Cymatics is the study of the effects of sound vibrations on physical matter and the many geometric patterns that emerge from varying the frequency of vibration ... Crop Circles too are believed to be created by some kind of an unseen electromagnetic force with microwave like properties, however not damaging the crop in the layering process which truly is clear proof of non-physical intelligences behind the phenomena ... Here is an excerpt from the book "Secrets in the Fields" by leading Crop Circle researcher Freddy Silva discussing how Sound might be creating these awesome Crop Circle Formations.

Is Sound Creating Crop Circles ?

During the twilight days of December 1998, small articles tucked away in the nether regions of the British press quietly announced 'Unknown Force Was Behind Corn Circles, Claims Hoaxer'. This dramatic U-turn by the surviving member of the infamous Doug & Dave duo who since 1991 have misled the world with tales of their crop flattening prowess with planks of wood illustrates that the hand of man materialized in crop circle lore long after the real phenomenon manifested.

Latterday hoaxers claim that they applied boot to wheat in 1978, yet crop circles have appeared throughout the world since the early 1900s, with dozens of eyewitnesses even reporting crop circles forming in a matter of seconds as far back as 1890; several descriptive accounts were even documented in 1678 by Robert Plot, then curator of the Ashmolean. If hoaxers are responsible, then, they appear to have mastered the art of time travel, in which case it is they who should be under scientific scrutiny.

To date some 10,000 crop circles have been catalogued worldwide, and their anomalous features continue to be not possible to replicate: plants bent an inch above soil and gently laid down in geometrically-precise patterns with no physical signs of damage, light burn marks at the base of stems, altered cellular structure and soil chemistry, discrepancies in background radiation, alteration of the local electromagnetic field, depletion of the local watershed, and dowsable, long-lasting energy patterns, not to mention measured effects on the human biological field. So much, then, for two guys and a piece of wood. But thanks to a virtual embargo on research coverage throughout the media, a popular myth has developed that all crop circles have been nothing more than a prank with a plank.

By definition, hoaxes are forgeries, and forgeries require originals from which to copy. So what is this 'unknown force' that creates genuine crop circles? One answer may lie with sound.

Echoed in all the world's faiths and traditions, Universal matter was created by sound: 'In the beginning was the Word, and the Word was with God', St. John reminds us. Hopi and Navajo traditions even assert that in ancient times shamans would utter words onto sand and create patterns, a concept not dissimilar to the Hindu mandalas which are said to be expressions of the vibration of God. Consequently, the Eastern faiths- Islam in particular- chose sacred geometry to express the image of God, a technique later used in those hymns to sacred geometry, Gothic cathedrals.

Modern science now shows that these geometric rhythms lie at the centre of atomic structures. When Andrew Gladzewski carried out research into atomic patterns, plants, crystals and harmonics in music he concluded that atoms are harmonic resonators, proving that physical reality is actually governed by geometric arrays based on sound frequencies. Even that primeval Hindu sound, the OM, from which is derived our modern term 'hum', when sung into a tonoscope produces the very geometric shapes attributed with 'sacredness'. Perhaps the most important of these shapes is the hexagon, upon which the Egyptian matrix named the Flower of Life is based. This series of outwardly-rotating divisions of the circle accommodate the branches of the building blocks of life, the amino acids. This Flower of Life has subsequently manifested as a crop circle.

As the expression of number in space, geometry is inextricably linked to music since the laws of the former govern the mathematical intervals that make up the notes in the western music scale- the diatonic ratios- hence why the ancient Egyptians referred to geometry as frozen music.

In the February 1992 edition of Science News, Prof. Gerald Hawkins used the principles of Euclidean geometry to prove that four theorems can be derived from the relationships of elements in crop circles. More significantly, he discovered a fifth theorem from which he could derive the other four. Despite an open challenge, over half a million subscribers have been unable to create such a theorem, which Euclid himself only hinted at twenty-three centuries earlier in his thirteen treatises on mathematics. So it came as a slight surprise when its equilateral version materialized as 160,000 sq. ft. of flattened barley at Litchfield, Hampshire.

Since Hawkins' Euclidean theorems also produce diatonic ratios, a link exists between crop circles and musical notes, themselves the by-product of the harmonic laws of sound frequency. Soon, crop circles bearing unmistakable associations with sound then began to appear. One contained a curious ratchet feature from which is constructed a musical diagram also dating to the Egyptians, the Lambdoma. Also known as the Pythagorean Table, it defines the exact relationships between musical harmonics and mathematical ratios.

