Showing posts with label Terence Mckenna. Show all posts
Showing posts with label Terence Mckenna. Show all posts
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The time has come, actually it has always been coming ... lol :P ... The time to unite as one earth tribe ... finding others like yourself and getting off the grid ... stop feeding a system which is going to crash any day now ... instead create your own village ... free from this insane world chasing illusions ... the time for big change is here now and its time for wisdom in action ... time for the renewal of spirit ... awakening as children of the great mother who speaks through all our words all our deeds ... we are the ones we have been waiting for and its of utmost importance to find the others you resonate with .... hence, this is an effort to galvanize this quest for paradise ... reaching out to our tribe out there to find a way to co-create a better reality for ourselves and generations to come ... In Lak'ech Ala K'in ... _/\_
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"True Hallucinations", yet another brilliant documentary on the life of Terence McKenna ... Aficionados of Terence McKenna need no introduction to the story that started it all. A journey through the Amazon basin becomes an experiment to hyper-carbolate human DNA, while the events spark the idea of an eschatological theory based on the 64 hexagrams of the I Ching.

Packed with alchemical ramblings about the concretisation of the hyperdimensional object that is accessible in the ecstasy of mushroom intoxication, this is a story not for the faint hearted!


The bizarre adventures of Terence McKenna, his brother Dennis, and a small band of their friends, is a wild ride of exotic experience and scientific inquiry. In search of mythical shamanic hallucinogens, they encounter a host of unusual characters—including a mushroom, a flying saucer, and the voice of the Other — and discover the missing link in the development of human consciousness and language.

My name is Peter Bergmann, I'm the creator of a 3+ hour long documentary movie about the ideas of Terence McKenna, which I made available to watch in its entirety on YouTube.

It was a result of many years of work, and while my summer and all time went into the production last year, it was clear that the 'Experiment at La Chorrera' would be impossible to incorporate into the already lengthy project. Also, it felt as a separate entity, and a story so outlandish, it couldn't possibly be translated into any kind of visual experience, mostly because of the lack of actual material.

(With the Terence McKenna movie, I had hundreds of hours of audio and many videos to choose bits and pieces from, but there is very little tangible material for True Hallucinations, except of course the 9+ hour long talking book.)


The documentary above is highly recommended to be conquered on a long summer weekend, you can help my efforts by liking/sharing/commenting, thank you!

As a consequence of an unbearable itch to continue expanding the McKenna universe, it became obvious to me in recent months that 'True Hallucinations' can reach its fruition.

I've already finished some sequences which prove to me that it would be foolish not to release it to an audience, even though the full and finished product might suffer in the area of consistent quality.

I feel it's necessary to push the envelope on this one, and so I launched this campaign boldly, to gather funds for hardware costs that I'm encountering, and to finance sequences that require the help of other artists, most importantly animated parts, where there is no other way to tell the story.

Terence McKenna's words are poetry to those who know how to listen, and I'm confident the movie I created called 'The Transcendental Object At The End Of Time' provides the viewer with plenty visits from the alchemical angel.

'True Hallucinations' on the other hand strives for something much stranger, it is a set of experiments and ideas that perhaps seem like 'the ravings of an unhinged mind', as Terence often put it, yet the story carries with it an eerie sense of gnostic truth that cannot be ignored, and I believe must be packaged for new generations of psychonauts who will always be drawn to the work of the McKenna brothers.


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Anyone who has ever heard this man Terence Mckenna, would know the magical imagery he creates in the minds of the listener through his eloquent speech and mesmerizing use of the English language. Here is 3 hours straight of the man himself, Terence McKenna, who continues to inspire and awaken millions through his work, even from the other side ....


Terence Kemp McKenna was an author, lecturer, philosopher and shamanic explorer of the realm of psychedelic states. He spoke and wrote about a variety of subjects, including metaphysics, alchemy, language, culture, technology, and the theoretical origins of human consciousness. He has been described by some as being "so far out, nobody knows what he's talking about", and by others as "the most innovative thinker of our times".

To shake us out of our perceptual torpor, McKenna played the holy fool, the crazy wisdom sage. He pushed our faces in the most exotic, lurid inventions of modern science and technology. What elevated him above most other prophets was that he delivered his prophesies with a wink, an implicit acknowledgement that ultimately reality is stranger than we CAN suppose.

McKenna’s métier was the spoken word — stand-up philosophy that meme-splices Alfred North Whitehead, Marshall McLuhan, James Joyce, William Blake and many others, delivered in a reedy, insinuating voice. Available throughout the Internet with titles like “Having Archaic and Eating it Too” and “Shedding the Monkey,” his lectures are tours de force of verbal virtuosity and pack-rat polymathy, leaping trippingly (in both senses of the word) from quantum mechanics to medieval alchemy, from the chaos theory of Ilya Prigogine to the neo-Platonism of Philo Judaeus.
This movie was created to present and collect (some of) his most profound thoughts, and to possibly show glimpses of the alchemical angel that Terence pursued throughout his life. It does not serve as a biography, (at least) three very important themes were left out for the simple reason that they take hours to unfold themselves: the experiment at La Chorrera, the relationship between the McKenna brothers, and the Trialogues with Rupert Sheldrake and Ralph Abraham.

And so, three books are essential to anyone who'd like to dive deeper into the life and mind of Terence McKenna:

  • True Hallucinations by Terence McKenna
  • The Brotherhood of the Screaming Abyss by Dennis McKenna
  • Chaos, Creativity, and Cosmic Consciousness by Rupert Sheldrake, Terence McKenna, and Ralph Abraham


Created by Peter Bergmann, this is a movie/documentary/project/mashup/juxtapo­sition/amalgamation made from everything Terence McKenna left us with, mixed with the music of We Plants Are Happy Plants.

