Terence McKenna is one of the few who've been able to jump the girdling walls that ensnare most people's thoughts and ideas at an early age. His reality is fresh. In his words, he's an edge-runner, an authentic explorer of the bizarre. What's weird is what's hot. He sees conventional thoughts on life and history as a dying breed, about to be replaced by some techno-future that is enigmatic even to him. He has been studying and experimenting with plant psychedelics for two and a half decades, and says "psychedelics are the petrol for the gas tank of any spiritual vehicle."

His fascination with plants goes beyond hallucinogens. He helps run a rescue project for rare and endangered plants on the big island of Hawaii. Most of the plants are sent from South America, and are grown and preserved in McKenna's botanical garden. Info on the plants are stored in a database. Although the project is used mostly as a green archive, McKenna hopes researchers will someday study the plants.

Terence gives a psychedelic presentation of his ideas on language, communication, and virtual reality in his video Experiment At Petaluma produced by Rose-X. He is the author of Invisible Landscape, Food of the Gods, and The Archaic Revival, and is featured on many audio tapes, which are worth getting if only to hear his wonderfully poetic narration and enchanting voice. Terence shared some of his reality with me over the telephone, which will hopefully give us all a glimpse over those girdling walls.

— Carla Sinclair

Terence McKenna's Interview with Carla Sinclair
From bOING bOING #10

bb: I just read Archaic Revival which was interesting. What do you mean when you say we are going to be unrecognizable to ourselves by 2012?

TM: Since I don't work for any academic institution or feed at any government or corporate trough, I'm free to think anything I want about reality. And I think the phenomenon which most people can agree is happening is that time appears to be speeding up in human history, for example, or in the twentieth century, or in the last 25 months. So rather than see this as just something trivial or an artifact of the act of perceiving it, I would like to think that it's real, that time is in fact speeding up. When you look back at the history of the universe, you see that this has been going on for a long long time. Things have been happening faster and faster and faster.

bb: Do you mean speeding up physically?

TM: Yeah. So that for instance, immediately after the birth of the universe, there was a long period of time where the only thing that was happening was that it was cooling. The amount of energy was so high that you couldn't get molecules, you couldn't get stable structures, you couldn't even get atomic systems. The universe was very simple and very hot. As it cooled, it became more complex. Each drop in temperature allowed new things to happen which built on previous new things which had happened. So, for example, first you get electrons settling into orbits around nuclei, then you get atomic chemistry for the first time. The universe cools, and time passes, and you get molecular chemistry - bonds of lower strength that can form only at the lower temperatures coming into existence. That allows complex polymers to form.

bb: Well how does all of this make our Earth spin faster to speed up time?

TM: Bear with me. So this process of complexification is going on in nature. When you look at it you realize that it happened faster and faster. It took a long time for there to be life, or just for planets to form, and stars to settle down. Then once you get life, you get a very rapid proliferation of form, and by rapid I mean in scales of hundreds of millions of years, and then you get higher animals. After that you get animals like ourselves, and you get language, and culture, and writing, and electronic media. Each of these steps occurs more and more quickly, leading to the conclusion that human history and the presence of tool making, poetry making, and thinking creatures on this planet have something to do with being caught, or you might otherwise say, fortunately positioned very close to a kind of anomaly that is haunting space and time. You can think of it as a collision with a hyper dimensional black hole.

We and our universe and everything in it are being sucked closer and closer into the presence of something which seems to be made out of pure idea. It's very hard to English, but it explains basically what's going on on this planet - why it is that 50,000 years ago, shit-hurling monkeys decided to set off on the long march toward the space shuttle, and an integrated global economy, and toxic pollution, and the whole ball of wax? A process of some sort unique in nature was unleashed 25-50,000 years ago. From that point on there was a tremendous push into symbolic expression and the cultural consequence of symbolic expression which is technology. And now, we've run the nut right off the end of the bolt, and the planet's finite limits are being reached. But the process shows no sign of slowing down. So rather than see it as some apocalypse or some terrible flaw of human fate run amok, I see it as a natural phenomenon. Human history is not our fault.