In 1996 another crop circle demonstrated the combination of two important figures: the 3-4-5 triangle and the Golden Mean, producing the geometric diagram necessary to produce musical ratios. But it was a convincing formation at Goodwood Clatford- which had its plants bent six inches from the top- that gave the proverbial nod to sound, for here was a representation of a cymatic pattern etched in 5000 sq ft of barley.

Cymatics is the study of vibrational wave patterns. One of its earliest pupils was Margaret Watts-Hughes who, in 1891, captured precise geometric patterns on film as she sang sustained notes into a device containing lycopodium powder. But it would be another seventy six years before Swiss scientist Hans Jenny published the first of his painstaking studies on the transmission of sound through physical mediums, this time in the shape of monitored electronic frequencies.

He observed how sound vibration created geometric shapes- a low frequency produced a simple circle encompassed by rings, whereas a higher frequency increased the number of concentric rings around a central circle. As the frequencies rose so, too, did the complexity of shapes, to the point where tetrahedrons, mandalas and other sacred forms could be discerned. Like Margaret before him, Jenny enabled humanity to observe 'frozen music'.

Jenny also provided a physical connection to the creation of crop circles since many of the vibrational patterns found in his photos mimic their designs. Some are blatant imitations, such as the circle surrounded by concentric rings typical of early 80s patterns, the tetrahedron at Barbury Castle in 1991, the spider's web mandala at Avebury from 1994, even the highly structured star fractals of 1997. Other photos demonstrate the construction geometry encoded within the crop circles' skeleton.

Visually, then, there is little room to deny the connection. But what evidence is there of sound in crop circles at a physical level?

Many accounts exist of a trilling sound heard by people prior to witnessing crop circles forming. The reports describe a sudden stillness in the air, the morning birdsong superseded by a trilling sound and the banging together of wheat heads despite an absence of wind. A whole section of crop then lays down in spiral fashion, the whole episode lasting less than fifteen seconds. Circles researcher Colin Andrews came across the trilling noise himself when, in mild frustration during his search to find a single answer to the phenomenon, he beseeched the heavens, "God, if only you could tell me how these things are created". The reply he received was eventually captured on magnetic tape. Subsequent analysis at Sussex University and NASA's Jet Propulsion Lab concluded the noise was mechanical in nature and beating at a frequency of 5.0-5.2 kHz.

Whilst recording an interview inside a crop circle the same sound was heard by a BBC cameraman shortly before it rendered a £30,000 TV camera obsolete. Interestingly, when the sound made another appearance during group research inside another formation it exhibited qualities of non-linear movement, and behaved in tandem with specific requests, sometimes on a psychic level. Since it also has the ability to transmit on radio frequencies and interfere with electronic equipment, birds and insects can be ruled out; and although skeptics are quick to accuse that the recorded sound is, in fact, the grasshopper warbler, stroboscopic analysis of both voice prints revealed vast differences between this bird and the bizarre noise. Besides, these birds frequent marshes, not vast, open fields of cereal crop.

Interestingly, the Aborigines relate to this trilling sound. During their ceremonies to contact- in their words- the sky spirits, a 'bora' consisting of a specially-shaped piece of wood is attached to the end of a long string and whirled, creating a noise practically identical to the crop circle hum. One has to wonder where the inspiration for this device came from, who these sky spirits were, and what on earth made the timeless Aborigines associate this noise with them. That was until it was discovered that not only have crop circles appeared in Australia, many throughout the 1960s, but their manifestation figures in Aboriginal lore, just as their geometries appear in rock paintings.

In 1998 sounds of a more melodic kind were heard and recorded inside a formation by three witnesses (or is it earwitnesses?); the design was founded on sevenfold geometry, a representation of the intervals in the diatonic music scale. Several months later I came across a diagram called the Web of Athena, in which all the points of the heptagon are connected. Despite the jumble of lines the diagram consists of just three line lengths, and by juxtaposing these onto a stringed instrument, the exact same notes were recreated.

But perhaps the greatest connection linking sound to the manifestation of crop circles lies in their greatest anomaly: the permanent bending of the plants' stems. In Canada during the 1960s, laboratory experiments measured the effects of music on plants by subjecting them to different tones. Exposure to heavy metal music made the plants tilt in the opposite direction, whereas classical music lulled the plants toward the speakers.

But in the case of Hindu devotional music- and the songs of Ravi Shankar, in particular- the stems bent in excess of 60º to the horizontal, perhaps the closest any human has ever come anywhere to achieving that right angle common to genuine crop circles.

