There are no accidents, no random chances in this reality we co-create and experience at an individual and at a collective level. Everything happening in our lives is pushing us forward on our evolutionary path and each one of us is on this journey, whether we like to accept this now or later is one's choice hence our journey from the darkness of ignorance to a place of knowing, a place of truth and never ending light. We are being nudged forward to recreate ourselves each day and there are forces at play beyond the comprehension of our rational thinking mind who are always guiding us along. Whether you call it your higher self, your Intuition, Spirit Guides, Angels, God etc ... it is essentially another aspect of yourself, it is you. Through many psychedelic journeys we come face to face with the inherent connection between all things, which are nothing in their truest essence ... the universe is energy at different frequencies of vibration and we are all living the illusion of swimming in this sea of consciousness however we are this sea, just for the sake of analogy ... trying to put certain ineffable revelations in words, humbly.

From my own personal journey within the raving culture, I have seen and experienced many different kinds of situations which have somehow shifted my awareness from perceiving this world from the limited framework of my mind to something outside of my self which is essentially omnipresent, its everywhere. Enlightening revelations may well be a consequential side effect of taking Psychedelics and becoming one with the music in a trance dance frenzy ... expressing our truest feelings, uninhibited. On almost all of my experiences on LSD I felt completely in tune with the intelligence of the body, which spoke to me in an unspoken language, showing me signs ... what i should be paying attention to ... what is really important in the here and now ... my attention was always drawn towards the breath. Almost involuntarily, one goes into a state of deep trance and we start to receive information if you may, or downloads from somewhere ... everything begins to make more cohesive sense when the patterns start to emerge as dots begin to connect. The Universe is always working with us and not against us ... if we only learn to trust our intuition more we will realize how everything happening is a consequence of what we have held in our vibrational state. We are capable of achieving great things once we start to flow with the natural frequencies of creation which speak only one language which is the language of love, its the highest form of vibrational energy we can fathom and it is what everything is made of.


The Psychedelic parties and the raving culture are definitely powerful avenues to bring about this Psychedelic Catharsis in our lives, however these are only gateways or portals to something even more grander if we learn to traverse these paths well, with love and awareness ... Once Psychedelics open up your mind then you can never go back to the older version of yourself and this is what scares most people who are afraid of change and are still desperately holding onto overrun patterns chasing illusions in the material world. There are many in the Psychedelic community who are looking for a quick fix and escape from the mundane through the Psychedelic Experience ... and it works, for a while ... Until one starts to become more sensitive to energies and can see underlying patterns behind what goes on ... its almost like when we are bombarded with too much overwhelming information one finds it hard to make complete sense of ... being surrounded by a many different energies, lacking the feeling of clarity ... feels like more wild, untamed, unconscious energy pumped by amphetamines for most part, since a lot of folks these days just want the physical sensations of a Serotonin Blast which equates to the feelings of love ... with side effects of course and often short lived.





The Psytrance culture has given a lot of Psychonauts across the Planet a lot to work with, provided the work is done like it should. Taking Psychedelics responsibly requires one to be well informed and guided by someone experienced, usually a Tripsitter. Our energetic state before doing these Psychedelics is also key to what our experience would shape up like. For most part, on our Tryptamine journeys we encounter what we are holding in our present state of conscious awareness and what matches our vibration. The Universe is always working with us, showing us what we need to see and we are the ones who create each experience by the power of our thoughts. The external world, our dreams, our desires are all illusions, however serve a purpose of showing us where our vibrational energy is taking us, giving us the opportunity to learn and hence create more consciously. We find most peace and satisfaction in our lives when we are on our path, following the signs the Universe is showing us while being guided by our intuition and not our limited egos. My personal journey so far has been profoundly revelatory and compels me to share some of these realizations with you for this is my purpose, my mission, to be able to articulate to best of my ability the random strangeness we call life, which is in fact not random at all and there are no coincidences either. Its always humbling to realize the trickster nature of the Universe which swiftly rearranges itself just when we think we had it all figured out. We can chase the next party, the next psychedelic experience, the next hot partner ... finally realizing what we are searching for has always been here with us. This many may not fully comprehend for its where they are on their journey right now. I know this for I have been there myself.

The Psychedelic Awakening opens up new pathways and breaks down some of the self created barriers in our mind about who we think we are ... but we tend to forget easily and get seduced by the Maya of the material world. This too has a purpose to serve for it has taken you to the point of awakening. This Psychedelic Catharsis, this Ego Meltdown or Ego Death is what brings about a powerful transformation in our lives and we start becoming sequentially, more aware of the path forward .... being guided by intuition. We have many gifts waiting to be discovered and they come to us in Solitude. I am forever grateful to the Psychedelic Trance scene for showing me the way and also making me realize that the scene by itself is not necessarily the way and Psychedelics are to be used wisely and not abused for the sake of feeding our limited pride and egos. I am grateful to all the people who have been part of my journey so far and have brought about many important lessons for me to grow and be a better human.



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Goa has seen it all. Freed from Portuguese rule in 1961, a village of bare minimums is what remained. A virgin paradise with lush green palm trees, open fields, serene beaches, quaint structures and a magical sunset. Little did it know that its next invaders were going to be of quite a different nature. The world’s flower children were on their way from all over the world, onto a common path through the Middle East now known as the ‘hippie trail’. Sad to know that is not at all possible in this present day. “See you in Goa for Christmas’, were the words said to all compatriots on the road. As we have it, they finally reached. The locals were primal and basic, almost shocked to see bare-naked bodies of different color jiving on the beach.

