Showing posts with label Torrent Downloads. Show all posts
Showing posts with label Torrent Downloads. Show all posts
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"Let thy Food be thy Medicine and thy Medicine be thy Food" - Hippocrates. That is the message from the founding father of modern medicine echoed in this documentary film 'Food Matters' from Producer-Directors James Colquhoun and Laurentine ten Bosch.

With nutritionally-depleted foods, chemical additives and our tendency to rely upon pharmaceutical drugs to treat what's wrong with our malnourished bodies, it's no wonder that modern society is getting sicker. Food Matters sets about uncovering the trillion dollar worldwide 'sickness industry' and gives people some scientifically verifiable solutions for overcoming illness naturally.


In what promises to be the most contentious idea put forward, the filmmakers have interviewed several leading experts in nutrition and natural healing who claim that not only are we harming our bodies with improper nutrition, but that the right kind of foods, supplements and detoxification can be used to treat chronic illnesses as fatal as terminally diagnosed cancer.

The focus of the film is in helping us rethink the belief systems fed to us by our modern medical and health care establishments. The interviewees point out that not every problem requires costly, major medical attention and reveal many alternative therapies that can be more effective, more economical, less harmful and less invasive than conventional medical treatments.

The ‘Food Matters' duo have independently funded the film from start to finish in order to remain as unbiased as possible, delivering a clear and concise message to the world.



Source : Food Matters


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In this National Geographic Explorer documentary titled "Marijuana Nation", Lisa Ling takes us on a trip to reveal modern day marijuana agriculture in secret farms along the Western Coast and some not so secret massive grow houses where Ganja is grown for it's medicinal use !

Medicinal Marijuana
is currently legal in 12 states: California, Rhode Island, Vermont, New Mexico, Nevada, Montana, Colorado, Maine, Oregon, Alaska, Hawaii and Washington State.


You can also watch the documentary in 5 parts in the embedded YouTube player below ...


Marijuana is used medicinally to fight chronic pain, spasticity from multiple sclerosis, nausea and vomiting in HIV patients, as well as the nausea and vomiting associated with chemotherapy.

Marijuana is a cure for a whole lot of other diseases and ailments including Cancer !





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"Fear and Loathing in Las Vegas" is a 1998 comedy film adaptation of Hunter S. Thompson's 1971 novel Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. The film, directed by Terry Gilliam, stars Johnny Depp as Raoul Duke and Benicio del Toro as Dr. Gonzo.

The film opens with a montage of protests regarding the Civil Rights Movement and Vietnam War, before cutting to Raoul Duke (Depp) and Dr. Gonzo (Del Toro) speeding down the desert of Nevada. Duke, under the influence of mescaline, complains of hallucinating a swarm of giant bats, before going through the pair's inventory of psychoactive drugs. Shortly afterward, the duo stop to pick up a young hitchhiker (Tobey Maguire), and explain what they are doing. Duke has been assigned by an unnamed magazine to travel to Las Vegas and cover the Mint 400 motorcycle race. However, they have also decided to take advantage of this trip by purchasing countless drugs, and rent a brand new Chevy Impala convertible. The young man soon becomes terrified of the drug-filled antics of the duo, and flees on foot. Trying to reach Vegas before the hitchhiker can go to the police, Gonzo gives Duke a tab of "Sunshine Acid", then informs him that there is little chance of making it before the drug kicks in.





Tracklist :

1. "Combination of the Two" by Big Brother and the Holding Company
2. "One Toke Over the Line" by Brewer & Shipley
3. "She's a Lady" by Tom Jones
4. "For Your Love" by The Yardbirds
5. "White Rabbit" by Jefferson Airplane
6. "A Drug Score - Part 1 (Acid Spill)" by Tomoyasu Hotei & Ray Cooper
7. "Get Together" by The Youngbloods
8. "Mama Told Me Not to Come" by Three Dog Night
9. "Stuck Inside of Mobile with the Memphis Blues Again" by Bob Dylan
10. "Time Is Tight" by Booker T. & the MG's
11. "Magic Moments" by Perry Como
12. "A Drug Score - Part 2 (Adrenochrome, the Devil's Dance)" by Tomoyasu Hotei & Ray Cooper
13. "Tammy" by Debbie Reynolds
14. "A Drug Score - Part 3 (Flashbacks)" by Tomoyasu Hotei & Ray Cooper
15. "Expecting to Fly" by Buffalo Springfield
16. "Viva Las Vegas" by Dead Kennedys






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The crop circle formations from the 2009 crop circle season are truly remarkable with all the deeply meaningful evolutionary symbolism and encoded messages within these sacred healing spaces in the fields. There were a couple of beautiful formations which were completed in phases while one was amazingly reworked on after the formation was mowed down by the farmer on whose land the giant Galactic Butterfly Hunab Ku Crop Circle appeared. The 2009 season brought us some of the best formations ever reported with a common message of transformation and re~emergence of spirit seen in the Dragonfly Crop Circle, The Phoenix Rising Crop Circle, The Wise Owl Crop Circle, The Aztec Spirit Bird Crop Circle, The Jellyfish Crop Circle, The Human Butterfly Crop Circle that appeared in Netherlands in August (The Largest So Far ...), to name a few ...