The world is getting weirder and weirder by leaps and bounds. It's moving faster and faster. It's very science fiction. You have potentially human life-extinguishing epidemic diseases, at the same time that you have whispers of cold fusion and journeys to the stars. Meanwhile people are meeting little rubbery beings in their bedrooms in the middle of the night, and having rectal examinations. All this crazy shit is going on which is called the melt-down of Western civilization at the end of the second millennium. Then if you toss psychedelic drugs into the mix, shamanic plants and this sort of thing, and make journeys out into the architectonic superspace of the culture, you quickly realize the cosmic egg is cracking.

bb: But Terence, what does the weirdness of everything have to do with time? TM: Well weirdness, when you analyze it, means unusual connections. Connections between things which would ordinarily not be connected. This was the perception of surrealism. Another way of thinking, what time speeding up means, is that all boundaries are beginning to dissolve - boundaries of space and time - and everything is beginning to coalesce into some kind of organometallic-human-machine-cultural-spiritual-material interphasing amoeboid something that is spreading like a coral reef around the planet. In order to not freak out and see it as the end of everything, you have to think of it as under control, first of all. So then the question is, of what? I think it is controlled by something like the Gaian mind. bb: Gaian mind? TM: Yes, the planet is some kind of organized intelligence. It's very different from us. It's had 5- or 6-billion years to create a slow moving mind which is made of oceans and rivers and rain, forests and glaciers. It's becoming aware of us, as we are becoming aware of it, strangely enough. Two less likely members of a relationship can hardly be imagined - the technological apes and the dreaming planet. And yet, because the life of each depends on the other, there's a feeling towards this immense, strange, wise, old, neutral, weird thing, and it is trying to figure out why its dreams are so tormented and why everything is out of balance. The culture is melting down. It's happening, and nobody knows where it leads. They're doing computer modeling, some of which indicates that it's too late, that if men of good-will and women of good-will came forward everywhere and took control, it would be too fucking late. I don't think so. I think that there's some very large plan in all this that doesn't come from God Almighty or anything like that. It comes from biology. It's the architecture of evolutionary breakthrough that is etched into every molecule of DNA on the planet. It's going to happen - the egg shell is breaking. The womb is ruptured, and there is no way out now but some kind of journey down the very frightening birth-canal of experience. The next 30 years will stand your hair on end, guaranteed, because it's barely begun. Right now, we are living in the golden twilight of Western Civilization. The long afternoon of Cartesian rationalism. Ahead lies agricultural failure, atmospheric disruption, ethnic warfare, sexually transmitted diseases, propoganda, superdrugs, AND a whole bunch of good stuff. But it's going to be a white-knuckled ride to break through at the end of time, because there is so much to be unleashed. What's happening is we're turning into something else. We're now in the process of answering your original question which was why did I say we would be unrecognizable by the year 2012? Because we cannot continue to be recognizable and survive. We monkeys love a good fight, so now the pressure is coming on. The kissing has to stop, and the struggle will be wild and wooly, but we're intelligent. We're survivors. And finally, what does this faster and faster mean? What it means is that time will eventually go so fast that the rest of the future - all of it - will happen in a few seconds. This is similar to the bubble-like expansion of space and time at the birth of the universe. There will be a contraction of space and time at the end that will be similar to the bursting of a bubble. That's what I think lies at the bottom of the basin of attraction that is pulling us towards itself and that seems to be located in the late months of 2012. bb: How did you choose 2012? TM: Well that is a complicated story, my dear. bb: It's too soon. Pick a later date. TM: Seems too soon to you does it? bb: Oh yes. TM: Well when I chose it it was twice as far away. It's true though, it does feel like we're kind of rushing towards it. On the other hand, if you have an exponential collapse, it can really catch you by surprise. The burst of the universe must have caught somebody by surprise. bb: So what's 2013 going to be like? TM: Well that's a good question. That's like asking, 'how shall we imagine what we in principal cannot imagine?' But on the other hand, there are ways to approach it, and model it. I think what's going on is some kind of conquest of dimensions. The previous dimension in which you've been imbedded becomes a unified plane from your new point of view. Maybe what is happening is that culture is somehow going to bootstrap itself into a kind of intellectual hyperspace. And then the question is, where is that? Is it enfolded within the eyelash of a fruit-fly? Can we become as viriuses and just drift in the stratocumulus clouds? I don't know, but it's not my business at this point to know that. I think we have a lot to go through. I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently. And there's a way to take the world apart and put it back unrecognizably. We don't really understand what consciousness is at the really deep levels. With some of the tryptamine hallucinogens, you see into possibilities where questions like, 'are you alive?' 'are you dead?' 'are you you?' seem to have been transcended. I think people have a very narrow conception of what is possible with reality, that we're surrounded by the howling abyss of the unknowable and nobody knows what's out there. TERENCEMCKENNALAND The Deoxyribonucleic Hyperdimension Terence McKenna talks about the I-ching, Novelty theory, 2012 and the nature of time. Excerpt from 'The Rites of Spring'. Related Articles :