They brought an atmosphere to the young and independent village of Goa. Sensing the newcomers’ demand for food and refreshment, chai shops and restaurants with fish curry and rice started to flourish. The ever-popular Flea market started simply as a place of trade and exchange amongst these baby boomers, a very different scenario from the commercial center it has become today. Yes, we must ‘adapt’ with the times. In fact, the present day beach shack culture that is a trademark, all the live band jams prominent through pubs, bars and restaurants and many other signature elements of modern day Goa can be credited to our hippy friends. They were the first ones to put Goa on the map for any kind of tourism. It’s quite sad that the authorities only glorify and attack the few negative aspects of this culture. Goa created a new shrine for the perfect collection of young hedonistic, differently thinking individuals at the perfect place and at the perfect time.

The most unique ritual however, developed by this tribe, were the full moon parties.

Since Goa was not always powered all over with electricity. Especially in the areas of Anjuna and beyond. Even now the ever-faithful orange streetlight shines dimly, leading the way. These colorful marauders would wait for the moon to be at its brightest, and then come out to play. Starting with acoustic jams leading into pure electric Rock N Roll, as our flowery friends did manage to bring in Fender sound systems, an electric bass and an electric guitar. Long time Psychedelic Trance master Goa Gil was a prominent figure in these jams, and is from the first generation of hippies to enter Indian soil. Goa flourished with what seemed to be a perfect amalgamation of counterculture and spirituality. ‘Goa is a state of mind’ it is popularly said. Many of these individuals were exposed to mystical experiences, within and around themselves. Instances of synchronicity, connection, oneness and freedom. With time their music of preference began to change.

Due to the developments made by Roland from Japan in the 80s, many analog synthesizers drum machines and digital audio workstations came into existence. This lead to a boom in electronic music all over the world and people, who didn’t even know music, could become musicians. This electronic music took different shapes in different parts of the world. From their visits back home, these Goa freaks brought back with them Techno from Germany, Acid House from England and various other electronic musical styles. With the use of cassettes and DAT mixers, it became possible to join these pieces of music together, to create a long term, hypnotic and transcendental effect. This switch took place somewhere in the late 80s. By this time, the tribe had become bigger and word had spread around the world, for Goa being a center for hedonism, spirituality and dance rituals.


Journeying into the 90s, Goa Trance was born. At the time very similar sounding to Acid house, due to the use of similar synths, but more indigenous to the experience the Goa party had to offer. Musicians in the scene had become more enthusiastic about converting there own experiences into sonic stories and slowly an arsenal of Goa trance DJ’s and producers started to birth. DJ Laurent and Goa Gil are said to be the pioneering minds behind what became the new sound of the psychedelic movement. Along with other musical brains such as Green Nuns Of the Revolution, Psykaos, Shiva Joerg and the Infinity Project, the sanity of young psychedelic travellers were in good hands. Parties were arranged differently, back then. As opposed to the fixed venues we have today, Goa was open free land.

Parties were set up anywhere and everywhere. Bamboo Forest, Anjuna Temple, Arambol Lake, the hill on South Anjuna, Chapora fort and I could keep going on. 9 Bar is one such venue that has existed through the course of this modern movement. A signature sunset spot, it is close to many psychonaut hearts. Speakers were set up, and the ‘techno shamans’ would weave audio webs of consciousness for thirteen to twenty four hours. The freaks did the decorations themselves, involving UV paint, banners with psychedelic patterns, aliens, Hindu deities and fractal designs. Parties have been said to go on for days. In my conversations with many who have experienced those times claim that even though the music was not as intense as it is today, the experience was a lot more twisted. I was told that people would stare at the morning sun and celebrate their survival.


Ozora Promo Party ~ One Day in Goa : Shiva Valley, Anjuna
I do believe a ceremony such as this is about breaking layers. We come in the night with our burdens of our everyday rat races. We begin our journey and since it is the destination we begin to lose ourselves. In a space of common rhythm and pure ecstasy. Slowly these layers start to shed and it becomes a little uncomfortable, because you are slowly being exposed into your true self. This does get a little uncomforting, but you just have to let go. Somehow it is happening through an extremely powerful hypnotic groove. The sweat is gushing away the impurities and the muscles are working overtime, the ultimate detoxification. All around you are specimens going through similar processes and this most definitely creates a common understanding. As the morning sun rises there are expressions of empathy, appreciation and smiles of gratitude being hurled around, and you are still dancing. Somehow I do understand the old school annoyance with what the scene is like today, but it is all on an upward path. I’ve heard there was a time when no alcohol was involved, no onlookers standing around the dance floor. Due to some occasional trouble, even today, people come to experience magic more than pick up girls and ‘look cool’. That does prove for this scene to be one of meaning.


As the dawn of the 2000s approached, Goa Trance had started travelling the world. Due to the heat of the Goan summer and the intense monsoons that followed, they were trying times for partying to take place. In order to replicate the Goa experience internationally, these freaks took to stomping on festival grounds in Europe and other areas in the world. More producers started to rise and bring their own style. This was also made possible with development in music technology and Goa Trance slowly became Psytrance. CDJ’s were now available and could take the weather conditions mother Goa had to offer. This is of course in no comparison to all the live MIDI controllers and analog set ups we are seeing today. Full On music started to pump out of Israel and England, Dark Psychedelic was surging out of Europe and Russia, the distinct twilight style of South Africa. Now of course we get everything from everywhere and not to forget many more sub-styles at our convenience. This music is exceptionally intricate as it deals with minds that are most vulnerable.