Further experiments at Annamalai University applying Indian devotional song generated additional effects: the number of stomata in the experimental plants was 66% higher, the epidermal walls were thicker, and the palisade cells were longer and broader than control specimens, sometimes by as much as 50%. Similar biophysical changes are known to occur in plants collected from crop circles. Tests performed since 1989 by American physicist Dr. W. Levengood consistently show how the energy creating crop circles is able to affect seed embryo and plant growth, elongate the plant's nodes, even alter the pattern of the chromosomes themselves.

Yet the effect extends beyond plants. Agricultural researcher George Smith found that exposing corn to sound frequencies produced a higher heat content in soil, as well as a slight burnt appearance in the plants. The effect is consistent with the slight 'baking' regularly observed in crop circles, where the affected area appears noticeably drier than the rest of the field despite overnight rain; the same applies to the 'slight burning' at the base of crop circle stalks. Oddly enough, Smith speculated at the time that sound energy also increased molecular activity in plants, three decades before it was found in crop circle samples by Levengood.

Since a sudden and abnormal burst of growth is also known to occur in crop circle plants it was postulated that microwave was the culprit behind the creation of crop circles. However, microwave has the ability to render biological systems sterile, and a certain dose will even kill organisms. Yet the crop circles plants are alive and well. After four years of experiments on regular wheat at the University of Ottawa, Mary Measures and Pearl Weinberger found accelerated growth in laboratory samples, and postulated that the sound frequency they applied had produced a resonant effect in the plants' cells, thereby affecting their metabolism. The frequency Measures and Weinberger applied was identical the crop circle trilling noise.

Sound as one energy source capable of creating crop circles now becomes very feasible. But what type of sound coaxes plants to bend and lie down, applying firm and gentle pressure and, given the intricacy and complexity of latterday patterns, with a fine degree of control?

Interestingly, ultrasound is capable of interacting with physical elements to such an incredible degree. It can be aimed, focused and reflected almost like a light beam, and specific frequencies can be focused to cause certain kinds of molecules to vibrate while others nearby are left unmoved. The higher the frequency of ultrasound, the greater its ability to be directed. This requires frequencies in the high MHz range, such as those detected in crop circles by Paul Vigay. His empirical data shows how the level of background readings drop abruptly when he crosses the threshold of a formation. Close to the centre, readings hover in the vacinity of 260-320 MHz.

However, just as crop circles have made a quantum leap in mathematical complexity over the past two years, so readings have recently jumped to 540 MHz. Incredibly, this coincides with Jenny's experiments which show that a relationship exists between the rising complexity of cymatic geometries in proportion to the rise of dispensed frequency. In other words, the level of frequency, whether in a laboratory or a field, correlates with the increase in design intricacy.

Such extremely high frequencies are known to affect the state of awareness and consciousness in humans. Interestingly, people visiting crop formations often notice this, where even simple left brain functions such as counting are affected. When tuned in the MHz range ultrasound also prevents damage to sensitive tissues, so its healing properties are used in treating muscular ailments, and cases of people reporting healings when inside crop circles are becoming commonplace. One long-time sufferer of Parkinson's Disease reported being cured overnight.

Below 20 Hz sound becomes infrasonic, and such frequencies are directly involved with biological processes. It is well known that long exposure to infrasound can cause unpleasant conditions such as fatigue and nausea, and such symptoms are reported by visitors to crop circles. When combined with high-pressure, the acoustic power created by infrasound is in the order of kilowatts. In the case of plants, this pressure boils the water held inside the stems in a nanosecond. As water heats it expands, and a close look at crop circle plants reveals tiny holes in their nodes where this superheated water has escaped. With a hollow cavity near the base, and the stems made subtle like molten glass by the heat, the now top-heavy plants collapse into their new horizontal position.

Since this 'vapour cavitation' also creates local temperature increases of hundreds of thousands of degrees for a fraction of a second it is not now difficult to see why millions of gallons of groundwater disappear within the area of a crop circle, or why the plants have a cooked, malty odour. Combine this with Levengood's discovery of microscopic blow-holes in the plants' cell wall pits (indicating the rapid boiling of water inside the plant), and everything starts to fall into place.

This infrasonic/ultrasonic process also creates a hissing sound, and if you are fortunate enough to visit a crop circle within a few hours of its appearance you will find yourself surrounded by this. Since infrasound is also capable of atomizing water molecules and creating a fine mist, it should be mentioned that in 1996 a farmer out harvesting his field at Etchilhampton saw what he describes as 'a series of columns of mist rising like cannonshot from the field next door'. Mist looks very out-of-place in a wheat field, in mid-afternoon on a dry, summer's day. Yet shortly after the incident a series of thirteen circles connected by a three quarter-mile long avenue and a Sanskrit-type glyph appeared in the very same field.