Here are a couple of brilliant videos recently uploaded to the YouTube Channel Trippy123 featuring the Crop Circle Season of 2009 with some awe inspiring imagery and trippy music to go with it ...

Trippy123 says ...

Who? What? Why?!

Some say man made maybe HAARP or Scalar energy, some say ET, and some say the Earth (Gaia) herself produces these wonderful geometrically perfect crop circles ...


This years season is only days away - what will it bring ?

No one claims to make these crop circles, and those that do never show how they can ...

Electromagnetic fields, right angled stems that seem to have been heated from the inside out (much like a microwave), and peculiar growing patterns of the crops effected - some stay year round even after the harvest imprinted like a tattoo ...

One theory is the Earth produces these vibrations that appear in specific areas that lay along 'energetic grid lines' that the Earth naturally has...

Another is these are messages from our cosmic brothers and sisters, just to say "Hi! We're here!" - or to actually help balance the Earth with positive energies that replenish a lot of what we take from her ...

One thing is for sure - no one has ever been caught in the process of making one - no one has come forward and claimed making the 'real' crop circles, and no one can explain exactly why they are made in the first place ...

So sit back, relax and enjoy these two videos - the first is in chronological order of the real crop circles that appeared, and the other is crop circle spins (one to bend zee mind a little - and even help expand your consciousness) ...





Pioneered by webbot's Cliff High, Igor and George Ure - a fantastic perspective of spinning crop circles to see intriguing patterns unfold. It is a psychedelic assault on your visual senses. Does spinning these crop circles at certain speeds or revolutions reveal anything? I see Merkabas appear from the least unlikely formations. The motion of some make them seemingly come to life - and change over and over.


Source : YouTube Channel ~ Trippy123


" We can expect some more 'Swirled Magic' in the fields awakening millions tuned into the quantum field ... The 2010 Crop Circle Season is sure to bring more love & wisdom into our collective awareness ...

In Lak'ech ... "


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Pink Floyd The Wall is a 1982 musical film by British director Alan Parker based on the 1979 Pink Floyd album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

The film is highly metaphorical and is rich in symbolic imagery and sound. It features very little dialogue and is mainly driven by the Pink Floyd sound ...

Directed by Alan Parker ; Produced by Alan Marshall
Written by Roger Waters ; Narrated by Pink Floyd

Starring ...

Bob Geldof
Christine Hargreaves
Eleanor David
Alex McAvoy
Bob Hoskins
Michael Ensign

Music by Pink Floyd & Michael Kamen (orchestrations)




The film depicts the construction and ultimate demolition of a metaphorical wall. Though the film is open to interpretation, the wall itself clearly reflects a sense of isolation and alienation.

Pink played by Bob Geldof, the protagonist of the film, is a rock star, one of several reasons behind his apparent depressive emotional state. He is first seen in a quiet hotel room, having trashed it. The opening music is not by Pink Floyd, but is the Vera Lynn recording of "The Little Boy that Santa Claus Forgot". During the following scenes, it is revealed that Pink's father was killed during World War II while he was just a baby.

The movie then flashes back to Pink as a young English boy growing up in the early 1950s. Throughout his childhood, Pink longs for a father figure. At school, he is humiliated for writing poems in class. The poems that the teacher reads aloud are lyrics from "Money" from the Pink Floyd album The Dark Side of the Moon. Pink is also affected by his overprotective mother. He eventually gets married, but he and his wife grow apart and she has an affair while Pink is on tour. When Pink learns of the affair, he resorts to acquiring expensive materialistic possessions and turns to a willing groupie (Jenny Wright), only to trash the hotel room and drive her away.

Pink slowly begins to lose his mind to metaphorical worms. He shaves off all of his body hair (an incident inspired by former band member Syd Barrett, who appeared at a 1975 recording session of Wish You Were Here, having shaved his eyebrows and body hair and, while watching The Dam Busters on television, morphs into his neo-Nazi alter-ego. Pink's manager (Bob Hoskins), along with the hotel manager (Michael Ensign) and some paramedics, discover Pink, and inject him with drugs to enable him to perform. On stage, Pink hallucinates that he is a neo-Nazi dictator, his concert a rally in a suburban neighbourhood singing "Waiting for the Worms". The scene is inter-cut by images of the animated marching hammers ...

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The Film "Fierce Light" continues the quest for a fusion between spirituality and activism previously explored in Velcrow Ripper's award-winning feature documentary ScaredSacred (Special Jury Prize, Toronto International Film Festival).