They are entrusting their psyche to these frequencies, which is why the one controlling them must really understand what he/she is doing. Psychedelic Trance music has another beautiful property. It is designed according to the time of day, surroundings and to induce a certain flow of emotions. There are fun daytime psychedelic sounds by the likes of Dickster, Tristan, Laughing Buddha and Earthling. There is the groovy night sounds that come from Ajja, Dust, SouthWild, Psymetrixx and Gaspard. We have powerful dark psychedelic music, coming from masters such as Dark Elf, Kindzadza and Darkshire. The folks from Parvati Records, Disco Valley Records, are developing beastly forests sounds. Forest Psychedelic is said to have been born under the age old trees of Chapora.


I can see the relation between the sound and the surroundings that inspired it. There are various other styles such as Psygressive and Suomi Saundi that are slowly gaining in popularity. The list of labels grooming and spreading talent, is endless. The style of Psytrance is becoming more profound and musical as time progresses. Technological wonders have lead to producers converting the experiences in their minds into proper waveforms of brilliance. There is an infusion of rhythms from various cultures, melodic ideas from different geographical locations and a thumping bassline of unison and oneness. We now have psychedelic producers implying musical modes and complex mathematics in order to produce crisp, mind-boggling sound. The beats per minute ranges from 138 – 170 onwards. The various styles can no longer be classified through speed because now there is dark music at 138 and Full on Music at 148. It now mostly depends on the dynamic and mood with which that space of silence is filled by the producer. Many artists are even sampling live instruments into their act, let alone artists such as Highlight Tribe and Peaking Goddess Collective, who replicate electronic sound with organic instruments.

The local scene in the motherland is also booming, with the burst of versatility and maturity in Indian musicians. We now have acts like Starlab, Kerosene Club/ Flipknot/ Fiber Stomp, Janux, and Farebi Jalebi taking international stages regularly. Artists such as Groove Addict (Nano Records) are affiliated with top record labels all around the world. Producers such as Daash, Hydropanic, Chakraview and Aghori Tantrik are some of the talented homegrown musicians that are influencing many younger minds. There is also a local army of labels such as Vantara Vichitra and Digital Om that are doing wonderful things to put India on the world map. The availability of Indian DJ’s with eclectic music tastes is not a problem anymore. Triptone, Nitin, Karan ‘Third Eye’, Karran Khanna are some of these prominent names. Goa is still the world center for the Psychedelic Trance culture with ever-mystical spots such as Shiva Valley, Monkey Valley, Pipers Plateau and Hill Top that are curating top of the line Trance –n- Dance experiences.

Even though the culture has had to adapt to a more industrial framework as compared to the free flowing days of the sixties to nineties, it is still a new wave world culture. People are still uniting over different ideologies, mystical experiences and a sense of belonging. This music is often shunned and disregarded as a ‘sensible’ genre of music. I do strongly believe it is only for those who wish to understand it. Not in any tone of judgment, but simply to agree to disagree. Quoting Bob Dylan, one must not criticize what they cannot understand. It is also one of the youngest styles of music to exist, and is undergoing a period of rapid growth. It is only exciting to know what evolution in the human mind and available technology will bring in the coming years. Psytrance is a perfect mixture of modular analog physics, rhythm, groove, melody and cutting edge production. There is also a plus point, which is exclusivity. The crowd comes for the experience the music has to give. It is not simply a soundtrack to another ‘epic’ evening with the ‘bros’. It is not simply a theme song to use an excuse to interact with the opposite sex. It takes a lot more than that to really groove. Psychedelic Trance truly provides that, and to top it all, it is an anthem of a movement that is still going strong. Trusted in the hands of musical connoisseurs and new wave concepts that hold the solutions to all the problems our world has today.


Author : Vir Rattan Chowdhry (Philostrate/SpaceCadet)

Vir is a young and upcoming Psychedelic Trance Music Producer from India, studying sound engineering in Canada at the moment.

Check out his soundcloud profile : https://soundcloud.com/philocadet
& Facebook Page : www.facebook.com/philocadet26


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In Electronic Awakening, director Andrew Johner lifts the veil on an underground spiritual movement that has developed within electronic music cultures worldwide. This close encounter with the mysticism of rave questions the origin of religion, and offers insight into future of man's spirituality. It investigates this culture's significance to the prophecies of 2012, how this bizarre and sacral relationship to electronic music has evolved the group overtime, and where it all seems to be leading them...

Electronic Awakening features interviews and footage from...

Daniel Pinchbeck Alex Grey Terence McKenna Ken Kesey Erik Davis Starhawk Michael Gosney Dr. Robin Sylvan Goa Gil Mark Heley Dr. Chiara Baldini Dr. Graham St John Dr. Anthony D’Andrea Garth of Wicked DEFSF Techno Alliance Moontribe Pioneers Sobey Wing LuxVibes and many more...

with Graphics from Doctor Spook and Paradise 2012

Music by Crystal Method, Vibrasphere, Androcell, Random Rab, Jason Knight, Govinda & TBD !


Here's a brilliant article by the film maker Andrew Johner ...

Where's the Party in 2012?

Perspective on the Electronic Music Culture's relationship to the 2012 meme

For years a great cross-section of the human population has been curious about the date December 21st, 2012. Much of this curiosity has been recently satisfied through a multitude of books, films, and scholarly theory. However, another question remains in a curious mist of uncertainty.