From Terence McKenna's Eulogy to Leo Zeff:

Sometimes when Leo would sit with people, they would come out of their reveries and want to talk with him about what they were learning and seeing. And Leo would listen for a few minutes. But he then would always say: "That's fine, that's good, now return to the music." And I think that.. I like to think that Leo has now returned to the music. And some day so shall we. And to whatever degree we follow his example life here, the passage to whatever lies beyond will be made much easier.

Leo showed the way, because Leo knew the way. And I salute him for that, I say for all of us who were his tribe: Goodbye to the secret chief, goodbye to the man who saw most deeply. It's now for us to do as he would have had us do.


Here are some of Terence Mckenna's classic quotes which continue to strike like lightning bolts in the minds of millions of psychedelic explorers out there ...

“ The mushroom said to me once, Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. ”

“ Animals are something invented by plants to move seeds around. An extremely yang solution to a peculiar problem which they faced. ”

“ You have to take seriously the notion that understanding the universe is your responsibility, because the only understanding of the universe that will be useful to you is your own understanding. ”

“ The current physical models of the universe require eleven dimensions, eleven integrated variables to describe. And that’s physical models of the universe. If we then turn our attention to mind and realize that we have no definition of what mind is, why then is there any mystery in the fact that we have no definition of what the UFO is? The mind is present at hand in every conscious moment. It has been our constant companion for fifty thousand years, and we haven’t a clue as to what it is. So therefore, a manifestation of the other — the superego, or the extraterrestrial other like the UFO — it is not surprising that it is a mystery. I always hark back to the words of J.B.S. Haldane, the great British enzymologist, who said ‘reality is not only stranger than we suppose, it may be stranger than we can suppose.' ”
(Terence Mckenna, Aliens & Archetypes)

“ You are a divine being. You matter, you count. You come from realms of unimaginable power and light, and you will return to those realms. ”

- Terence Mckenna -





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An interesting conversation with great minds of our time, Terence McKenna and Rupert Sheldrake who share their understanding of the psychedelic experience in a causal reality within morphogenetic fields of intelligence.

A morphogenetic field (a subset of morphic field) is a hypothetical biological (and potentially social) field that contains the information necessary to shape the exact form of a living thing, as part of its epigenetics, and may also shape its behavior and coordination with other beings (see also morphogenesis). This hypothesis is not accepted by the scientific community, who consider it pseudoscientific.


Rupert Sheldrake is a biologist and author of more than 80 scientific papers and ten books. A former Research Fellow of the Royal Society, he studied natural sciences at Cambridge University, where he was a Scholar of Clare College, took a double first class honours degree and was awarded the University Botany Prize. He then studied philosophy and history of science at Harvard University, where he was a Frank Knox Fellow, before returning to Cambridge, where he took a Ph.D. in biochemistry.

He was a Fellow of Clare College, Cambridge, where he was Director of Studies in biochemistry and cell biology. As the Rosenheim Research Fellow of the Royal Society, he carried out research on the development of plants and the ageing of cells in the Department of Biochemistry at Cambridge University. While at Cambridge, together with Philip Rubery, he discovered the mechanism of polar auxin transport, the process by which the plant hormone auxin is carried from the shoots towards the roots.

From 1968 to 1969, based in the Botany Department of the University of Malaya, Kuala Lumpur, he studied rain forest plants. From 1974 to 1985 he was Principal Plant Physiologist and Consultant Physiologist at the International Crops Research Institute for the Semi-Arid Tropics (ICRISAT) in Hyderabad, India, where he helped develop new cropping systems now widely used by farmers. While in India, he also lived for a year and a half at the ashram of Fr Bede Griffiths in Tamil Nadu, where he wrote his first book, A New Science of Life.

From 2005-2010 he was the Director of the Perrott-Warrick Project, funded from Trinity College,Cambridge. He is also a Fellow of the Institute of Noetic Sciences, near San Francisco, and a Visiting Professor and Academic Director of the Holistic Thinking Program at the Graduate Institute in Connecticut. He lives in London with his wife Jill Purce and two sons.

Reference : Sheldrake


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In the mid-1990's Terence McKenna and Mystic Fire's Sheldon Rocklin teamed up to make this rich and exciting film. Little did they know that this would be their last film. Originally titled Coincidencia Oppositorum: The Unity of Opposites and filmed in Prague with Terence portraying his usual erudite rendition of the Irish Bard, this filmed classic takes us on a journey into the alchemical renaissance of King Frederick V and his wife Queen Elizabeth of Bohemia.

Playing the role of John Dee, court magician for Queen Elizabeth of England, Terence McKenna shows us how the promise of a return to the tradition of alchemy was almost instituted in Europe.

He also shows us that this early attempt at the creation of an alchemical kingdom actually lead to the European Renaissance and the institution of Cartesian science and the beginnings of rationalism within the western mindset.

This incredible film is not only beautifully filmed but is Terence McKenna’s finest performance and a worthy eulogy to his genius.



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Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human limitations.

The director conducts his enquiry into the scientific, ethical and metaphysical dimensions of technological development. The film includes interviews by top experts and thinkers on the subject worldwide, including Marvin Minsky, Terence McKenna, Hans Moravec, Bruce Sterling, Robert Anton Wilson, Richard Seed, Margareth Wertheim, Kirkpatrick Sale, Ralph C. Merkle, Mark Pesce, Ray Kurzweil, Rabbi Youssouf Kazen, Rael and many others.