The 2006 demise of friend and fellow media-activist Brad Will in protest-torn Oaxaca, Mexico, is the impetus for Ripper's journey, which takes him to the flash points of spiritual activism around the world, including Montgomery, Alabama; Robben Island, South Africa; Andrah, India; Ho Chi Minh City, Vietnam; and South Central Los Angeles, where a months-long protest against the razing of a vital community garden provides a highly dramatic spine for the wide-ranging film.

En route, Ripper encounters a number of eloquent icons, including American Civil Rights legend Congressman John Lewis, actor turned activist Daryl Hannah, Nobel prize winner Archbishop Desmond Tutu, Pulitzer Prize Winning Author Alice Walker, Buddhist peace activist monk Thich Nhat Hahn, famed tree sitter Julia Butterfly Hill, and dharma punk, Noah Levine. Ripper discovers what Paul Hawken (author “Blessed Unrest”) describes as the largest global movement in history - thousands of individuals and organizations connected by a shared commitment to compassionate, positive action.
Alice Walker calls it "a human sunrise" - Ripper calls it "Fierce Light." With stunning cinematography, a compelling soundtrack, and dramatic stories of resistance and transformation, FIERCE LIGHT: When Spirit Meets Action reveals what is possible when human beings, faced with a world in crisis, rise to their absolute best.
Spiritual Activism is the coming together of spirituality, and activism. It is not about any form of dogma, it is simply activism that comes from the heart, not just the head, activism that is compassionate, positive, kind, fierce and transformative. It focuses as much on what we are for, as on what we are against. It is rooted in an understanding of interdependence, and works to end of the suffering of all beings, even our opponents. Nothing could be more inspiring and more rewarding than being the change we want to see in the world, within and without.
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Secret Space Volume 2 : Alien Invasion is yet another revealing documentary about extraterrestrial connections linking the Anunnaki & Ancient Sumer (Modern Day Iraq) with secret societies such as the Illuminati.

Another well pieced Enigma Channel documentary featuring Chris Everard, Jaime Maussan, Marcus Allen, Gordon Creighton and Bob Oeschler brings to the masses never seen before information about UFOs, Sky Serpents, The Nephilim & The Watchers.










Download Secret Space Vol. 2 Alien Invasion (Torrent)

All is One ... When all the fears that arise from the dualistic thought have been transcended the eternal light of divinity will shine through in all that we see ... The time is now to be the love and light we wish to see in the world ... to love all of creation unconditionally !


The serpents around Shiva's neck represent Ego, which once mastered can be worn as an ornament.

((( In Lak'ech ... May The Light Within Shine Bright Like A Million Suns )))

Love Always ... ツ




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'Ibogaine : Rite Of Passage' is a revealing documentary produced and directed by Ben De Loenen about the most promising treatment modality for drug dependency available now, Ibogaine. It is the only substance we know, which is capable of blocking acute withdrawal in opioid addicts as well as cocaine and alcohol.

Daniel Pinchbeck refers to his evolutionary Iboga ritual experience with the Bwiti Tribe of Africa in his book '2012 The Return Of Quetzalcoatl' ...

Here is an excerpt ...

"At the beginning of the night-long ordeal, while the tribe drummed and sang around me, I saw, open-eyed, a golem-like figure made of rough tree branches sit down on a bench, cross his legs, and lean forward, observing me curiously. I was later told this was the spirit of Iboga, coming to meet me. Afterward, I watched Scrabble-like letters turn in the air to spell out a curious phrase : "Touchers Teach Too" - one of a series of hints that seemed vaguely prophetic. For much of the night I was taken on a detailed tour of my early life. Many reports of Iboga trips describe such a biographical survey, though nobody knows how a complex alkaloid molecule can unlock such deep doors in the psyche, or how neurochemical reactions can create the palpable sense I had - reported by others as well - of a presence guiding me through the process."

Although the FDA decided in 1993 that Ibogaine showed enough signs of being an effective tool in the treatment of addiction, money is the problem; this natural occurring molecule cannot be patented and is not a maintenance drug with addictive properties; reason for the pharmaceutical industry not to invest in its development... Educate yourself about this unique tool ! Our vision of saving the many lives of people with a chemical dependence is only as strong as the people who support us !


About three years ago, Ben De Loenen read an article about Ibogaine in a Dutch magazine. The cultural/spiritual background of this substance and the economical interests of the pharmaceutical companies in particular caught Ben's attention. Ben was a second year student at the Utrecht School of the Arts at that moment, and decided to dedicate his final exam project to this subject. This was the beginning of a long research period in which he managed to get the cooperation of many people in the field. In particular Howard Lotsof, who in the late sixties discovered that after ingesting Ibogaine, he could instantly stop his heroin use without having any withdrawal symptoms or craving. Next to that he had gained more insight in the cause and nature of his addiction because of the psychoactive phase he had gone through and has been very supportive in the realization of this project.