Finally, vapour cavitation is accompanied by a sudden spark of light called sonoluminescence, caused by the production of electrical discharges as the water/vapour is ionized. And the lower the operating frequency, the greater the effect. In a laboratory, 18 Hz has been used as the lowest safety threshold below which the pressure formed by infrasound is known to produce disruption to chromosomes. Every summer, crop circle plants of every variety are sent blind to Dr. Levengood, and some inevitably show unmistakable disruption to their chromosomes. Yet give him samples deliberately produced by field forgers and he'll find something really unusual-perfectly normal plants.

The musical scale, constructed on the harmonics of sacred geometry, and now found within the framework of crop circles, represents the mathematical structure of the soul of the world because it embodies the essence of the Universe. So it's no coincidence that a large percentage of crop circles can be identified with- and by- ancient cultures, who to this day honour their histories through song and music, their healing rituals performed with sound or rhythm. This relationship is further extended in Buddhist mandalas, whose elaborate geometries are used to alter states of consciousness. Perhaps it is not by coincidence that crop circle designs mirror these intricate patterns, just as they bear an uncanny familiarity to Jenny's materializations of sound.

If sound vibrations are both encoded into and generated by crop circles, is it not possible that they, too, can arouse the individual at a spiritual level? After all, it's through music that whole human experiences are celebrated and carried from generation to generation. It is very probable that it is for this reason that the very shape of the human ear- more specifically the cochlea- is a spiral constructed according to the harmonic laws of tone, just as the same spiral forms the primary basis from which thousands of crop circles have sprung.


Music is a carrier for social change. The effects of Handel's music is believed to have reversed the state of morality in Victorian England, just as the anarchic overtones of Punk corralled disillusioned youth into fighting an establishment that held no tolerance for those who stepped outside the system. The effects in people's states of awareness through contact with crop circles is similarly documented. In 1990 a pictogram at Alton Barnes sported the trident of Shiva the Transformer. Ironically, it was through exposure to this crop circle that millions around the world were transformed, just as images of crop circles today continue to enlighten the awareness of those who come into contact with them.

If sound is one of the formative principles behind crop circles, it is not surprising that they are leaving psychological impressions on those whose antenna is extended and receptive to their tune.

© Freddy Silva 1997


Source :

• Crop Circle Secrets
• Cymatics Source ~ Crop Circles

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• Crop Circles : An Enigma ~ Awakening Consciousness
• Kymatica : Sequel To Esoteric Agenda
• Chasing Daylight : The Crop Circles of 2009 Movie
• Crop Circles : Wake Up Call ~ Anybody Listening !
• Carl Sagan's Cosmos : 13 Episode TV Series
• Cymatics ~ Bringing Matter To Life With Sound

Linear time is a frustrating thing. At least to those who inhabit the invisible universe: the souls or spirits. We humans fret about time, or lack of it, or the speeding up of, or what will happen in time, or in the future, or… you get the picture. Meanwhile, in the spirit world, they fret about what a fret we make over something that does not exist outside our own physical reality; all that happens happens in the now, and a number of probable futures are at play and we knew this before we, ourselves, incarnated. Except that, for the most part, we do not remember. And that’s where the problem arises about the future, at least our perception of it. Confused?

Well, let us take a look at this from another perspective. In the spirit realms, things operate not in linear fashion but in the round and in cycles— much like the creators of crop circles, whose messages generally appear in the round as well as in cycles. In my time as a researcher of sacred spaces and their connection to human consciousness, I’ve been privy to many interesting— and challenging— phenomena, one being the origin of crop circles and those responsible for them. The genuine ones, that is. And precisely why they are here and why now. And a large part of the answer lies in the way the world works outside our physical realm.

Across the thin veil, the world of soul or spirit or Creator is a well-oiled machine that functions on the basic principle that all existence exists for one simple purpose: to have an experience. This may come as a disappointment to many of us, but there you have it, it’s all about having an experience. The evidence is supported by thousands of clinical past-life regression case studies who, upon returning from a hypnotic state, claim this to indeed be the case. And one of the most challenging experiences for the soul is to incarnate here on Earth.

Since souls have no physical body, as we would perceive it, they have no direct emotional experience until they acquire carnal shape. Thus, Earth provides a unique environment where not only do they get to experience emotion— too much, I must profess— but since souls arrive here with a pre-induced case of amnesia, they also have to interact with six billion others, most of whom also cannot fathom why they came here in the first place.