TechnoCalyps : Transhuman



TechnoCalyps : Preparing For The Singularity




TechnoCalyps : The Digital Messiah




Everything is in order ... Allow The Light To Shine Through !



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Terence McKenna is one of the few who've been able to jump the girdling walls that ensnare most people's thoughts and ideas at an early age. His reality is fresh. In his words, he's an edge-runner, an authentic explorer of the bizarre. What's weird is what's hot. He sees conventional thoughts on life and history as a dying breed, about to be replaced by some techno-future that is enigmatic even to him. He has been studying and experimenting with plant psychedelics for two and a half decades, and says "psychedelics are the petrol for the gas tank of any spiritual vehicle."

His fascination with plants goes beyond hallucinogens. He helps run a rescue project for rare and endangered plants on the big island of Hawaii. Most of the plants are sent from South America, and are grown and preserved in McKenna's botanical garden. Info on the plants are stored in a database. Although the project is used mostly as a green archive, McKenna hopes researchers will someday study the plants.

Terence gives a psychedelic presentation of his ideas on language, communication, and virtual reality in his video Experiment At Petaluma produced by Rose-X. He is the author of Invisible Landscape, Food of the Gods, and The Archaic Revival, and is featured on many audio tapes, which are worth getting if only to hear his wonderfully poetic narration and enchanting voice. Terence shared some of his reality with me over the telephone, which will hopefully give us all a glimpse over those girdling walls.

Carla Sinclair

Terence McKenna's Interview with Carla Sinclair
From bOING bOING #10

bb: I just read Archaic Revival which was interesting. What do you mean when you say we are going to be unrecognizable to ourselves by 2012?

TM: Since I don't work for any academic institution or feed at any government or corporate trough, I'm free to think anything I want about reality. And I think the phenomenon which most people can agree is happening is that time appears to be speeding up in human history, for example, or in the twentieth century, or in the last 25 months. So rather than see this as just something trivial or an artifact of the act of perceiving it, I would like to think that it's real, that time is in fact speeding up. When you look back at the history of the universe, you see that this has been going on for a long long time. Things have been happening faster and faster and faster.

bb: Do you mean speeding up physically?

TM: Yeah. So that for instance, immediately after the birth of the universe, there was a long period of time where the only thing that was happening was that it was cooling. The amount of energy was so high that you couldn't get molecules, you couldn't get stable structures, you couldn't even get atomic systems. The universe was very simple and very hot. As it cooled, it became more complex. Each drop in temperature allowed new things to happen which built on previous new things which had happened. So, for example, first you get electrons settling into orbits around nuclei, then you get atomic chemistry for the first time. The universe cools, and time passes, and you get molecular chemistry - bonds of lower strength that can form only at the lower temperatures coming into existence. That allows complex polymers to form.

bb: Well how does all of this make our Earth spin faster to speed up time?

TM: Bear with me. So this process of complexification is going on in nature. When you look at it you realize that it happened faster and faster. It took a long time for there to be life, or just for planets to form, and stars to settle down. Then once you get life, you get a very rapid proliferation of form, and by rapid I mean in scales of hundreds of millions of years, and then you get higher animals. After that you get animals like ourselves, and you get language, and culture, and writing, and electronic media. Each of these steps occurs more and more quickly, leading to the conclusion that human history and the presence of tool making, poetry making, and thinking creatures on this planet have something to do with being caught, or you might otherwise say, fortunately positioned very close to a kind of anomaly that is haunting space and time. You can think of it as a collision with a hyper dimensional black hole.

We and our universe and everything in it are being sucked closer and closer into the presence of something which seems to be made out of pure idea. It's very hard to English, but it explains basically what's going on on this planet - why it is that 50,000 years ago, shit-hurling monkeys decided to set off on the long march toward the space shuttle, and an integrated global economy, and toxic pollution, and the whole ball of wax? A process of some sort unique in nature was unleashed 25-50,000 years ago. From that point on there was a tremendous push into symbolic expression and the cultural consequence of symbolic expression which is technology. And now, we've run the nut right off the end of the bolt, and the planet's finite limits are being reached. But the process shows no sign of slowing down. So rather than see it as some apocalypse or some terrible flaw of human fate run amok, I see it as a natural phenomenon. Human history is not our fault.

The world is getting weirder and weirder by leaps and bounds. It's moving faster and faster. It's very science fiction. You have potentially human life-extinguishing epidemic diseases, at the same time that you have whispers of cold fusion and journeys to the stars. Meanwhile people are meeting little rubbery beings in their bedrooms in the middle of the night, and having rectal examinations. All this crazy shit is going on which is called the melt-down of Western civilization at the end of the second millennium. Then if you toss psychedelic drugs into the mix, shamanic plants and this sort of thing, and make journeys out into the architectonic superspace of the culture, you quickly realize the cosmic egg is cracking.