Where's the party going to be the night of the grand Halabaloo?

In the summer of 2006 I began working on a documentary film as part of a project to finish my degree in anthropology. The subject of my research was the spirituality of electronic dance music culture. Having never been to an electronic music event, let alone listened to much electronic music, I traveled out to the West Coast of the United States for the first time with a handful of tickets to parties and festivals I had never heard of to document the mystical undercurrent of the scene.

A whole myriad of prophetic, esoteric conceptions and beliefs awaited.

Downstream from counter-culture, new age, and general psychedelic phantasmagoria, an ocean of free-form spiritual narratives created a web of neo-mystical realities, a whole multitude of micro-religious frameworks that all in some way weaved into the metaphysics of dance-floor transcendentalism.

As I trekked from party to party, whether they were intentionally spiritual gatherings deep in the mountains, or outlandish hedonic revivals in concrete jungles of urban society, I began to hear rumors circulate about a party on December 21, 2012. The idea of wild super-massive rave at an ancient ruin the day of our envisioned doomsday, as well as beginning, seemed to link to a general tone of prophetic belief that made up a major part of the esoteric trace within the rave community.

There was an obvious influx of mysterious ideologies circulating around the Mayan Calendar which permeated the scene. I immediately questioned the presence of so much Mayan mythology within the community, and also the adoption of the 13th Moon Dream Spell calendar. The Calendar, created from time codes hidden within the original Mayan Calendar, had stimulated a movement for peace through the adoption of a ‘new time' in New Age, and other spiritually bent fringe groups all over the world. The Dream Spell Calendar had also become prominent in the rave scene. Party flyers were dated with Mayan glyphs, Mayan art and other Mayan symbology was displayed around dance floor décor, clothing, and artwork, and other externalized traces of an internal belief structure manifesting within the scene.

Within the mathematical cosmogony of the DreamSpell, pervades the principle that our species is about to transcend ordinary third-dimensional existence, into a forth-dimensional, or in some translations, a fifth-dimensional reality.

It was a bizarre idea to encounter, and it was even more bizarre to have an ecstatic dancing experience progenerate this notion.

The adoption of the Dream Spell Calendar, also posts a neo-apocalyptic narrative circumventing the end-date of the Mayan Calendar in 2012, while at the same time hosting a mathematical philosophy of a major shift in human cognition through the transformation from which a higher-dimensional existence would ensue during our alignment to the center of the Galaxy on December 21, 2012.


“When all this information came in, it just seemed to fit what we were already doing, evening though it had no real connection, the idea worked.”

–DJ Solus September 2006


I am at a festival called Lightning in a Bottle, an electronic music festival outside Santa Barbara. I am sitting with a group of people inside a tent between a propane lantern that blazes with a low electric hiss. The pumping thunder of mega-watt speakers' pound through the nylon tent walls. Just outside, a sea of people dance in a giant clearing amidst laser beams and flashing neon lights. The roar of their celebration amidst pulsating electronic rhythms echoes the futurism of a ‘techno-tribe' emerging.

From interview to interview, my own perceptual interpretation of transcendent ritual through festive cultural rupture rang a shared mental picture as to what the experience meant for people.

The owner of the tent leans over the lantern, shadows disappear from his face and he looks directly into my eyes and begins to speak with a tone of affirming gravity,

“This is my family. The world that we build out here is the real world for us. People say that 2012 is the end of the world, but we all know that it is the end of their world and the beginning of ours”

Through my ethnography of the electronic music culture, I had been observing a movement towards a primordial return, integrating a ritual technology as a mode of transformation. It was my belief that the kinetic engagement of the dance itself was the main source of esoteric undercurrents which permeated the scene. Of course psychedelics play a huge role, but the experience had on the dance floor created by intense movement and electronic dance music was the real cultural source for a shared vision of future transcendence into an alternate dimension of reality altogether.

The integration of the phenomena and phantasm that encompasses the self-guided dogma incorporated in the 2012 initiative weaves so neatly into the transcendental impression these sonic environments encapsulate. When looking closely at the initiative of the 2012 meme, a new world-view of collective spiritual transcendence is indication of the honest expression of the cultures internal desire to alter their perception.

In the face of a quickly changing environment which instinctually demands a transformation of the ways in which humanity both perceives and carries out his existence, the idea of global destruction and creation has long fed into the mythologies of human groups as apart of this internal expression for dramatic change.

Never before in the history of humanity have we seen a single millenarian idea so widespread. Yet, a prophecy of global transformation would require a global culture to bare its vision, and the electronic dance community appears to be one of the many appropriate carters of the revelation.

Another interesting facet of the integration of this new ‘mythos' with the electronic dance community, is the move to outdoor environments, and the integration of intentional ritual and ceremony to their night-long ecstasies. This juxtaposition gives the party experience an authentic communal, as well as tribal sensation, one that implies meaning and value to the experience. With this experience comes a temporary transformation of the perception of the individual undergoing the experience. Cognitive processes are gently and sometimes savagely altered.

As the techno-shamanic psychedelic environment integrates into a social-cultural framework, identities change on individual and collective levels as the music itself takes the mind of the individual into an experience of alternate planes of thought, the myriad of techno-tribal cultural identities swarm in around the dance itself, and reality is but for the instant of a weekend ‘shifted.'