This makes the play that is human life both fascinating and tragic. And the difference between that fine line is defined by how we, as the embodiment of those incarnated souls, go about the business of remembering who we are and why we’re here. And this is where sacred space, and phenomena such as crop circles come in.

Back in the spirit world, when we sit in the cosmic library looking at possible future situations in which we want to be involved, we already understand that upon incarnating we will not remember why. It is designed that way, so you do not borrow from previous lessons or incidences and thus learn to handle new experiences from a fresh perspective; your gut feeling or instinct acts as a barometer between you in the now and any past-life experience. That is why it is important to pay attention to that gut feeling. Our teachers and guides on the other side know of the difficulties associated with this disconnect between the soul in a human body and the spirit world. They also understand that since we will have free will to follow three possible outcomes, and that being a grounded soul will make us susceptible to material attachments and illusions, there is an agreement between incarnating souls and spirit guides that signs, signals, people, events and other mnemonic devices will be used, from time to time, to remind us of our greater purpose.

I’m not talking about plagues, earthquakes, signs of Beelzebub and other biblical-style events. I’m talking about situations that have such a direct impact on our state of awareness that failing to follow that gut feeling at such moments is to follow a less-than-desired course of experience.

Once in a while, highly developed souls incarnate with a better-connected umbilical cord to the spirit world to act for us as examples of purposeful living. Jesus, Buddha, Mozart, Gandhi, Martin Luther King Jr., and latterly, Mother Teresa, to name a few. Their primary aim was not to foster religious movements or followings but to show, by example, that in establishing a connection with the invisible universe — that is, living a life aware of balance between physical and spiritual needs— they were able to go about their earthly business in a manner which served a purpose conceived ahead of linear time. In other words, they demonstrated the power of living purposefully, of living the dream awake. And yes, some went as far as to show us how to create miracles, just to demonstrate the power of our often neglected human intent.

Essentially they were following precisely the aim taught in all esoteric traditions, from the Egyptian Mysteries schools to the original principles behind Islam, even Freemasonry.

The general human response to such gifts has been crucifixion, in one form or another. I recall when Mother Teresa crossed over a decade ago, the world was so consumed with the death in England of Princess Diana that the following day hardly anyone read Teresa’s obituaries, buried deep inside daily newspapers, somewhere on page 9. All this does not signify that humans are inherently evil or sadistic, but quite the contrary: they have become mostly forgetful and, consequently, fearful. And when they do so the tendency is to over-associate with the physical world and, thus, lose the plot.

Back in Neolithic times the plot could be rediscovered by taking your body and mind for a stroll down to a local sacred site. We have a living legacy all around the world of incredible places built to withstand everything that life and politics would throw at them: pyramids, stone circles, standing stones, megalithic temples and so forth. It has been successfully proved that at such locations across the Earth, the laws of physics are subtly altered. And no wonder, for they were built to do precisely that.

A typical sacred site lies at the crossroads of streams of magnetic energy. Correctly harnessed, magnetism stimulates the iron in the blood as well as the magnetite that lies suspended inside the human skull; it also stimulates the pineal gland causing a chemical reaction in the brain that stimulates altered states of awareness. This process is aided by the specially chosen stones of sacred sites— including Gothic cathedrals— which carry a high degree of magnetite, and silica, the kind of crystalline structure that is found in human bone. The process of sensory stimulation is further amplified by the sonic structure of temples, not to mention the sacred geometry that binds their elements which create harmonics that work in tandem with the geometry of cell structure found in human DNA.

In other words, at such locations, one is able to be released from the bond of the physical world, beyond the grasp of gravity, to reconnect with the world of spirit, the world of the gods. Such a momentary event was enough for a person to return with some hint or clarification of their life purpose, even universal knowledge, provided by those across the veil, sitting, watching our entire drama unfold more or less in accordance with a pre-designed purpose, with some allowance for free will.

The system worked so well for thousands of years that when the Roman Catholic church manifested in Rome, their prime aim was to eradicate all traces of this pagan tradition (pagan meaning ‘one who lives in the country’), all the while usurping and re-naming many of its practices. Indeed Roman Catholicism is the one religion which has historically sought to act as a middleman between the spirit world and ourselves, while decrying as evil our natural right to do so ourselves; I would go as far as to say this religion, once the clerical arm of one of the most controlling empires ever witnessed on Earth, has exacerbated the present state of disconnection from spirit in humanity. There is ample historical evidence for this, in the systematic destruction of sacred sites and the atrocities committed around the world right into the Victorian era, all in the name of “the one true faith”. Rather ironic that the root of ‘religion’— religio— means ‘to reconnect’.