bb: But Terence, what does the weirdness of everything have to do with time? TM: Well weirdness, when you analyze it, means unusual connections. Connections between things which would ordinarily not be connected. This was the perception of surrealism. Another way of thinking, what time speeding up means, is that all boundaries are beginning to dissolve - boundaries of space and time - and everything is beginning to coalesce into some kind of organometallic-human-machine-cultural-spiritual-material interphasing amoeboid something that is spreading like a coral reef around the planet. In order to not freak out and see it as the end of everything, you have to think of it as under control, first of all. So then the question is, of what? I think it is controlled by something like the Gaian mind. bb: Gaian mind? TM: Yes, the planet is some kind of organized intelligence. It's very different from us. It's had 5- or 6-billion years to create a slow moving mind which is made of oceans and rivers and rain, forests and glaciers. It's becoming aware of us, as we are becoming aware of it, strangely enough. Two less likely members of a relationship can hardly be imagined - the technological apes and the dreaming planet. And yet, because the life of each depends on the other, there's a feeling towards this immense, strange, wise, old, neutral, weird thing, and it is trying to figure out why its dreams are so tormented and why everything is out of balance. The culture is melting down. It's happening, and nobody knows where it leads. They're doing computer modeling, some of which indicates that it's too late, that if men of good-will and women of good-will came forward everywhere and took control, it would be too fucking late. I don't think so. I think that there's some very large plan in all this that doesn't come from God Almighty or anything like that. It comes from biology. It's the architecture of evolutionary breakthrough that is etched into every molecule of DNA on the planet. It's going to happen - the egg shell is breaking. The womb is ruptured, and there is no way out now but some kind of journey down the very frightening birth-canal of experience. The next 30 years will stand your hair on end, guaranteed, because it's barely begun. Right now, we are living in the golden twilight of Western Civilization. The long afternoon of Cartesian rationalism. Ahead lies agricultural failure, atmospheric disruption, ethnic warfare, sexually transmitted diseases, propoganda, superdrugs, AND a whole bunch of good stuff. But it's going to be a white-knuckled ride to break through at the end of time, because there is so much to be unleashed. What's happening is we're turning into something else. We're now in the process of answering your original question which was why did I say we would be unrecognizable by the year 2012? Because we cannot continue to be recognizable and survive. We monkeys love a good fight, so now the pressure is coming on. The kissing has to stop, and the struggle will be wild and wooly, but we're intelligent. We're survivors. And finally, what does this faster and faster mean? What it means is that time will eventually go so fast that the rest of the future - all of it - will happen in a few seconds. This is similar to the bubble-like expansion of space and time at the birth of the universe. There will be a contraction of space and time at the end that will be similar to the bursting of a bubble. That's what I think lies at the bottom of the basin of attraction that is pulling us towards itself and that seems to be located in the late months of 2012. bb: How did you choose 2012? TM: Well that is a complicated story, my dear. bb: It's too soon. Pick a later date. TM: Seems too soon to you does it? bb: Oh yes. TM: Well when I chose it it was twice as far away. It's true though, it does feel like we're kind of rushing towards it. On the other hand, if you have an exponential collapse, it can really catch you by surprise. The burst of the universe must have caught somebody by surprise. bb: So what's 2013 going to be like? TM: Well that's a good question. That's like asking, 'how shall we imagine what we in principal cannot imagine?' But on the other hand, there are ways to approach it, and model it. I think what's going on is some kind of conquest of dimensions. The previous dimension in which you've been imbedded becomes a unified plane from your new point of view. Maybe what is happening is that culture is somehow going to bootstrap itself into a kind of intellectual hyperspace. And then the question is, where is that? Is it enfolded within the eyelash of a fruit-fly? Can we become as viriuses and just drift in the stratocumulus clouds? I don't know, but it's not my business at this point to know that. I think we have a lot to go through. I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently. And there's a way to take the world apart and put it back unrecognizably. We don't really understand what consciousness is at the really deep levels. With some of the tryptamine hallucinogens, you see into possibilities where questions like, 'are you alive?' 'are you dead?' 'are you you?' seem to have been transcended. I think people have a very narrow conception of what is possible with reality, that we're surrounded by the howling abyss of the unknowable and nobody knows what's out there. TERENCEMCKENNALAND The Deoxyribonucleic Hyperdimension Terence McKenna talks about the I-ching, Novelty theory, 2012 and the nature of time. Excerpt from 'The Rites of Spring'. Related Articles :
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Manifesting The Mind, a documentary on Psychedelics & Shamanism from 'Bouncing Bear Films' featuring interviews with renowned experts such as Daniel Pinchbeck, John Major Jenkins, Dennis McKenna, Nick Herbert, Alex Grey & Dr. Rick Strassman to name a few. This is the first release from Bouncing Bear Films which comprises of Andrew & Jennifer Rutajit and all other folks from Bouncing Bear Botanicals. 'Manifesting The Mind' gives us a broad perspective on psychedelics, how we can benefit from them and why is the use of psychedelics suppressed by the mainstream media and governments of the world.


Andrew Rutajit attended college for film, but left the field to pursue the writing of his two books, Astrotheology & Shamanism (co-author) and The Vestibule (author). Although his focus was on writing for several years, his passion has always been film - namely directing and production. Andrew brings years of experience and a dynamic vision to all of his work. In 2007, Andrew produced The Pharmacratic Inquisition with Jan Irvin and realized film was where he wanted to focus his creative energy. His first film was well received and became a catalyst for Andrew's current projects. He works with his wife, Jennifer, a writer by trade. She serves as associate producer for all films. Andrew also lectures on various topics, such as religion and entheogens. In addition, Andrew has also dabbled in art and music; as a result, he produces original music and graphics for his films.

Andrew is also the co-owner of Gnostic Media, which is a multimedia production and publishing company geared toward the separation of mythology and reality - historical accuracy.

Jennifer attended college in Boston for art history and has been a copy writer/editor, substitute teacher and curriculum writer. Jennifer is an advocate for various causes, such as animal rights.

With the help of Bouncing Bear Botanicals, they founded Bouncing Bear Films and 'Manifesting The Mind' is the first of a 3 part documentary series called 'Footprints Of The Shaman' to be released by the spring of 2009.