Three treatments were recorded for the film; one in Sara’s House in Breukelen (The Netherlands), one in the Iboga Therapy House in Vancouver and the third one in the Ibogaine Association in Mexico. Because of the large amount of footage shot for the film, only the last treatment was finally used in the final edit. Also a lot of interviews were conducted with ex-addicts, treatment providers, the father of an ex-addict, a psychotherapist, scientists, a Bwiti shaman and Howard Lotsof. And finally a traditional Bwiti initiation in Central West Africa was shot in June of 2004.

What’s finally used in the film brings the spectator close to the personal experience of the (ex-) addict and focuses less on the science behind Ibogaine. Next to that, the spectator becomes a witness of the spectacular traditional Bwiti-ritual, which contrasts very much to the use of Ibogaine in the Western World. Unfortunately, it wasn't possible to get people of pharmaceutical companies and regular treatment centers in front of the camera, as they didn’t react on the invitation, or stated that they "had no comments." For more information on the film, go to www.ibogainefilm.com.

The ritual eating of iboga has been a psychopharmacological sacrament in the Bwiti religion for several centuries, and was likely practiced among Pygmies in much earlier times (Fernandez, 1982). In Gabon and elsewhere in West Central Africa, ibogaine is ingested in the form of scrapings of Tabernanthe iboga root bark. The ritual aim of eating iboga has been conceptualized as "binding"; the binding across time through ancestral contact, or binding participants socially on the basis of a common shared experience of a distinctive consciousness and system of belief (Fernandez, 1982; Fernandez and Fernandez, 2001).

In the colonial era Bwiti became a context of collective psychological resistance to the anomie and demoralization related to the strain on indigenous community and family institutions. Bwiti offered a dignified realm of spiritual endeavor, "the work of the ancestors" and social cohesion. Following Gabonese independence in 1960, Bwiti has remained constellated with national identity and contemporarily retains significant social and political importance (Swiderski, 1988; Samorini, 1995).

Iboga has not commonly been used to treat addiction in the traditional African Bwiti context. Iboga has been sought as a treatment for some somatic conditions, in particular for infertility (Fernandez, 1982). In the colonial era the indigenous community experienced a crisis due to a sharp decline in fertility caused by venereal disease stemming from prostitution and the separation of men from their families by the large-scale physical relocation of indigenous workers.

The possibility of an objective basis for the use of iboga in this setting is suggested by evidence associating iboga alkaloids with antimicrobial activity or effects on cell-mediated immunity. Iboga alkaloids are reportedly active against Candida albicans in the intact animal (Yordanov et al., 2005). In vitro studies indicate reversal of multidrug resistance in human cancer cells (Kam et al., 2004) and activity against Mycobacterium tuberculosis (Rastogi et al., 1998), human immunodeficiency type 1 virus (Silva et al., 2004), and the tropical parasite Leishmania amazonensis (Delorenzi et al., 2002).

The first observation of ibogaine as treatment for substance related disorders in 1962 involved a network of lay drug experimenters who ingested a variety of hallucinogens and systematically recorded their experiences (Lotsof and Alexander, 2001). Withdrawal symptoms were unexpectedly absent in heroin-dependent individuals who had taken ibogaine. Common to various sociological definitions of the term "subculture" is a system of beliefs, norms and values apart from a superordinate culture (Clarke, 1974; Dowd and Dowd, 2003).

The ibogaine subculture has elicited wariness from the "superordinate culture" of conventional clinical medicine (Kleber, 2001), and has been invoked regarding the null hypothesis that ibogaine's reported effect in opioid withdrawal is not pharmacologically mediated, but is instead accounted for by suggestion and ritual (Sharpe and Jaffe, 1990). The ibogaine subculture is also significant as the setting of case report evidence that influenced the decision of the National Institute on Drug Abuse (NIDA) to pursue its ibogaine project (Alper, 2001), and the Food and Drug Administration (FDA) to approve a clinical trial (Mash et al., 1998).


Ibogaine is unscheduled in most of the world, with the exception of the US, Belgium, Denmark, France, Sweden, Switzerland, and Australia where it is illegal. Ibogaine has not been popular as a recreational drug regardless of its legal status (Kleber, 2001), and apparently only two arrests involving ibogaine are known to have occurred in the US (Ranzal, 1967; Lane, 2005). Iboga alkaloids reportedly are not self-administered, and do not produce withdrawal signs following chronic administration in animals (Aceto et al., 1992).

As of late 2006, ibogaine hydrochloride (HCl) was available for $400-$500USDper gram (ethnogarden.com, 2006), and the dosage typically used for opioid withdrawal is in the range of 1-2 g. Purity on the order of 97-98% has been reported on certificates of analysis for supplies of ibogaine HCl used in the subculture. Ibogaine is also available as Tabernanthe iboga extract or dried root bark.


The Iboga Experience from a Buddhist Perspective ...

First off let me start by saying that my belief system is closest to that of the Buddhist and in fact I adhere somewhat to a Tibetan Buddhist way of perceiving things. Thus my experience in the jungles is coloured by this perspective and to try and describe things without referring to Buddhist conceptual models would be tying my own hands.