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Alien Dreamtime is a rare live multimedia event recording of Terence McKenna at the Transmission Theater in San Francisco, California on the 26th/27th of February 1993 ... In Terence McKenna's words on the 'Archaic Revival' ... Alright, tonight, for your edification and amusement... three raves, two interregnums. Visions by Rose X.. Didgeredoo, Stephen Kent... and sound by Space Time. Words and ideas by Terence McKenna. Rap One: The Archaic Revival !



History is ending, because the dominator culture has led the human species into a blind alley. And as the inevitable chaostrophe approaches, people look for metaphors and answers. Every time a culture gets into trouble, it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa, 15,000 years ago, rocked in cradle of the great horned mushroom goddess before history. Before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism. Before, before, before. And this is where the future is taking us. Because the secret faith of the 20th century is not modernism. The secret faith of the 20th century is nostalgia for the archaic, nostalgia for the Paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock and roll, and Catastrophe Theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom-dotted plains of Africa, where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are.

And why does this matter? It matters because it chose that the way out is back, and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together, the community will be better able to streamline itself for flight into hyperspace. Because what we need is a new myth. What we need is a new true story that tells us where were going in the universe. And that true story is that the ego is a product of pathology and that when psilocybin is regularly part of the human experience, the ego is suppressed. And the suppression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of feeling immediate experience. And nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience. But that's what holds the community together. And as we break out of the silly myths of science and the infantile obsessions of the marketplace, what we discover through the psychedelic experience is that in the body-- in the body-- there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life.

I think of going to the grave without having a psychedelic experience, like going to the grave without having sex. It means that you never figured out what it was all about. The mystery is in the body, and the way the body works itself into nature. What the archaic revival means is shamanism, ecstasy, orgiastic sexuality, and the defeat of the three enemies of the people, and the three enemies of the people are monotheism, monogamy, and monotony. And if you get them on the run, you have the dominators sweating, folks. Because that means that you're getting it all reconnected, and get it all reconnected means putting aside the idea of separateness and self-definition through thing fetish. Getting it all connected means tapping into the Gaian mind. And the Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet, and without that experience we wander in a desert of bogus ideologies, but with that experience, the compass of the self can be set. And that's the idea, that were figuring out how to reset the compass of the self, through community, through ecstatic dance, through psychedelics, intelligence-- intelligence... this is what we have to have to make the forward escape into hyperspace.

I'm gonna take five here, and uh, well be back and chat some more.

"It's clearly a crisis of two things: of consciousness and conditioning. These are the two things that the psychedelics attack. We have the technological power, the engineering skills to save our planet, to cure disease, to feed the hungry, to end war; But we lack the intellectual vision, the ability to change our minds. We must de-condition ourselves from 10,000 years of bad behavior. And, it's not easy."

—Terence McKenna, "This World... and Its Double"

Terence McKenna is one of the pioneers in the research of plant entheogens and the mystical connections with consciousness which arise out of a psychedelic initiation ... the experience can then, well become repeatable with purposeful ingestion of a psychedelic sacrament to attain altered states of consciousness which the ancients have known since the time before our known recorded history originates ! A writer, philosopher, ethnobotanist, psychonaut, a new age shaman among the many titles McKenna earned as he set adrift on his psychedelic adventures this time around ... Terence McKenna and his eloquence on the matters of Extraterrestrials, UFOs and Psychedelics has enthralled and invoked millions all around this big blue planet, Terra ! ~(:-)~

Terence McKenna grew up in Paonia, Colorado. He was introduced to geology through his uncle and developed a hobby of solitary fossil hunting in the arroyos near his home. From this he developed a deep artistic and scientific appreciation of nature. At age 16, McKenna moved to, and attended high school in, Los Altos, California. He lived with family friends because his parents in Colorado wished him to have the benefit of highly rated California public schools. He was introduced to psychedelics through The Doors of Perception by Aldous Huxley and the Village Voice.