Part 2 will include a discussion with Dennis McKenna, DM Murdock, Timothy Freke, and Peter Gandy on the topic of religion. Several others will be interviewed in this film but these four authors will help lead the way. Part 3 is a discussion on the topic of Christmas. One may ask, “What does Christmas have to do with the ‘Footprints of the Shaman’ ?” This is a good question and we assure you that this question will be settled by the end of this film.


Quotes from the documentary :

" Sometimes there is a tendency in the psychedelic community to almost become like an entheogenic fundamentalist and think that all visionary experience was mediated by psychedelic plants, and the origin of all religions is based on the use of these substances. "

~ Daniel Pinchbeck

Guess what he's trying to say is that the ritualistic use of entheogens is one of the many ways to alter your states of consciousness ! Perhaps one of the oldest known traditions to connect with the invisible universe however not the only one by any means.



[Entheogens present] "... the capacity for the human being to experience infinite love and total self forgiveness ... a sense of deep interconnectedness with the planet, with all people, with the cosmos ! "

~ Alex Grey

" Here is a body of beliefs... and you are just supposed to accept it. Don't ask questions. Sit down and shut up. Entheogens are threatening because they enable people, or sometimes compel people to reject that."

~ Dennis McKenna

Order your DVD


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Alien Dreamtime is a rare live multimedia event recording of Terence McKenna at the Transmission Theater in San Francisco, California on the 26th/27th of February 1993 ... In Terence McKenna's words on the 'Archaic Revival' ... Alright, tonight, for your edification and amusement... three raves, two interregnums. Visions by Rose X.. Didgeredoo, Stephen Kent... and sound by Space Time. Words and ideas by Terence McKenna. Rap One: The Archaic Revival !



History is ending, because the dominator culture has led the human species into a blind alley. And as the inevitable chaostrophe approaches, people look for metaphors and answers. Every time a culture gets into trouble, it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa, 15,000 years ago, rocked in cradle of the great horned mushroom goddess before history. Before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism. Before, before, before. And this is where the future is taking us. Because the secret faith of the 20th century is not modernism. The secret faith of the 20th century is nostalgia for the archaic, nostalgia for the Paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock and roll, and Catastrophe Theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom-dotted plains of Africa, where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are.

And why does this matter? It matters because it chose that the way out is back, and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together, the community will be better able to streamline itself for flight into hyperspace. Because what we need is a new myth. What we need is a new true story that tells us where were going in the universe. And that true story is that the ego is a product of pathology and that when psilocybin is regularly part of the human experience, the ego is suppressed. And the suppression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of feeling immediate experience. And nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience. But that's what holds the community together. And as we break out of the silly myths of science and the infantile obsessions of the marketplace, what we discover through the psychedelic experience is that in the body-- in the body-- there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life.

I think of going to the grave without having a psychedelic experience, like going to the grave without having sex. It means that you never figured out what it was all about. The mystery is in the body, and the way the body works itself into nature. What the archaic revival means is shamanism, ecstasy, orgiastic sexuality, and the defeat of the three enemies of the people, and the three enemies of the people are monotheism, monogamy, and monotony. And if you get them on the run, you have the dominators sweating, folks. Because that means that you're getting it all reconnected, and get it all reconnected means putting aside the idea of separateness and self-definition through thing fetish. Getting it all connected means tapping into the Gaian mind. And the Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet, and without that experience we wander in a desert of bogus ideologies, but with that experience, the compass of the self can be set. And that's the idea, that were figuring out how to reset the compass of the self, through community, through ecstatic dance, through psychedelics, intelligence-- intelligence... this is what we have to have to make the forward escape into hyperspace.

I'm gonna take five here, and uh, well be back and chat some more.




Alien Love

Hello... so, that was like an introduction, ha ha! Now for some preaching to the choir on the subject of: How come it is that the further in you go, the bigger it gets? I remember the very, very first time I smoked DMT. It was sort of a benchmark, you might say. And I remember that this friend of mine that always got there first, visited me with this little glass pipe, and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hofmann's, I figured there were no surprises. So the only question I asked was how long does it last? And he said, About five minutes. So, I did it. And...

There was uh, something like a flower. Like a chrysanthemum in orange and yellow that sort of spinning. Spinning. And then, it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn't seem like a state of mind. It seemed like another place. And what was going on in this place (aside from the tastefully soffited indirect lighting and the crawling hallucinations along the domed wall), what was happening was that there were a lot of beings in there, a lot of what I call self-transforming machine elves. Sort of like jeweled basketballs all dribbling their way toward me. And if they had faces they would've been grinning at me, but they didn't have faces. And they assured me that they loved me, and they told me not to be amazed, not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn't really done it this time! And what they were doing, was they were making objects come into existence by singing them into existence. Objects which looked like Faberge eggs from Mars, morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality put through a kind of hyperdimensional transform into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them, that if I could bring just one of these little trinkets back, nothing would ever be quite the same again.

And I wondered where am I? And what is going on? And it occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own. And then I thought, a more elegant explanation would be to take it at face value, and realize that I had broken into an ecology of souls, and that somehow I was getting a peek over the other side. Somehow, I was finding out that thing, that you cheerfully assume you can't find out... but it felt like I was finding out. And it felt... and then I can't remember what it felt like because the little self-transforming tikes interrupted me and said, Don't think about it. Don't think about who we are-- think about doing what were doing. Do it! Do it now. Do it!

Speaking in Tongues

And what they meant was: use your voice to make an object. And as I understood I felt a bubble kind of grow inside of me. And I watched these little elf tikes jumping in and out of my chest (they liked to do that to reassure you), and they said, Do it! And I felt language rise up in me that was unhooked from English and I began to speak like this:

Eeeoo ded hwauopsy mectoph, mectagin dupwoxin, moi phoi wops eppepepekin gitto phepsy demego doi aga din a doich demoi aga donc heedey obectdee doohueana.

