. "O mighty love! Man is one world, and hath another to attend him," wrote George Herbert. Many psychic events do not occur instantaneously but undergo an incubation period in the unconscious. Something has not yet happened but is in the works. Synchronicity cuts across time-bound warps. It transcends the limits of being and becoming. This is because in the inner world there is no separation between past and future, time or timelessness, what is happening, what is about to happen, and what will happen. Only the present exists, which contains it all. In synchronicity, we meet our future—or our past—in our present. "To transform itself in us the future enters into us long before it happens," Rilke wrote.

Synchronicity is the strikingly meaningful coincidence of two events or of a series of events. It can also be the coincidence of a psychic perception and a simultaneously occurring event as happens in ESP. Premonitions are in this category. In both ESP and premonition, the case can be made for synchronicity only if meaningfulness is present. This is always the ultimate criterion of synchronicity. Synchronicity occurs in a dream that reveals what is already true or about to become true: Lincoln dreamed he was assassinated one week before the event. Dreams and astrology manifest many synchronous correspondences. There is immense synchronicity in the zodiac and our inclinations/choices. Rituals are forms of synchronicity in that they are outward enactments of corresponding inward graces. Synchronicity appears in our work on ourselves.

There may be synchronicity in the fact that our knowledge of our real issues—in ourselves and in our relationships—comes simultaneously with the strength to face them! We are usually in denial for a long time before we finally recognize and acknowledge our own truth. Synchronicity is in the fact that we often only let ourselves know when we can deal with what we know. When we are ready to learn, a teacher appears. This is synchronicity. Occasionally a person, who died long ago or recently, comes to mind over and over in the course of a week or more. It could be that the meaning of that person in our life is coming home to us in a compelling way. Perhaps we learned something from that person and need to remember it now. Perhaps there is something we are now ready to learn. This may be another form of synchronicity.

The face of the teacher/grandfather appears when the time has come to be instructed or to gain a deeper insight into who we are. This might even be the time to ask that person to be our guide from the other world if that fits our world view. Synchronicity also occurs in looking back upon your life and seeing how it all prepared you or instructed you for the fullest fruition of your potential. A hidden feeling or truth waited to be awakened by just the right person or circumstance, sometimes painfully. My destiny had to have just such a beginning. My neglectful father helped me practice for the independent life I live now. My empty cupboard helped me care about starving children. James Hillman writes: "This way of seeing removes the burden from the early years as having been a mistake and yourself a victim of handicaps and cruelties; instead it is the acorn in the mirror...." Everyone and every event in life’s drama is part of the metaphor of our journey.

The issue from an old relationship may not be: "how bad he was" but: "how much I needed to learn!" Most of us keep meeting partners who show us exactly where our work is, e.g., men who abuse, women who are unfaithful. The wounds are openings into our missing life. Often, the only way a lost piece of ourselves or of our history comes back to us is through another person. The unknown is scary so people and events come along that help us go there. This is synchronicity. The only mistake we make is hanging on to some people too long or too briefly. How and with whom did I do that? We take them as literally themselves instead of as themselves and metaphorical forces, come to boost or chide. What delivered me from the constrictions into the open air? Who finally pointed the way beyond my limitations? Finally, there is synchronicity in divination devices such as the I Ching or the Tarot: one ineluctably chooses the hexagram or card that coincides with one’s circumstance. This meaningful coincidence is based on the belief that the psyche will direct us to the exact information that we need when we need it.


The culmination of synchronicity is its direct revelation of destiny: the design of the whole universe works itself out in the display of each unique human life. "Life is a struggle to succeed in being in fact what we are in design...Our will is free to realize or not to realize the vital design we are but which we cannot change or abbreviate...." wrote Ortega y Gasset. What we refuse to bring into consciousness, comes back to us as fate. It hits us from without when we refuse to heed its summons from within. It makes spiritual sense to forge a lasting agreement with the universe, which can only be an unconditional Yes to what is. Attention to synchronicity helps us join unfolding processes consciously. The word "design" adds the element of artistry! Each generation presents to the universe a population of people who have just the right ingredients in them to make the world better. Each person is a crucial cell in this mystical body of humanity. There is synchronicity in the fact that here and now the world always has just the human resources that it needs to further its evolution as is fitting for this epoch. Nature participates in the same synchronicity by its drifts of species and seasons of growth and change in each era. It creates an ice age and a temperate age in accord with the over-all requirements of evolution. I am here at the right time— and just in time— for me to make my contribution and nature is supporting me by presenting just the conditions that promote this enterprise. And so are all the people in my life.
Destiny is often connected to career. Our work in the world is often our form of service or of actualizing our potential. Jonah is the biblical archetype of refusing one’s destiny. Since he was needed as a prophet, his refusal of the call to become one was disregarded. He was swallowed by a whale and forced to swallow his pride. There are also times in the course of life when refusals are allowed to stand and then "a great prince in prison lies," as Donne says. Jung said: "We find our destiny on the path we take to avoid it." The greatest of human tragedies is to be distracted from our destiny and lose our power to activate our potential because of years of addiction to drugs, alcohol, or to relationships that are abusive, unworkable, or depleting. A great potential in us can thereby fade away and no one will do anything to halt the dissolution. The world will stand by as we throw away our fortune. We will stand by as we throw ourselves away. There is no guarantee that a whale will intervene for us as it did for Jonah or a tornado as it did for Dorothy.