The integration of psychedelics into these events allows one to further integrate their imagination into the experience of the environment that surrounds them, in a cyclical feedback relationship between the experience and the experience. Systems of belief and thought are replaced, both temporarily and permanently. The environment yields to an alternate dimension of being, and the experience, though brought on through an arsenal of synthetic arrangements, momentary replaces traditional perceptual frameworks. Memory of the experience remains and over time evolves cognition.

We live in what we believe to be is real. Every time someone experiences reality in the mystical playing field generated at these parties, the more the experience integrates back into the ‘familiar.' The concept of consciousness shifting, takes on a very subjective nature as dance ritual reinforces the pragmatism of the experience.

As conversation of a shift in the collective reality of the dance community ensues, the number 2012 pops up in more and more conversations. The party becomes a vehicle for the collective transformation of an entire human group as their collective memories build up a shared perception of a new experience.

It's an old trick in human behavior that corresponds with the inner workings of our minds. For thousands of years, cultures and their traditions all over the world have used music and dance as part of the ritual and ceremony for the integration, and stability of their tribal structures. Key to this article, it not only promotes community, is promotes the subjectification of their mythologies and their prophecies.

What man is actually interpreting through the development of a mythos is not an interpretation of a particular vision or story but the energetic experience of the dance itself. What one experiences in an ecstatic state of trance is the experience of their internal desires. Since our internal desires are primordial, they are instinctually connected with nature and the environment around us.

Thus, as our environment changes, and we see threat to our current cognitive processes and cultural value systems; the alteration of our belief structures through a hyper-onslaught of groundbreaking scientific information, the desubjectification of religious systems, a globalization of the sacred, the meltdown of the industrial world, and environmental threats, transformation of mind and spirit permeates the internal psyche within these spaces of liminality.

The tribal experience of dancing beyond the realms of the ego produce a strong feeling of connection with community through music, and the rupture of traditional cultural systems that seem to no longer be working. This creates a Petri dish for the development of new cultural frameworks and the reordering of the groups cognitive processes to better adhere to the changing environment. Dance is an instinctual human behavior to demoralize and reframe perception as a means of evolution of mind and body.

Myth is product of ritual, it is the interpretation of these eternal desires for change. Myth is the narrative of a primeval reality, translating deep spiritual desires, moral craving, social and the practical requirements for social transformation. Myth expresses, enhances, and codifies belief.

In turn, myth creates reality.

Consciousness requires narrative. Individual consciousness and the collective human consciousness requires the framework of a story in order to direct its initiatives for change. When one's current reality is threatened with drastic alteration it naturally begins to weave narratives of explanation that will offer hope and resolution to guide its actions through the transformation.

The millenarianism that is character of the dance community displays this very quality of the development of a transcendental mythology as a means of reframing its own cognitive processes to alter mind, body, and spirit to better suit our own personal interface with the environment.

Dance-based millenarian movements have happened throughout history, in cultures all over the world. When the Lakota Natives were threatened with oppression and reservation life, they immediately reacted with the development of a pan-Indian religion known as the Ghost Dance. It was characterized by the emergence of a prophecy that a particular ritualized dance would bring a peaceful end to the Anglo expansion, the return of the Buffalo, the salvation of the community, leaving the earth filled with food, love, and faith. This narrative was typified by clean living, honesty, and cross-cultural cooperation as a means of salvation and resolution alongside the dance itself.

For the dance community to adopt the undercurrent of a similar narrative proves a structural framework to the development of mythos as a form of cultural revitalization. Though the salvation of humanity and the world lies within our individual change in lifestyle as a means of adhering to the shifting environment, the characterization of death and rebirth into a new world fits the prophetic initiative as well: Salvation through dancing.

Though the dance community has added the awareness that the process of bringing about such change, will not come through a mystical transformation but through the cultural rupture brought on by the act of ritualized dancing itself. The intentionality of the culture reads into the natural magic of sound, and its influence on neurological states. Experienced within a large group it creates a bond of the collective psyche and the subconscious initiative of the group permeates through the experience.

Consciousness instinctively fabricates new translations of experience, the development of new ideas of origin, and prophetic direction.

Humanity naturally begins to weave new stories for itself as the environment surrounding the collective subject changes.

An interesting coincidence, in 1987 a event known as the Harmonic Convergence, was held by New Age groups all over the world to usher in an era of awakening into love and unity through divine transformation that would be fully awakened on December 21st of 2012. That same year of 1987 has historically been identified as the birth of the rave scene. It was the year that the ecstatic experience of a ritualized dance became popularized in urban youth all over the world, the beginning of a culture which defined its own initiative as a revolution of peace, love, unity, and respect, through the ecstatic unification of sound, mind and body as a collective group.

For years the numeric value two thousand twelve has been whispered on the edges of dance floors all over the world. It is most apparent in the psychedelic trance community as an underlying mythos that defines the revolutionary synergistic electro-fusion of mind body and spirit.. The 2012 narrative is a form of interpretation most commonly now used to define the experience and the worldview that permeates the reawakening of a primordial experience.

Again I am in-between parties, staying in a cabin in Mount Shasta conducting and interview with the Shan-man, owner of The Village Oracle in Weed, California. We are sitting out in the sun, the icy tip of Mt. Shasta beaming in the background.

We are talking about the integration of the 2012 mythology into the cultural framework of the electronic dance community, and the role that the parties actually are playing in the process of global awakening into a new mode of thinking. He describes the party as a welcome mat, “They are like a doorway in,” he describes, a doorway that leads into a mystical world of archaic, magical phantasmagoria that the experience of transition into indicates not only transformation of the self, but the world to follow.