As if a sign that this reconnecting is not happening for millions of souls around the world, church attendance at the start of the 21st century is at its lowest ebb; in Europe alone, scores of churches have been resurrected into condos and private houses; coincidentally, interest in the sites of our ancestors is going up. But is this sudden resurgence in our sacred past a part of recovering from our collective amnesia? And is it happening fast enough?

I believe the answer is yes, and no, and for one fundamental reason: our soul is striving to reconnect because we instinctively feel that one possible, alternative future is in danger of becoming a reality. And it is one that least accommodates our need as a collective to grow into a new experience.

In life, there are several roads we can go by. That is the fundamental right of free will. But when we begin to see the manifestation of a future based on fear, self interest and environmental ecoside, I believe at that moment a safety valve blows in our collective soul amnesia which propels us to take affirmative action. And the triggers for this are the undeniable volumes of unusual phenomena at this moment in our evolution.

Orbs, entities, UFOs and the such have blossomed during the latter part of the 20th century, and necessarily in rapport with the rise in population or the increase in electronic gadgets with which to capture such events; even the numbers of people with developed psychic ability is on the increase. These events have a pronounced affect on our consciousness, our spirituality if you like. It is as if the spirit world is realizing the effect modern life (by which I mean the past 2000 years) is placing on incarnated souls. They understand that the ability to reconnect with the spirit world for guidance and clarity is lessened to its lowest degree in living memory. The gap between seen and unseen is expanding. Thus, the state of amnesia which has up to now served as a useful shield used between the spirit and this experienctial world is no longer purposeful. In fact, it has become somewhat of a detriment in the journey of souls. So, in order to help us remember, new means must be employed to help us remember the plot.

“And it shall come to pass in the last days, I will show wonders in the heavens above, and signs in the Earth beneath,” so God is claimed to have said, as quoted in the biblical text The Acts of the Apostles. What the last days refer to is open to interpretation. However, aerial appearances of comets throughout the last forty years, and major discoveries through Hubble Space telescope and the plethora of space craft launched into the nether regions of the galaxy have no doubt broadened our view and appreciation of the Universe. Meanwhile, back in ‘the Earth beneath’, a major phenomenon has been manifesting.

Some 10,000 crop circles have been reported in modern times. Most have been simple circles and shapes, some have been complex in geometry and structure. But what is certain is that 29 countries have reported them, and despite the normal, and carefully planned, debunking throughout the cynical modern media, their positive effect has been indelibly imprinted on people’s psyche. It has spurred an interest in people in matters of faith and self-discovery, in esotericism, even the meaning of life itself. I have witnessed skeptics turn into believers, I have seen sensible people dismantle perfectly rational, sensible lives to follow uncertain paths in the education and awakening of human awareness and the purpose of the soul on Earth. For better or worse, I am one of them.

Crop circles are in themselves not a new phenomenon. There is written evidence of their manifestation— with diagrams, no less— in England in 1680. In fact, over 200 cases exist of crop circles appearing throughout Europe and North America since the 1900s, some from witnesses such as police and farmers. According to the oral traditions of native tribes from the north American Plains they may have been appearing over the course of a thousand years. In South Africa they are described as ‘the great circles of the Gods’, and sacred rituals are performed honouring the “star gods and the Earth Mother”. Their appearance has been cause for celebrations lasting several days, which are accompanied by prayers to the gods to watch over the people and talk to them “through the sacred sites”.

Through the sacred sites !? It seems, then, that the spirit world’s connection with the human soul is alive and well at those places of veneration. As indeed it should be, since those terrestrial antennas are still, by and large, in full operating mode.

The mechanics at work in sacred sites are no different to those in crop circles, and the effects on people are identical. From my own research I have concluded that a portion of the crop circles are meant for the Earth’s own energy systems— geometric shapes mirroring those already hard-wired into this ecosystems’ own genetic memory, serving to amplify and stabilize the environment, mostly for the benefit of that often pesky species, the human. Part of this evidence comes from eyewitness accounts of a tube of light descending onto the land, rotating the plants without making them fall down and then, the following day, the crop circle appears. This suggests there is an imprinting of information and the Earth fires back the pattern as confirmation. Scientific evidence also shows that a fluid system releases energy when flowing in clockwise motion, yet adds energy when rotating anti-clockwise; the way the plants in crop circles are spiraled in both such directions serves to demonstrate that energy is either coming in or flowing out. But what concerns us here are those crop circles witnessed by some eighty people around the world manifesting right in front of their eyes, typically within fifteen seconds, for these serve an altogether different purpose.