In 1975, Terence graduated from Berkeley with a degree in ecology, resource conservation, and shamanism. Soon thereafter, he and Dennis published one of the earliest psilocybin mushroom growing guides under the pseudonames Oss and Oeric. Terence then spent some time doing large-scale farming of psilocybin mushrooms during the 1980s. Soon, McKenna began to speak publicly on the topic of psychedelic drugs, lecturing extensively and conducting weekend workshops. Though somewhat associated with the New Age or human potential movement, McKenna himself had little patience for New Age sensibilities, repeatedly stressing the importance of the primacy of felt experience as opposed to dogmatic ideologies. Timothy Leary once introduced him as "one of the five or six most important people on the planet".

He soon became a fixture of popular counterculture, and his popularity continued to grow, culminating in the early to mid 1990's with the publication of several books such as True Hallucinations (which relates the tale of his 1971 experience at La Chorrera), Food of the Gods and The Archaic Revival. He became a popular personality in the psychedelic rave/dance scene of the early 1990s, with frequent spoken word performances at raves and contributions to psychedelic and goa trance albums by The Shamen, Spacetime Continuum, Alien Project, Capsula, Entheogenic, Zuvuya, Shpongle, and Shakti Twins. His speeches were (and continue to be) sampled by many others such as Raja Ram, 1200 mics .... In 1994 he appeared as a speaker at the Starwood Festival, which was documented in the book Tripping by Charles Hayes (his lectures were produced on both cassette tape and CD).

Novelty Theory

One of McKenna's ideas is known as novelty theory. It predicts the ebb and flow of novelty in the universe as an inherent quality of time. McKenna developed the theory in the mid-1970s after his experiences in the Amazon at La Chorrera led him to closely study the King Wen sequence of the I-Ching. Novelty theory involves ontology, extropy, and eschatology.

The theory proposes that the universe is an engine designed for the production and conservation of novelty. Novelty, in this context, can be thought of as newness, or extropy (a term coined by Max More meaning the opposite of entropy). According to McKenna, when novelty is graphed over time, a fractal waveform known as "timewave zero" or simply the "timewave" results. The graph shows at what time periods, but never at what locations, novelty increases or decreases.

Considered by some to represent a model of history's most important events, the universal algorithm has also been extrapolated to be a model for future events. McKenna admitted to the expectation of a "singularity of novelty", and that he and his colleagues projected many hundreds of years into the future to find when this singularity (runaway "newness" or extropy) could occur. Millenarians give more credence to Novelty theory as a way to predict the future (especially regarding 2012) than McKenna himself. The graph of extropy had many enormous fluctuations over the last 25,000 years, but it hit an asymptote at exactly December 21, 2012. In other words, entropy (or habituation) no longer exists after that date. It is impossible to define that state. This is also the exact date on which the Mayan long calendar ends. It is believed by many that this day will bring great change to the planet Earth.

Terence McKenna left the physical form in the early hours on April 3rd 2000 at his home in Hawaii alongside his loved ones succumbing to brain cancer !

Commenting on the reality of his own death, McKenna said during the interview:

"I always thought death would come on the freeway in a few horrifying moments, so you'd have no time to sort it out. Having months and months to look at it and think about it and talk to people and hear what they have to say, it's a kind of blessing. It's certainly an opportunity to grow up and get a grip and sort it all out. Just being told by an unsmiling guy in a white coat that you're going to be dead in four months definitely turns on the lights.... It makes life rich and poignant. When it first happened, and I got these diagnoses, I could see the light of eternity, a la William Blake, shining through every leaf. I mean, a bug walking across the ground moved me to tears."

We love you Terence ! Thank you for everything !


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