Profound experiences of insight have happened to me on a couple of occasions, experiences that left me with a harmonious and centred being, and the effects stayed with me for up to a year. These experiences were understandings of the essential emptiness that is our fundamental reality, the 'skylike' nature of mind. Some came through psilocybin and others through trichocereus cactus, but all were all conducted with the aid of a loving and benevolent teacher, without whom I would never have approached these states of being.

Essentially these states allowed me to perceive that the fabric of our reality is our imagination, and thus with that understanding, anything, absolutely anything is possible in the universe (however, it is important that we realise that it is all a product of our imagination). This is the fundamental nature of exoreality - and endoreality. The intellectual, however, can never come close to the experiential as much as we try. Using words and concepts to describe the subtlety of the experience can be compared to using a ten pound hammer to forge butterfly wings - the wrong tools, clumsy and blunt.

Iboga functions in a subtly different way from these other plants. In small amounts it seems to somehow slow the metabolism down, more so the more you take. Your entire being becomes still and, through the stillness, you begin to see. You begin to be aware of what is going on around you, as your intellectual mind is stilled and the mechanisms that cloud your mind with random thought are all put on slow, or pause. Other senses start coming alive, as the five senses mix synergistically. This is the case up until you take the barely sub-lethal doses they give you in an initiation.

Then you really start to see! Somehow the iboga manages to change your vibration, slow you down to such an extent that you become super-aware on the physical plane (exoreal) of events occurring at other dimensional vibrations (endorealities). Your body cools down, you seem no longer to even breathe and it would look to an outsider as if you were comatose. In fact, although your motor coordination is not functioning properly, your consciousness is now coming into its own.

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"Microcosmos : Le peuple de l'herbe" captures the fun and adventure of a spectacular hidden universe revealed in a breathtaking, close-up view unlike anything you've ever seen! Your family will marvel at a pair of stag beetles dueling like titans.

The kids will stare bug-eyed as a magnificent army of worker ants race to stock their larder ... while tyring to avoid becoming a feisty pheasant's dinner.




This film provides a fascinating, up-close view of the world of insects, snails, and other tiny invertebrates as they work, eat, fight and procreate. This acclaimed French documentary was filmed with special microscopic cameras and high-resolution microphones, which bring the viewer into the subjects' figurative living room.

You'll have a front-row seat to witness an amazing transformation from caterpillar to butterfly, the remarkable birth of a mosquito, and several other minute miracles of life. With its tiny cast of thousands, MICROCOSMOS leaves no doubt that "Mother Nature remains the greatest special effects wizard of all"

- New York Times




Download 'Microcosmos : Le peuple de l'herbe' (Torrent)


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"What on Earth? — Inside the Crop Circle Mystery" an award-winning feature-length documentary film, has just been released on DVD.

A long time producer of events and projects having to do with our consciousness and our worldview, filmmaker Suzanne Taylor tracks her interactions, in England, over six summers, with an international community of visionary artists, scientists, philosophers, mathematicians, educators, writers, and farmers who marvel at crop circles.

The superstars of the film are the circles, which remain an unexplained global phenomenon that has puzzled humanity for centuries — the photography is awe-inspiring. A question that’s addressed by the interviewees is why something so startling and spectacular is largely ignored.

Circle enthusiasts, who converge in England every summer to go circle-chasing and indulge in circle analysis, talk about why they are so taken by this phenomenon. Evidence is presented that challenges the idea that all the glyphs are made by people, and the motives of hoaxers, who make some of the formations, is a subject for speculation. Interviewees also give viewpoints about who or what is delivering the formations that can’t be accounted for as coming from people, and why they are being created.

“The most startling revelations we get from the circles come from their shapes,” says a character in the movie. “Mathematical information encoded in them delivers a virtual curriculum in number and geometry.” Also, the circles are looked at as art, as instigators to reexamine ancient knowledge lost to a culture that has become separated from nature, and as coming from a source that is aware of us and delivering patterns that point to events on Earth as well as in response to whims and wishes of individuals and groups.


In the film, people speculate about what the effect would be if it were officially declared that the circles aren’t being made by people. “If that happened,” says Taylor, “it would get us thinking as one humanity in relation to ‘the other,’ which would be the best position from which to work cooperatively to solve the problems we all share.” Questions also are raised as to whether, if were we open to circle makers who come from elsewhere, they might offer advanced technologies to help us as we run out of resources and heat up the planet.

The DVD of What on Earth? also contains outstanding bonus material. It includes commentary by researchers about their favorite circles; an alternative opening that delivers more information about the filmmaker; a moving eulogy about Pulitzer Prize winner, John Mack, a Harvard psychiatry professor who was enamored with the circles and is in the film; a music video of a crop circle song that’s in the soundtrack of the movie; and a gorgeous montage of circles.