(Or words to that effect). And I wondered then what it all meant, and why it felt so good (if it didn't mean anything). And I thought about it a few years, actually, and I decided, you know, that meaning and language are two different things. And that what the alien voice in the psychedelic experience wants to reveal is the syntactical nature of reality. That the real secret of magic, is that the world is made of words, and that if you know the words that the world is made of, you make of it, whatever you wish!

Eh moi dea doi phegenheggo...

And one of the things that I learned about DMT, was that, if you ever had it, even just once, then you can have a dream. And in this dream somebody will pull out a little glass pipe, and then it will happen. It will happen just like the real thing. Because theres a button somewhere inside each and every one of us that gives you a look into the other side. And thats the button that resets the compass that tells you where you want to sail.

Good luck!

- Terence McKenna ( Excerpts From 'Alien Dreamtime' )







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"It's clearly a crisis of two things: of consciousness and conditioning. These are the two things that the psychedelics attack. We have the technological power, the engineering skills to save our planet, to cure disease, to feed the hungry, to end war; But we lack the intellectual vision, the ability to change our minds. We must de-condition ourselves from 10,000 years of bad behavior. And, it's not easy."

—Terence McKenna, "This World... and Its Double"

Terence McKenna is one of the pioneers in the research of plant entheogens and the mystical connections with consciousness which arise out of a psychedelic initiation ... the experience can then, well become repeatable with purposeful ingestion of a psychedelic sacrament to attain altered states of consciousness which the ancients have known since the time before our known recorded history originates ! A writer, philosopher, ethnobotanist, psychonaut, a new age shaman among the many titles McKenna earned as he set adrift on his psychedelic adventures this time around ... Terence McKenna and his eloquence on the matters of Extraterrestrials, UFOs and Psychedelics has enthralled and invoked millions all around this big blue planet, Terra ! ~(:-)~

Terence McKenna grew up in Paonia, Colorado. He was introduced to geology through his uncle and developed a hobby of solitary fossil hunting in the arroyos near his home. From this he developed a deep artistic and scientific appreciation of nature. At age 16, McKenna moved to, and attended high school in, Los Altos, California. He lived with family friends because his parents in Colorado wished him to have the benefit of highly rated California public schools. He was introduced to psychedelics through The Doors of Perception by Aldous Huxley and the Village Voice.

In 1975, Terence graduated from Berkeley with a degree in ecology, resource conservation, and shamanism. Soon thereafter, he and Dennis published one of the earliest psilocybin mushroom growing guides under the pseudonames Oss and Oeric. Terence then spent some time doing large-scale farming of psilocybin mushrooms during the 1980s. Soon, McKenna began to speak publicly on the topic of psychedelic drugs, lecturing extensively and conducting weekend workshops. Though somewhat associated with the New Age or human potential movement, McKenna himself had little patience for New Age sensibilities, repeatedly stressing the importance of the primacy of felt experience as opposed to dogmatic ideologies. Timothy Leary once introduced him as "one of the five or six most important people on the planet".

He soon became a fixture of popular counterculture, and his popularity continued to grow, culminating in the early to mid 1990's with the publication of several books such as True Hallucinations (which relates the tale of his 1971 experience at La Chorrera), Food of the Gods and The Archaic Revival. He became a popular personality in the psychedelic rave/dance scene of the early 1990s, with frequent spoken word performances at raves and contributions to psychedelic and goa trance albums by The Shamen, Spacetime Continuum, Alien Project, Capsula, Entheogenic, Zuvuya, Shpongle, and Shakti Twins. His speeches were (and continue to be) sampled by many others such as Raja Ram, 1200 mics .... In 1994 he appeared as a speaker at the Starwood Festival, which was documented in the book Tripping by Charles Hayes (his lectures were produced on both cassette tape and CD).

Novelty Theory

One of McKenna's ideas is known as novelty theory. It predicts the ebb and flow of novelty in the universe as an inherent quality of time. McKenna developed the theory in the mid-1970s after his experiences in the Amazon at La Chorrera led him to closely study the King Wen sequence of the I-Ching. Novelty theory involves ontology, extropy, and eschatology.

The theory proposes that the universe is an engine designed for the production and conservation of novelty. Novelty, in this context, can be thought of as newness, or extropy (a term coined by Max More meaning the opposite of entropy). According to McKenna, when novelty is graphed over time, a fractal waveform known as "timewave zero" or simply the "timewave" results. The graph shows at what time periods, but never at what locations, novelty increases or decreases.

Considered by some to represent a model of history's most important events, the universal algorithm has also been extrapolated to be a model for future events. McKenna admitted to the expectation of a "singularity of novelty", and that he and his colleagues projected many hundreds of years into the future to find when this singularity (runaway "newness" or extropy) could occur. Millenarians give more credence to Novelty theory as a way to predict the future (especially regarding 2012) than McKenna himself. The graph of extropy had many enormous fluctuations over the last 25,000 years, but it hit an asymptote at exactly December 21, 2012. In other words, entropy (or habituation) no longer exists after that date. It is impossible to define that state. This is also the exact date on which the Mayan long calendar ends. It is believed by many that this day will bring great change to the planet Earth.

Terence McKenna left the physical form in the early hours on April 3rd 2000 at his home in Hawaii alongside his loved ones succumbing to brain cancer !