He states later in the interview, “We know that we are all heading towards one huge gathering.”

What I see as one of the most interesting features of the 2012 initiative in terms of the electronic dance community is the idea of a synchronized global gathering on the date the calendar ends, December 21, 2012. On that date the earth lines up with the sun, which lines up with the Pleiadian Star system and the elliptic of the galaxy; a celestial alignment that the earth has never before experienced.

The Dance community already celebrates a model of this end-date ritual, called Earth Dance. This is another synchronized party linking 360 dance-floors all over the world as an intentional ceremony for peace. Though this ritual is conducted annually, the preparation for an even larger synchronized dance ritual to celebrate a celestial event as rare as our alignment to the center of the galaxy offers an interesting notion that humanity should very quickly becoming aware of. This will be the most massive, pan-human ritual ushering transformation in the history of human kind.

With the constant development of the mythos surrounding the 2012 meme, what will such preparation, and practice of such a ceremony alter of the consciousness of those participating in the ritual?

The alignment of dance rituals to celestial events is traditionally the source of a mythologies link to the stars. Which means, that our collective human narrative is fashioned and reshaped by the movement of the stars. Meaning that our collective human story is a translation of this energetic experience of the cosmos. How will the energetic experience of the alignment be translated?

The creation of new myth perhaps, a new story of human kind. So to answer the introductory question, as to the location of the partyI have heard several rumors.

Some rumors have entitled it "The Party at the End of Time". The collective pattern of gossip seems to congeal to 7 principal locations.

There is word that these locations may very well be planetary chakra points. To my knowledge, these points are Titicaca Lake between Bolivia and Peru, Mount Shasta in California, Uluro Kattjuta, the big red rock in the middle of Australia, The Tor in Glastonbury, The Great Pyramid in Egypt, and Mouth Kailash in Tibet, and Kuh-e-malek Siah a not so tall mountain located in the Tri-point area of Iran, Afghanistan and Pakistan. These are the main points to my knowledge, however I have also heard of the Haleakala Crater, the El Tule, Table Mountain, Bali, Mount Fuji, and the Sergiev Posad in Moscow to be locations also.

Wherever the party is, and no matter what happens on December 21st 2012, the most important and beautiful part is that people from all walks of life, from all different cultures and countries will be United in a dance, a celebratory ritual to usher in the Galactic New Year, and a new dawn for mankind. Because when it comes to mankind's own part in the great theater of the 2012 alignment, if anything on our part is going to bring about any real and dramatic change, a massive global rave sounds like a damn fine go at it.

If anyone has any other information to share of the massive Party at the End of Time, I would very much like to include it in my documentary for all the world to see.

Please forward all information to: [email protected]


References :

• Electronic Awakening
• Mushroom Online

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The first rendition of the "Adventures In Onederland" Series, power packed with hard hitting tracks from great artists like Sirius Isness, Painkiller, Menog, Elec 3 & Tristan ... Enjoy the ride into Onederland .... Dedicated to the spirit of adventure and the wisdom of oneness that runs through all creation ! Adventures in Onederland is a Shamanic initiation to invoke the 'Superman' within each one of us ... awakening the infinite, within !!!





Genre : Psychedelic Trance
Size : 136 mb
Quality : 320 kbps
Duration : 65:17


Tracklist :

1. Menog Vs Painkiller - Go Into Trance
2. Sirius Isness - I Want Freedom
3. Tikal - Sweet Child
4. Tristan - Focus
5. Elec 3 - Dream Searcher
6. Xerox & Illumination - Tribal Metal
7. Solar System - Bible Of Trance
8. Sattel Battel - House Of Terrorizing Son
9. Tristan - Terrordactyl
10. Kode Six - Tekno Feind


Direct Download


Other DJ Sets & Related Posts :

• 8 Good Reasons To Fly
• 2012 Return To The Golden Age
• Tranzition To The Light
• Cosmic Oneness
• Traktor DJ Studio 3.2.2
• ψ 84735 : DJ Profile

One of the most common experiences of this spiritual consciousness is the feeling of "oneness." Oneness is often experienced as a feeling that everything is part of a whole, or that we all are from one common source and share a common spirit. Let's then consider some ways that the spiritual beholder might experience oneness.

To our ordinary perceptions, the world is a mass of individual life forms each seeking its own destiny. Behind this appearance is the essential nature of existence, the One Divine consciousness. This consciousness expresses itself in the universe in many forms, each with its own will to be. But in fact each form is an expression of the One seeking its infinite joy of existence. All true spiritual realization begins with this new perception of the essential Oneness of all beings and things.

The spiritual experience of Oneness is often expressed by the feeling or understanding that we are of one essence or spirit. We experience that the same soul force that we feel in ourselves is there in each person we encounter. This deep perception has the effect of reducing the barriers we feel between ourselves and the people around us. That in turn leads to the realization that other people's interests and concerns are no different and no less important than our own. If we carry this experience into our daily lives, then we cannot but have a deep and abiding respect for every person we meet along the way. Living our lives this way inevitably leads to increased energy, happiness, and good fortune for ourselves and those around us.

Many of the common personal values we share in our lives can be said to emanate from this inner experience of oneness. Examples of these personal values are -- concern for others, trust, tolerance, openness, respect for the individual, and teamwork.

Also we can say that the greatest foundation for any collective, including our society as a whole, is one rooted in this experience and realization that the spirit in me resides in every other person in that community. This spiritual oneness may be in fact the central attribute of an ultimate future society.