Like all ancient sacred sites, all genuine crop circles appear at the crossroads of invisible streams of magnetic energy. Since we already know what happens to people when they interact with magnetism at sacred sites it should come as no surprise that hundreds of people have reported altered states of awareness when in contact with crop circles. What is interesting is that many were skeptics, and some have had the experience just from looking at a photograph; there have also been hundreds of cases of healings.

In this, crop circles behave just like standing stones and other oracles, except they work with cereal crop instead of rocks. But if you bend down and look at the affected plants you will find the roots have been bent at approximately 90 degrees counter to the normal point of gravity. Roots are geotropic by nature, they should point to the center of the Earth, and yet in crop circles they can be almost horizontal. This suggests that the local gravitational field has been influenced in some way. When you consider that one of the purposes of gravity is not just to bind together molecules, but also to make sure the soul remains bound to the physical vessel it chose to enter, the implications are staggering. Imagine, these new temples— these signs— appearing upon the face of the Earth, helping the human soul to reconnect with its parent body, at a time when we seem most disconnected.

We haven’t even begun to look at the actual symbols themselves. Our ancestral cultures were, without a doubt, far more engaged in intimate dialogue with the spirit world, and their stories and experiences are memorialized in symbols etched in stones all around the world, including Aboriginal lands. Many of the symbols are archetypal patterns, and many are found at locations already associated with dreaming or altered states of awareness. Whenever native cultures are exposed to the crop circle symbols they react with great joy, for they recognize the designs as their own— gifts from, and expressions of, the gods and other beings from across the veil.

In watching people’s reactions to the crop circles symbols I’ve often described them as works by a master hypnotist, but working in reverse: not to subvert your consciousness under the influence of suggestion, but to bring you out of amnesia. Because these symbols are helping people remember their purpose in life. They guide them to the bigger picture and, to a degree, lessen the stranglehold of material forces upon the soul.

From my observation, the crop circle symbols that most strike an awakening chord inside us are based on pentagrams and hexagons, either overtly or veiled within an otherwise abstract shape. I mulled this over for years, while gazing at precisely the same geometries when sitting in old churches and cathedrals, discovering exactly the same patterns in their arches, windows and adornments. Even when looking at the Earth— even human DNA.

For organic life to appear on a planet, a certain harmonic must be employed in its construction. This harmonic is the ratio 6:5, and on Earth this is reflected in the circumference at the Equator (21,600 nautical miles) relative to the processional cycle (approx. 25,800 years). That ratio is 6:5, and it is geometrically expressed by the hexagon and the pentagon. As the Egyptians taught us, everything as above is reflected so below, therefore this ratio should exist in humans, one of the physical products of the Earth. If one observes the crystalline structure of human DNA, the very core of our physical fabric is indeed composed of alternating hexagonal and pentagonal-shaped crystals.

There is one more piece of evidence that links crop circles, sacred sites and human DNA, and that is the strategic angle of alignment between places of invocation and our genetic core. While I was researching the possible strategic placement of crop circles across the land, I stumbled upon an angle the Circlemakers kept using again and again. This angle, 32.72 degrees, also appears to link many sacred sites throughout southern Britain one to another— coincidentally where 80% of crop circles appear. When I researched this in relationship to human DNA I discovered that the angle of the spiral in aDNA lies precisely 32.72 degrees. Although this is a project I am currently working on, it is sufficient to remark that someone in higher places is intent on awakening the human soul through these special places on Earth. As I mentioned earlier, I believe the spirit world is aware that the human soul and its amnesia is facing an uphill struggle to maintain its balance due to the overwhelming association with material forces. And what better way to get our attention than by creating mysterious shapes in fields which speak directly to our genetic code?

No wonder these euphonious messages from the gods are influencing people at such a fundamental level. Geometry, being the ultimate systems language, is a sure way to get our attention, for it speaks directly to the heart while circumnavigating that often austere analytical barrier, the brain.

So, are crop circles messages from the future, manifesting at this juncture to assist the progress of the soul? The answer is yes. And no. Since many of their designs can be found literally etched in stone throughout ancestral sites, they are also messages from the past. Yet the world of spirit works not in linear time but in the round, and all events and processes are occurring in real time, so perhaps they are messages from all time, for all time. Paradoxically, in our reality they are of now, and should we fail to follow our gut instinct when we react to them, we stand to hide from their intended purpose— religio, to reconnect the human soul with its home and redirect our lost course.

I often ponder on how we will make of our time here, the first time in history when six billion souls have incarnated, and which of possible courses we shall choose for our future. We are being provided with extraordinary tools and, in the end, how we choose to use them will determine the outcome.