Commenting on the reality of his own death, McKenna said during the interview:

"I always thought death would come on the freeway in a few horrifying moments, so you'd have no time to sort it out. Having months and months to look at it and think about it and talk to people and hear what they have to say, it's a kind of blessing. It's certainly an opportunity to grow up and get a grip and sort it all out. Just being told by an unsmiling guy in a white coat that you're going to be dead in four months definitely turns on the lights.... It makes life rich and poignant. When it first happened, and I got these diagnoses, I could see the light of eternity, a la William Blake, shining through every leaf. I mean, a bug walking across the ground moved me to tears."

We love you Terence ! Thank you for everything !


Download or Listen To Terence McKenna Podcasts From Matrix Masters



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Rick Strassman was permitted to embark on the first human research with psychedelic, hallucinogenic, or entheogenic substances in the 1990s in the United States after 20 years' intermission in the field. In the intermission period it has only been legally possible to research on animals.

Strassman's studies investigated the effects of N,N-dimethyltryptamine (DMT), a powerful entheogen, or psychedelic, that he theorizes is a substance produced by the human brain in the pineal gland and an active ingredient in the Ayahuasca brew. Ayahuasca is any of the various psychoactive infusions or decoctions prepared from the Banisteriopsis spp. vine, native to the Amazon Rainforest (which is also called ayahuasca). The resulting drinks are pharmacologically complex and used for shamanic, folk-medicinal, and religious purposes. Occidental ethno-biologists have noted a variety of 200-300 plants used in the different brews made by the Ayahuasceras. It is an open question whether Ayahuasca should be noted as one particular shamanic medicinal brew, or that it should be noted as an entire medicinal tradition alongside, for instance, Ayurveda or Tibetan Medicine.

During the project's five years, he administered approximately 400 doses of DMT to 60 human volunteers. This research took place at the University of New Mexico's School of Medicine in Albuquerque, New Mexico where he was tenured Associate Professor of Psychiatry. Strassman has conjectured that when a person is approaching death, the pineal gland releases DMT, accounting for much of the imagery reported by survivors of near-death experiences.

Strassman wrote about the research program in his book DMT: The Spirit Molecule. A documentary movie based on this book is currently in production.

Dr. Rick Strassman writes ...

Cottonwood Research Foundation ( http://cottonwoodresearch.org/ )

The Cottonwood Research Foundation, Inc.
PO Box 1100, Taos, New Mexico, 87571

[email protected]

Rick Strassman MD, President
Steve Barker PhD, Vice-President
Andrew Stone, Treasurer


Dear Friends:

Consciousness is a subject of increasing scientific inquiry in the West. One particular aspect of this research involves how psychoactive medicines affect consciousness. We at the Cottonwood Research Foundation will begin to address some of the most perplexing mysteries of the human mind with the aid of plant-based psychoactive compounds. For example, What are the varieties of human consciousness, and their genetic, biochemical and physiological bases? What are the medical, social, and spiritual implications of these different states, and how can we best apply these states towards healing, creativity, and greater wisdom?

For thousands of years, historical and indigenous cultures have used plant medicines to reliably induce extraordinarily compelling non-ordinary and mystical states of consciousness. Western science has only begun to tap the vast resources of traditional knowledge regarding these plants and their effects. By bringing to bear multiple scientific, anthropological, and spiritual perspectives, we will pursue several important goals: 1) develop a more thorough understanding of these plantsâ?? psychological and physical healing properties; 2) explore the states they elicit, in order to gain a deeper and broader understanding of the range of human consciousness; 3) determine how plant-based psychoactive medicines affect consciousness; and 4) clarify the role these compounds, found in our own bodies, play in dreams, mystical and near-death states, creativity, and mental illness.

The work I performed during the early-1990â??s at the University of New Mexico with DMT, a naturally occurring psychoactive, was the first new clinical research with these compounds in the US in two decades. Our founding of Cottonwood is intended to help revitalize the lagging pace of American research with this and other classical psychoactive compounds since my studies were interrupted in 1995.

We have already started our first research project. Our vice-president Dr. Steven Barker at Louisiana State University is developing a new ultra-sensitive method of measuring naturally occurring DMT and related compounds in the body. By doing so, we will be able to compare normal levels with those found in naturally occurring highly altered states and clinical conditions. We also held our inaugural fund-raiser in Taos, in which Beatriz Labate, a noted Brazilian anthropologist, presented her field research concerning the burgeoning Brazilian ayahuasca religions movement.

Our most enduring legacy will be the establishment of a thriving, independent research center in northern New Mexico structured in the manner of an institute of higher learning, with treatment, education, and research departments and activities. This campus will include living and dining accommodations, research, laboratory, and information technology facilities, a greenhouse, library, and classrooms. Integral to our vision is a vigorous exchange program with indigenous healers and teachers, which will inform our development of new models for the study and application of plant-based psychoactive medicines.

We invite you to help us build a strong foundation for a new model of consciousness studies in the West. It is only with your support and involvement that we can make this dream a reality.

We welcome any and all contributions, monetary or in-kind. All donations are tax deductible, as Cottonwood is a 501(c)3 tax-exempt organization. ( http://cottonwoodresearch.org/Donate.html )

With warm regards,

Rick Strassman MD
President and Co-Founder

Erik Davis


Dennis McKenna

DMT: The Spirit Molecule, the documentary ( http://thespiritmolecule.com/ )

Allison Grey


Alex Grey


Rick Strassman


Daniel Pinchbeck


Graham Hancock


Robert Weisz


Ralph Metzner


Stan Grof


Andrew Stone


Marko Rodriguez


Antonopoulos Spiros


Slawek Wojtowicz


Dave Nichols


Steven Barker




SYNOPSIS

THE SPIRIT MOLECULE weaves an account of Dr. Rick Strassman's groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT within their respective fields, and discussions with Strassmanâ??s research volunteers brings to life the awesome effects of this compound, and far-reaching theories regarding its role in human consciousness .