After a preview screening in February, at the UFO Conference in Laughlin, Nevada,What on Earth? garnered the award in the conference film track for best feature documentary. In April, the movie was the only film shown at the X-Conference, in the Washington, DC area. The X-Conference is an annual gathering to address the politics and implications of the UFO/ET issue: exopolitics. Taylor will take the film to England, in July, for a screening at the Glastonbury Symposium, a major crop circle conference that’s held yearly.

It is the filmmaker’s hope that those in power turn their attention to the phenomenon to examine the available evidence. With our fingers in the dike to solve the pressing problems that challenge us on planet Earth, her hope is that the announcement of the reality of an ET engagement with us will shift the worldview that holds all our problems in place.

" What On Earth ? is an 81 minute feature documentary chronicling my interactions, in England, with members of the lively community of visionary artists, scientists, philosophers, geometers, educators and farmers who have been profoundly touched by the crop circle phenomenon. It deals with how our scientific materialistic worldview hampers serious investigation of a great mystery of our time, and how knowing the circles come from another intelligence would help us think as a planet to solve the problems that challenge us now. "

- Suzanne Taylor




'Seeds Of A New Understanding by Suzanne Taylor'

We human beings are no accident; a fine-tuned construction allows our physicality to be. What mind designed us? And what accounts for artifacts produced long ago via technologies more advanced than our own? These mysteries are no greater, however, than what is occurring in present time, as an unseen presence is signaling us. It is making crop circles.

All you have to do to be convinced that these impressions are being stamped into our reality from another one is to study these "events" that have been occurring for years in crop fields all over the world -- and in rice paddies, crab grass, iced-over rivers and more. Tracks from the likes of the Pyramids and Stonehenge have led to these formations, which are communicating in our languages of science, mathematics, art and philosophy, bespeaking a common source for us and them.

The crop circles, to those with eyes to see, look like placeholders for the awareness that lies beyond the miracle of our self-consciousness. With our world at an ecological brink, and humanity in desperate need of vision for that next reality, would it not behoove us to investigate the possibilities inherent in modern-day mysteries to help us to see further? With the crop circles, it is possible that all we need is an appreciation for their extraordinary artistry, their technical wizardry, their inspired choice of canvases, to link with them in the very intelligence that created us both.

As Marianne Williamson says, in a widely quoted passage from A Return to Love:

"Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, 'Who am I to be brilliant, gorgeous, talented, fabulous?' Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you.

We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It is not just in some of us; it is in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others."

The Circle Makers could be trying to boost us to "the glory of God that is within us," in running their beautiful rings around us all.

You can sign the Crop Circle Petition : "A Call For an Investigation of What is Known About Crop Circles" here !


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There is a revolution happening in the farm fields and on the dinner tables of America ! A revolution that is transforming the very nature of the food we eat. The Future Of Food is a must see documentary for all ! It offers an in-depth investigation into the disturbing truth behind the unlabeled, patented, genetically engineered foods that have quietly filled U.S. grocery store shelves for the past decade.


From the prairies of Saskatchewan, Canada to the fields of Oaxaca, Mexico, this film gives a voice to farmers whose lives and livelihoods have been negatively impacted by this new technology. The health implications, government policies and push towards globalization are all part of the reason why many people are alarmed by the introduction of genetically altered crops into our food supply.

Shot on location in the U.S., Canada and Mexico, THE FUTURE OF FOOD examines the complex web of market and political forces that are changing what we eat as huge multinational corporations seek to control the world's food system. The film also explores alternatives to large-scale industrial agriculture, placing organic and sustainable agriculture as real solutions to the farm crisis today.

Buy The Movie ( $2.99 )





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Fire on the Mountain : A Gathering of Shamans is a documentary about the connection between consciousness and nature, as embodied in the spiritual traditions of Indigenous Peoples, whose ecological metaphors of the sacred are so relevant to the modern world.

The film was co-executive produced by Michael O'Callaghan, President of Global Vision Corporation in London, and Sheldon Rochlin, President of Mystic Fire Video in New York. It was produced and directed by the award-winning filmmaker David Cherniack in Toronto, Canada.

A producer at the Canadian Broadcasting Company (CBC) since 1980, his many documentaries include "Heart of Tibet: An Intimate Portrait of the Dalai Lama", and "Four Noble Truths" (narrated by Richard Gere).

We shot the project in 1997 at an historic 10-day gathering of shamans from five continents, who travelled to Karma Ling, a Tibetan Buddhist retreat centre in the Val Saint Hugon in Savoy, in the French Alps, to discuss their concerns with H.H. the Dalai Lama and high-level representatives of the world's religions.


This documentary embodies the wish of these Indigenous People - all traditional wisdom-keepers, shamans and medicine-women - who requested us to communicate their message to the world.