In all such things, the choice is ours.


© Freddy Silva 2008


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With the onset of digital cameras in the market, a lot of people have begun to notice "Balls of Light" in various sizes with a definitive pattern and inner glow in most of the photographs they'd taken. The key difference between a digital camera and a normal camera is that the digital camera has no film, instead it has a sensor that converts light into electrical charges.

At its most basic level, this is all there is to a digital camera. Just like a conventional camera, it has a series of lenses that focus light to create an image of a scene. But instead of focusing this light onto a piece of film, it focuses it onto a semiconductor device that records light electronically. A computer then breaks this electronic information down into digital data and the pattern inside these Orbs can be seen even more clearly. Skeptics always have reasons to debunk / not believe in any aspect of the invisible universe, in this case accounting the round glowing orbs to dust particles, moisture or a faulty camera. On the contrary, the ones who have researched and experienced the Orb phenomena know otherwise.



Orbs are transdimensional light beings in simpler words they are a conscious form of spiritual energy traveling through dimensions and are mostly invisible to the naked eye seen by a few gifted people and captured by digital cameras all over the planet. Orbs are seen mostly around places with good vibrations such as places where people are singing, dancing, meditating or praying ... basically having a good time with a lot positive energy all around ! The most common belief is that Orbs are Spirits, Cherubs, Angels, Ghosts or Fairies watching over us and guiding us in subtle ways experienced within our conscious and subconscious states of awareness. Similar Balls of Light have been seen around crop circles and some believe some of these Orbs to be Extraterrestrials or UFOs manifesting interacting with the consciousness. Modern day Chi Kung Masters speak of Orbs as balls of energy that can communicate and heal. Orbs also react to peoples emotions and appear in greater numbers when people are experiencing emotions or conscious states of love, joy and bliss ! It is possible to manifest Orbs as it is an interactive phenomena and our consciousness creates ...

Orbs are seen in different colors as well. Most of the Orbs i have seen in pictures on the Internet and in some of the pictures I'd taken on my Olympus FE-330 are simple bright white balls of light while there are some blue orbs as well. There have been pictures taken by others which you can find on the net of orange, golden and pink orbs as well. Orbs are seen at spiritual gatherings, cemeteries, clairvoyant meetings, parties, musical gatherings and festivals almost everywhere you feel good positive vibrations all around !

Freddy Silva who made this fantastic documentary called Stairways to Heaven : The Practical Magic of Sacred Space speaks about Orbs and their connection with crop circles and sacred sites !

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Click to enlarge the following pictures of Orbs : Orbs @ Astrix Live @ Mumbai Blue Orbs ! Blue Orb @ Nani's Place Orbs @ Ankush & Akanksha's Terrace Orbs @ Ankush & Akanksha's Terrace Related Articles :

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Freddy Silva is one of the world’s leading experts on crop circles and sacred sites, and a leading researcher into the interaction between temples and consciousness. He is the best-selling author of Secrets in the Fields and Director of the documentaries "Templemaking", “Stairways To Heaven: The Practical Magic Of Sacred Space”, and "In The Footsteps Of Isis".

He is a life-long student of Earth Mysteries and ancient systems of knowledge, and lectures internationally. He has made keynote presentations at the International Science and Consciousness Conference, and the International Society For The Study Of Subtle Energies & Energy Medicine, in addition to appearances on The History Channel, Discovery Channel, BBC, numerous video documentaries, and international radio shows.

Recently described by the CEO of Universal Light Expo as “perhaps the best metaphysical speaker in the world right now.”


In ancient times, specific harmonics were coded into the fabric of temples and other sacred sites. These involved the strategic use of magnetism, sacred geometry and measure, even water. But what science is now discovering is that these sites retain certain energetic fingerprints, and such information can be transferred to people who interact with them.

What were these harmonics? How are they coding the water, the human mind and its state of awareness? Why have such principles now been proved inside genuine crop circles? And how is this ‘technology’ being applied in remote healing and radionic therapies?


This exhilarating documentary leads you through the spiritual technology of the ancients, and how its application in sacred spaces, temples, and Gothic cathedrals has influenced humanity’s states of awareness for millennia.


With breathtaking sites filmed across the British Isles, you will be led on a 8000-year journey into a practical magic whose principles are alive – a legacy for our times, when all systems of understanding, structure and environment lie in a state of transformation and upheaval. You will also discover how, with the appearance of crop circles, this ancient information is once again coming to light – information that is imprinting all living things on Earth. Including the human body !



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