Several themes explored include possible roles for endogenous DMT; its theoretical role in near-death and birth experiences, alien-abduction experiences; and the uncanny similarities in Biblical prophetic texts describing DMT-like experiences. Our expert contributors offer a comprehensive collection of information, opinions, and speculation about indigenous use of DMT, the history and future of psychedelic research, and current DMT research. All this, to help us understand the nature of the DMT experience, and its role in human society and evolution.

The subtle combination of science, spirituality, and philosophy within the filmâ??s approach sheds light on an array of ideas that could considerably alter the way humans understand the universe and their relationship to it.

PARTICIPANTS: (in alphabetical order)

ABRAHAM PHD, RALPH
BAKST, JOEL DAVI
BARKER PHD, STEVEN
DAVIS, ERIK
DOBKIN DE RIOS PHD, MARLENE
FRECKSA MD PHD, EDE
GABLE, ROBERT
GREY, ALEX
GREY, ALLYSON
GROB MD, CHARLES
GROF MD, STANISLAV
HANCOCK, GRAHAM
HARRISON PHD, KATHLEEN
MCKENNA PHD, DENNIS
METZNER PHD, RALPH
NICHOLS PHD, DAVID
PENDELL, DALE
PINCHBECK, DANIEL
RIBA PHD, JORDI
RODRIGUEZ PHD, MARKO A.
ROGAN, JOE
RUSHKOFF, DOUGLAS
SHANON PHD, BENNY
SMITH PHD, HUSTON
STANDISH ND PD, LEANNA
STRASSMAN, RICK
WOJTOWICZ MD, SLAWEK
&
DMT Study Volunteers:
PATRICIO DOMINGUEZ
ANDREW STONE
DON WRIGHT

For more information, contact us at:

[email protected]

P.S. If you know any investors please contact me ( Mitch Schultz: [email protected] ) as we continue to make our final funding push. Please send any links to blogs, forums, or general websites that may be interested in announcing our film. And finally, keep an eye out for our MySpace () and FaceBook pages launching soon.


This torrent consists of 1 radio interview from March 3rd, 2007 on Whitley Strieber's Dreamland with Dr. Rick Strassman; a bonus Dreamland ( http://www.UnknownCountry.com/ ) discussion between William Henry and Rick Strassman on the same date; the revolutionary book 'DMT: The Spirit Molecule' in .pdf format; an interview from March 28th 2005 on RadiOrbit with Rick Strassman; an interview from October 1st 2007 on RadiOrbit with the director of 'DMT: The Spirit Molecule' Mitch Schultz from Spectral Alchemy ( http://www.SpectralAlchemy.com/ ); and 1 video clip from the 5th episode of the Magical Egypt series, Navigating the Afterlife, which features an interview with Rick Strassman.


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The Shamans or Medicine Men of the Ecuadorian rain forests know a world where everything is conscious and spirituality takes a whole new meaning altogether when the Shaman embarks on his Vision Quest into the spirit world. The psychedelic experience produced by the ritualistic use of hallucinogenic plants threatens to awaken the masses from their materialistic fervor and change their world view which goes against the Globalization motto of the western world. Hence, DMT the active ingredient of the Ayahuasca brew used by natives of the Amazon forest for thousands of years is labeled an illegal substance under the Schedule 1 category.


Shamans of the Amazon

'Shamans of the Amazon' is by far the best film yet made on Ayahuasca and Amazonian Shamanism. - Ralph Metzner PhD California Institute of Integral Studies. An informative and compelling exploration of Shamanic use of Ayahuasca the extraordinary visionary brew. - Rick Strassman MD author DMT: The Spirit Molecule.

"Human Future will be designed on how conscious we will be able to make ourselves and if there are plants that can accelerate consciousness then we must seek out and utilize these things. Something could jump out of some unexpected dimension and change everything."

- Terrence McKenna.



In a time when indigenous people their culture and the natural environment are experiencing dramatic changes this in-depth series of programs examine what these SHAMANS OF THE AMAZON their hallucinogenic rituals and their special relationship with nature have to offer humanity at this crucial time in history.

Discover how westerners around the world are using Ayahuasca and other Shamanic plants to receive knowledge to understand their relationship with nature and to seek visions of how best to deal with deep personal spiritual and environmental questions. In a \"say no to drugs\" era there is a new subculture emerging based on an ancient ritual of hallucinogenic plant use.

Here are some classic documentaries on Amazonian Shamanism :

Jan Kounen's Other Worlds : Ayahuasca Documentary

Other Worlds, Directed by Jan Kounen as a companion piece of sorts to his 2004 'cowboy-shaman film' Blueberry (also titled Renegade), the film has real impact because it not only shows the journey into shamanism, but uses plenty of CGI to try and show what the visionary shamanic experience is like (as opposed to many documentaries which simply show the experiencer puking).

Another excellent aspect of Other Worlds is that many experts , researchers and commentators are interviewed. Included in the documentary are DMT researcher Rick Strassman, psychedelics researcher Charles Grob, and numerous others including Stan Grof, Jeremy Narby, Alex Grey and Pablo Amaringo. For anyone interested in these topics, this is a must watch (although be advised, there are some disturbing scenes for the faint-hearted, such as the killing of a pig, as well as plenty of puking).


Jungle Trip - Ayahuasca



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