Namaste :)

Genre: Psychedelic
Size: 115 mb
Duration: 60:36
Quality: 320 kbps


((( All is One )))

1. The Misted Muppet - Spiritual Visions
2. Sirius Isness - Powerful Reality (Vibraddict rmx)
3. Opium Of The Masses - Alter Being
4. Space Monkey - Megalomania
5. Ziki & Sundose - Human Being
6. Digicult - Cosmic Company
7. Opium Of The Masses - True Reality
8. Illumination & Zizi - Who Are We (Ananda Shake Remix)
9. Tristan - Suriname
10. Vibrasphere - Yaku

((( One is All )))

Torrent Download

Direct Download



We hope our world awakens to the all pervading truth of Oneness in all creation.
Everything and Everyone is a Holographic projection of the divine source and when we go beyond our limited egos and personalities we experience the infinitude of our being !


Related Posts :

Goa Psychedelic Trance : Spiritual Experience
2012 Return to the Golden Age
Tranzition to the Light
8 Good Reasons to Fly
Last Hippie Standing

Genre: Psychedelic
Duration: 68:25
Size:132 mb
Quality: 320 kbps Stereo
Native Instruments Traktor DJ Studio Ver. 3.2.2
Acer Aspire 5610Z, Intel Pentium Dual Core T2060 @ 1.60 Ghz
1 Gb RAM; 120 Gb HDD, Windows Vista Home Premium

Tracklisting:

1. 1200 Mics - Mayans, Incas & the Aztecs

2. Astrix - Incoming

3. Prahlad - Movements of consciousness

4. Beat Hackers - Rise Up (Melicia Rmx)

5. Rastaliens - Spaceshifter

6. PTX - Terra Soul

7. Dynamic Vs Cycle Sphere - World of Sounds

8. Ferbi Boys - Planet X

9. Ephedrix - Astral Ignition

10. Mindelight & Sharigrama - We are One

Torrent Download 1
Torrent Download 2
Direct Download

2012 & A Golden Age: Mt. Adams Statement. "Alfred Lambremont Webre talks about our new time line heading to 2012, no longer due for cataclysmic earth changes, but moving with grace, wisdom and compassion into a Golden Age of Peace & Harmony" " Everything is Energy "

Science is now proving how our belief systems affect our realities. No longer is this awareness purely a 'spiritual' concept. These discoveries are allowing the mainstream community to understand the power and responsibility we have to ourselves - to choose and create the versions of life we’d like to live. These truths give us back our power. By connecting with our inner intelligence, we’re shifting away from relying on our ‘outside world’ to make us happy and into beings who decide and create our own happiness. We do have the power to manifest our desires. The discoveries the current generation of physicists are making are both dividing the scientific community and thrilling the spiritual community. Previously science believed the world we live in is objectively real. That is - it exists as a separate entity regardless of our connection to it. As science progressed, however, and the composition of the atom was researched, it was discovered that the previous laws describing the behaviour of atoms no longer applied to sub-atomic studies. Physical definitions and common sense theories could not explain the response of these particles. Quantum Physics is a modern science that supports the theory of The Grand Unified Field (everything in life is connected). When atoms are broken down, quarks and electrons are discovered and within these particles exist pure energy which is not physically measurable. Quantum Science has discovered this energy has its own intelligence and responds in a non-physical and non-commonsense way. Quantum Physics recognizes that everything in the Universe exists at the same ‘note.’ That is it all has the commonality of pure identical energy. This energy is known by spiritualist as ‘consciousness’ or God. Therefore a rock, a bird, a star or a human being are all ultimately made out of the same stuff. In spiritual terms this is acknowledgment that ‘God is everywhere and exists in all things.’ This energy cannot not exist - it has never not been and never will not be. It is Infinite and Indestructible. All of this energy is linked. Therefore it’s known as The Grand Unified Field. This unification means that every aspect of our energy affects energy surrounding us. As humans we all have our own separate consciousness that is definitely unique, yet is also linked to the Consciousness of the entire Universe. Related Posts :

• 2012 Dawn Of The Golden Age
• The 2012 Enigma By David Wilcock
  
• Pineal Gland Activation 2012/li>
  
• (((III))) The Federation Of Earth EDMC Documentary
  


• What Is Happening In 2012 ?!
  


• Richard C. Hoagland's 'The Hyperdimensional Election Of Barack Obama
  


• Evolution is speeding up 2012


• Age Of Aquarius, UFOs, ET, Indigos, 2012


• Geoff Stray's Book Beyond 2012
  

Vision Productions was established in 1996 in Tokyo, Japan By Tania (Tanis) Miller and Shimon Biton. The company goal is to promote electronic music created by computers and digital instruments, like synthesizers, V-drums and electronic keyboards.

In addition to producing a yearly festival, called "Vision Quest: The Gathering", Vision Productions also produces monthly events in Tokyo and Osaka promoting new artists like Ami, Mitsumoto and Alternative Control. The company also produces from time to time events overseas in Mexico, Israel, Thailand and India. The goal of the company is to strive towards getting the electronic music into mainstream.

In order to promote young artists the company also started to produce CDs and DVDs under the label Vision Quest Records. The company sold more than 50,000. copies in Japan alone during the last fiscal year. Another 20,000 copies were sold overseas.