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UFOs have been seen by many people all over the world and for a planet where two thirds of the surface is covered by water it should come as no surprise to the eclectic that there is more life hidden away from our eyes than what we get to see on TV. USOs or Unidentified Submerged Objects have been seen by many explorers, sailors, naval officers, fisherman and regular folk getting around the planet in their ships and boats. Deep Sea UFOs is a History Channel Documentary on the phenomena of underwater UFOs with some interesting case studies of USO encounters tracing far back to the time when Columbus and his crew were crossing the Bermuda Triangle and sighted mysterious underwater lights which top UFO researchers like Stanton Friedman believe correspond to USO activity reported in modern times.


There is a strong belief among some that these UFOs emerge from inside the Hollow Earth and have their origins in the super advanced ancient city of Atlantis which lies somewhere in the depths of the Atlantic ocean. Many folks living along the Indian coastline have also witnessed bright colorful lights in the sky, particularly right before the Tsunami hit the eastern coast.



In South America, particularly in countries like Peru, Brazil and Argentina there are multiple UFO sightings everyday witnessed by hundreds and thousands of amazed onlookers. These sightings happen particularly around ancient sites, mountains, and volcanoes. The UFOs are believed to emerge through these openings on the surface of the earth journeying from the deep hollow under world of Agartha.


The 1967 "Shag Harbour Incident" is the only government documented USO crash, off the coast of Nova Scotia, Canada. The Laguna Cartegena in Puerto Rico a hotbed for USO activity is also featured in the History Channel Documentary 'Deep Sea UFOs' besides other fascinating reports of fast moving underwater vehicles emitting other smaller UFOs and disappearing without a trace. These USOs have been repeatedly attacked and chased in vain. It would make sense to keep an open mind to the possibility that Earth is inhabited by many other lifeforms we might remain unaware of until it is time for the truth to reveal itself.




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Release Notes :

The Pure Collector's item for true Psychedelic Trance music Freaks. The periodic year of 2008 ad was a landmark year in the psychedelic music genre. The Global Roster of Mental Musicians grew wider with artists coming from far and near places like India, Norway, Argentina etc... Besides the usual suspect countries like Russia, Greece, Sweden etc. Tremors Underground Productions assembled some of the best psychedelic releases in the year 2008 from various killer labels and compiled it together in a double cd disc. We, at Tremors Underground had a tough time choosing and selecting the gems of 2008, because there were so many quality tracks in abundance and and had to be squeezed into a double cd pack. Ultimately we managed to squeeze 150 mins of cutting edge, timeless compositions which will be heard for years to come and will go beyond the year 2008.


Artist: VA
Title: Psychedelic Chronicles-The Year That Was
Type: Compilation
Label: Tremors Underground Production
Hyperlink: http://www.myspace.com/tremorsunderground
Genre: Psychedelic
Style: Dark psytrance
Store.Date: 2009-01
Release.Date: 2009-01-20
Catalog: TUP005
Medium: CDDA
Encoder: LAME 3.97
Grabber: EAC 0.95 beta 4
Bitrate: VBRkpbs
Mode: Joint-Stereo
Tracks: 19
Playtime: 02:30:13 Min
Release.Size: 221,9 MB


Tracklist:

CD1:
01. Hutti Heita - Twisting The Night Away 09:10
02. Derango - Irrbloss Part 1 09:19
03. Mubali - Narcolepsy 06:46
04. Krussedull - Banana Boat 09:06
05. Psilo Cowboys - Sweet And Sour 08:39
06. Kerosene Club - Into The Womb Of Parvati 07:05
07. Gappeq - Watermelon Juice 07:24
08. Polyphonia - Voodoo Style 06:39
09. KuluZik - Dusk 06:19

CD2:
01. Megalopsy Vs Xikwry Neyra - Shapeshifter 06:55
02. Silent Horror - Other Worlds 06:26
03. Irgum Burgum - Call Me Tomorrow 09:18
04. Sectio Aurea - As Above So Below 11:12
05. Sonik Scissor - Lost On The Trip (RMX) 08:46
06. Aerofurious - Top 2008 07:44
07. Kashyyyk - Magic Lamp 06:38
08. Cosmo - Super Skunk 3000 08:45
09. Furious & Excited - Ufo On Lfo 08:44
10. Highko - Who Has Won 05:26

Direct Download


Torrent Download


Free download of psychedelic trance is a good way to promote this branching genre of a greater Electronic Dance Movement gathering momentum worldwide among millions of users of the electronic media.

Please buy the original cds and support the artists @ Beatport & Psyshop !

Find all your Psychedelic Music at :

My Trance

Trippy Trance


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Alien Dreamtime is a rare live multimedia event recording of Terence McKenna at the Transmission Theater in San Francisco, California on the 26th/27th of February 1993 ... In Terence McKenna's words on the 'Archaic Revival' ... Alright, tonight, for your edification and amusement... three raves, two interregnums. Visions by Rose X.. Didgeredoo, Stephen Kent... and sound by Space Time. Words and ideas by Terence McKenna. Rap One: The Archaic Revival !