The challenge is to find our destiny in exactly what we are refusing to engage in. This is no easy task. It is hard to stop and look while we are running the other way! Is my destiny scribbled on parchment, twirled in a bottle and hurled into the sea, to be stumbled upon only long after I am gone? How does chance figure in? Chance may simply be a playful way the universe has of collaborating with us in the working out of our destiny. Thus synchronicity integrates the irrational into an orderly pageant of evolution. The challenge is always the same: to believe in the artistic design in spite of the random display. The record shows us humans to be crassly ignorant and destructive but also touchingly responsive and restorative.

Perhaps Gandhi expressed this tension between our existential display and our essential design most accurately: "I see that mankind still survives after all its attempts to destroy itself and so I surmise that it is the law of love that rules mankind." ~ David Richo ... Couple of months ago, soon after the Human Butterfly Crop Circle was discovered, i was sitting here in front of the computer in the wee hours of the morning thinking about the 'Butterfly' after seeing the Butterfly symbol ((( Ƹ̵̡Ӝ̵̨̄Ʒ ))) on the G Talk status ... i closed my eyes and sat there with the image of a butterfly in my mind ... and then, a white butterfly flew through the window and sat on my leg ...... Synchronicity ... :)

"Synchronicity is a gift of the universe, available to use in every moment. It is the subtle and sweet music of existence that we can hear if we only listen. Our dance to this synchronistic flow is experiential ecstasy. It is the effortless dance of the self with the universe." ~ Scott Rabalais

((( вe love ♥ ...+... вe lιgнт ☼ )))

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Metaphysician and spiritual psychologist Doreen Virtue discussed her experiences working with angels, as well as her understanding of Indigo and Crystal children. She first began to see angels as a young child, they comforted her, and she perceived them as colors of light, and sound. They can be thought of as beings that live on a different frequency, though they can make themselves appear entirely physical, she explained.

When people have unexplained rescue experiences, these are sometimes cases of angelic intervention -- angels can act to save your life, if it's not your time to go, said Virtue. She's worked extensively with Archangel Michael, whom she described as the overseer of guardian angels. When in a dangerous situation and in need of assistance, simply call out "Michael, please help me," she suggested. Angels don't have wings, but have been portrayed that way because they have a glow about them, she added.

Indigo children are typically born from the mid 70's through the mid 90's and exhibit psychic qualities, a strong willfulness, and are attuned to truth, Virtue reported. Kids born from the mid 90's to the present include the Crystal children, who are more passive, forgiving, and connected to nature, she continued. Interestingly, the next generation, said Virtue, will be known as the Rainbow Children-- new souls without karma, who will only be born to families without dysfunction. Related Articles :
From the creators of You Can Heal Your Life : The Movie comes a compelling portrait of three modern lives in need of new direction and new meaning, Dr. Wayne Dyer's The Shift Movie , yet another brilliant one.

In his first-ever movie (written by Kristen Lazarian and directed by Michael Goorjian), Wayne Dyer explores the spiritual journey in the second half of life when we long to find the purpose that is our unique contribution to the world.

The powerful shift from the ego constructs we are taught early in life by parents and society—which promote an emphasis on achievement and accumulation—are shown in contrast to a life of meaning, focused on serving and giving back.

Filmed on coastal California’s spectacular Monterey Peninsula, The Shift captures every person’s mid-life longing for a more purposeful, soul-directed life.

The Shift explores the intertwined lives of an overachieving businessman (played by Edward Kerr), a mother of two young children seeking her own expression in the world (Shannon Sturges), and a film director trying to make a name for himself (Michael DeLuise). Also starring Portia de Rossi. The Shift not only inspires, but also teaches us how to find the path to our spiritual purpose and therefore our greatest joy. “I am 68 years old and I have a new career,” Dyer explained. “When I was asked to do this film, I didn’t think ‘I’m too old to do something I’ve never done before.’ I thought ‘I am open to everything. I am willing to change and to learn.’ I’m more proud of this film than of anything I’ve ever done before.” Wayne Dyer appears in the film as himself. Special appearance by Louise L. Hay.

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