The company works with File records (Sony Music), HMV, Tower Records, Virgin Music, Cisco, Quintrix, Acoustic (Sound Company) Egg House (Lights) M.M.Delight (VJ’s) Inter FM (Radio) Space Shower TV (Television) and advertises regularly in trade magazines like Floor, Loud and Club Juice.

What does Vision Quest refer to ...

In many Inuit and other Native American groups, the vision quest is a turning point in life taken before puberty to find oneself and the intended spiritual and life direction. When an older child is ready, he or she will go on a personal, spiritual quest alone in the wilderness. This usually lasts for a number of days while the child is tuned into the spirit world. Usually, a Guardian animal will come in a vision or dream, and the child's life direction will appear at some point. Once the child has grown into his- or her- self, s/he will return to the tribe and pursue that direction in life. After a vision quest, the child may apprentice an adult in the tribe of the shown direction (Medicine Man, boatmaker, etc).

The vision quest may be a part of shamanism, more exactly, the learning and initiation process of the apprentice for achieving the ability for shamanizing, mostly under the guidance of an older shaman.

The vision quest may be said to make the initiated establish contact with a spirit or force. Psychologically, it may have effected hallucinations.

The technique may be similar to sensory deprivation methods. It may include long walking on uninhabited, monotonous areas (tundra, inland, mountain); fasting; sleep deprivation; being closed in a small room (e.g. igloo).





Vision Quest Gathering 2002


Vision Quest Gathering 2005


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• Entheogen : Awakening The Divine Within

Genre : Psychedelic
Quality : 256 kbps
Size : 127 mb
Duration : 1 hour 16 minutes 49 seconds
Tools used : Traktor Dj Studio 3.2 / Acer Aspire / Goldwave to convert from wav to mp3

1. Life Style & Audio X - Future Shock Part 2
2. Alien Vs The Cat - The Race (Orbital Vibes Remix)
3. Astrix - Solaris (GMS Rmx)
4. Crystal Sound - Shmatrix
5. System Nipel Vs Electro Sun - We can Fly
6. PTX - Travel Adventure
7. Electric Universe - Mind of God
8. Black Cadillac - Showtime
9. Safi Connection - Monster DNA remix
10. Safi Connection - Deep Space
11. ESP - The Mind's Eye




In a cosmos [:)] full of countless planetary systems brimming with life and infinite number of possibilities to what could be, we explore the far reaches of space outside and within as we are messengers of light ! We bring together the cosmos as one through deep space exploration ! :)

((( We are 1, We are Infinite)))

" Within the intricately syncopated pulses and biologically textured vibrations created by ever more complex methods of sound synthesis, we are honing the art of trance into the de-collapsing vistas of organized shamanic sciences and psychosomatic alchemy. To be fully exposed to the heartbeat of technological music is to be direct witness to the astounding presence of life and participant in it's aeonic momentum " A good synopsis of the Psytrance experience .... The Trance Dance experience is a spiritual initiation as rightly said by Goa Gil. " It's communion with the Cosmic Spirit ! " The psychedelic experience evolves human consciousness and that's what's happening NOW ... EVOLUTION !

Music, i consider the next best thing to life. With all the subjective classification of music, it seems to have covered all humanity across the world. Music can have a lasting impact on ones mind and this happens almost unconsciously following a review you heard from a slightly more forward friend of yours.

What began with listening to the likes of Pink Floyd and Led Zeppelin is now a full throttle psychedelic head trip into the inner realms of the sub-conscious self or maybe it's just the psychedelics talking, either way it is a lot of FUN. Ironically, all music that unites us also happens to alienate us when we tend to camp with a typical sub-genre suggesting total conformance to the particular style. This separation kinda kills the potential of an experience. The moment you think of something you don't want, you create a wall around and we all know what walls do.

There is an obvious difference between the club vibe and the outdoor jungle vibe. Clubs just don't cut. However, with commercialization, somewhere they have merged and music has evolved. What began as Goa Trance or Psychedelic Trance has evolved into Dark, Full On / Morning, Ambient, Chill Out ... which covers the whole spectrum of psychedelic trance ranging through different phases that make a Trance Dance Festival spread across 2-7 days or more. Some day we will wake up each day of our waking lives to magical melodies in the wilderness we so long to return to. Our ancestors are calling out to us to return to our roots and realize the oneness in all creation. Our collective consciousness shall resurrect the broken tranquility that will bring about the dawn of the golden age where peace is all that will ever be !






One big festival called Planet Earth !





There is no clear distinction with sub-genre styles blending into one another almost hypnotically, hence what i call FULL ON (which is an all out energy zone) is considered a style close to euro-trance by some. Psychedelic Trance has always had some influence of the dark side adequately expressed in music of the recent time. This mind shattering haunting style of psychedelic trance makes a treat for all adventurous crusaders raring to experience whatever comes their way open heartedly in a sub-conscious state in a trans dimensional realm. Through our fears shall rise our most coveted gifts and the dark seems to throw you right in the middle of all the chaos. This journey from mayhem to euphoria is best stomping through the dark of the night and the brilliance of the day.

Club Music sure does alienate us from our spiritual trance dance roots. But music itself is spiritual in nature and where the intensity differs it principally affects the human mind.

It is the suggestive nature of other more easily accessed music that makes electronic music so special. As little or no words are associated with it (we need some direction don't we...), the ground of perception heightens and an impersonal thought grows into a surreal story of the tripping ego and the unknown.

I love music and i dance fearlessly to all psychedelic sounds ! Thanks for all the music and magic we love !

BoOm !