History is ending, because the dominator culture has led the human species into a blind alley. And as the inevitable chaostrophe approaches, people look for metaphors and answers. Every time a culture gets into trouble, it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa, 15,000 years ago, rocked in cradle of the great horned mushroom goddess before history. Before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism. Before, before, before. And this is where the future is taking us. Because the secret faith of the 20th century is not modernism. The secret faith of the 20th century is nostalgia for the archaic, nostalgia for the Paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock and roll, and Catastrophe Theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom-dotted plains of Africa, where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are.

And why does this matter? It matters because it chose that the way out is back, and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together, the community will be better able to streamline itself for flight into hyperspace. Because what we need is a new myth. What we need is a new true story that tells us where were going in the universe. And that true story is that the ego is a product of pathology and that when psilocybin is regularly part of the human experience, the ego is suppressed. And the suppression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of feeling immediate experience. And nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience. But that's what holds the community together. And as we break out of the silly myths of science and the infantile obsessions of the marketplace, what we discover through the psychedelic experience is that in the body-- in the body-- there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life.

I think of going to the grave without having a psychedelic experience, like going to the grave without having sex. It means that you never figured out what it was all about. The mystery is in the body, and the way the body works itself into nature. What the archaic revival means is shamanism, ecstasy, orgiastic sexuality, and the defeat of the three enemies of the people, and the three enemies of the people are monotheism, monogamy, and monotony. And if you get them on the run, you have the dominators sweating, folks. Because that means that you're getting it all reconnected, and get it all reconnected means putting aside the idea of separateness and self-definition through thing fetish. Getting it all connected means tapping into the Gaian mind. And the Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet, and without that experience we wander in a desert of bogus ideologies, but with that experience, the compass of the self can be set. And that's the idea, that were figuring out how to reset the compass of the self, through community, through ecstatic dance, through psychedelics, intelligence-- intelligence... this is what we have to have to make the forward escape into hyperspace.

I'm gonna take five here, and uh, well be back and chat some more.




Alien Love

Hello... so, that was like an introduction, ha ha! Now for some preaching to the choir on the subject of: How come it is that the further in you go, the bigger it gets? I remember the very, very first time I smoked DMT. It was sort of a benchmark, you might say. And I remember that this friend of mine that always got there first, visited me with this little glass pipe, and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hofmann's, I figured there were no surprises. So the only question I asked was how long does it last? And he said, About five minutes. So, I did it. And...

There was uh, something like a flower. Like a chrysanthemum in orange and yellow that sort of spinning. Spinning. And then, it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn't seem like a state of mind. It seemed like another place. And what was going on in this place (aside from the tastefully soffited indirect lighting and the crawling hallucinations along the domed wall), what was happening was that there were a lot of beings in there, a lot of what I call self-transforming machine elves. Sort of like jeweled basketballs all dribbling their way toward me. And if they had faces they would've been grinning at me, but they didn't have faces. And they assured me that they loved me, and they told me not to be amazed, not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn't really done it this time! And what they were doing, was they were making objects come into existence by singing them into existence. Objects which looked like Faberge eggs from Mars, morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality put through a kind of hyperdimensional transform into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them, that if I could bring just one of these little trinkets back, nothing would ever be quite the same again.

And I wondered where am I? And what is going on? And it occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own. And then I thought, a more elegant explanation would be to take it at face value, and realize that I had broken into an ecology of souls, and that somehow I was getting a peek over the other side. Somehow, I was finding out that thing, that you cheerfully assume you can't find out... but it felt like I was finding out. And it felt... and then I can't remember what it felt like because the little self-transforming tikes interrupted me and said, Don't think about it. Don't think about who we are-- think about doing what were doing. Do it! Do it now. Do it!

Speaking in Tongues

And what they meant was: use your voice to make an object. And as I understood I felt a bubble kind of grow inside of me. And I watched these little elf tikes jumping in and out of my chest (they liked to do that to reassure you), and they said, Do it! And I felt language rise up in me that was unhooked from English and I began to speak like this:

Eeeoo ded hwauopsy mectoph, mectagin dupwoxin, moi phoi wops eppepepekin gitto phepsy demego doi aga din a doich demoi aga donc heedey obectdee doohueana.

(Or words to that effect). And I wondered then what it all meant, and why it felt so good (if it didn't mean anything). And I thought about it a few years, actually, and I decided, you know, that meaning and language are two different things. And that what the alien voice in the psychedelic experience wants to reveal is the syntactical nature of reality. That the real secret of magic, is that the world is made of words, and that if you know the words that the world is made of, you make of it, whatever you wish!

Eh moi dea doi phegenheggo...

And one of the things that I learned about DMT, was that, if you ever had it, even just once, then you can have a dream. And in this dream somebody will pull out a little glass pipe, and then it will happen. It will happen just like the real thing. Because theres a button somewhere inside each and every one of us that gives you a look into the other side. And thats the button that resets the compass that tells you where you want to sail.

Good luck!

- Terence McKenna ( Excerpts From 'Alien Dreamtime' )







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