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'Ibogaine : Rite Of Passage' is a revealing documentary produced and directed by Ben De Loenen about the most promising treatment modality for drug dependency available now, Ibogaine. It is the only substance we know, which is capable of blocking acute withdrawal in opioid addicts as well as cocaine and alcohol.

Daniel Pinchbeck refers to his evolutionary Iboga ritual experience with the Bwiti Tribe of Africa in his book '2012 The Return Of Quetzalcoatl' ...

Here is an excerpt ...

"At the beginning of the night-long ordeal, while the tribe drummed and sang around me, I saw, open-eyed, a golem-like figure made of rough tree branches sit down on a bench, cross his legs, and lean forward, observing me curiously. I was later told this was the spirit of Iboga, coming to meet me. Afterward, I watched Scrabble-like letters turn in the air to spell out a curious phrase : "Touchers Teach Too" - one of a series of hints that seemed vaguely prophetic. For much of the night I was taken on a detailed tour of my early life. Many reports of Iboga trips describe such a biographical survey, though nobody knows how a complex alkaloid molecule can unlock such deep doors in the psyche, or how neurochemical reactions can create the palpable sense I had - reported by others as well - of a presence guiding me through the process."

Although the FDA decided in 1993 that Ibogaine showed enough signs of being an effective tool in the treatment of addiction, money is the problem; this natural occurring molecule cannot be patented and is not a maintenance drug with addictive properties; reason for the pharmaceutical industry not to invest in its development... Educate yourself about this unique tool ! Our vision of saving the many lives of people with a chemical dependence is only as strong as the people who support us !


About three years ago, Ben De Loenen read an article about Ibogaine in a Dutch magazine. The cultural/spiritual background of this substance and the economical interests of the pharmaceutical companies in particular caught Ben's attention. Ben was a second year student at the Utrecht School of the Arts at that moment, and decided to dedicate his final exam project to this subject. This was the beginning of a long research period in which he managed to get the cooperation of many people in the field. In particular Howard Lotsof, who in the late sixties discovered that after ingesting Ibogaine, he could instantly stop his heroin use without having any withdrawal symptoms or craving. Next to that he had gained more insight in the cause and nature of his addiction because of the psychoactive phase he had gone through and has been very supportive in the realization of this project.

Three treatments were recorded for the film; one in Sara’s House in Breukelen (The Netherlands), one in the Iboga Therapy House in Vancouver and the third one in the Ibogaine Association in Mexico. Because of the large amount of footage shot for the film, only the last treatment was finally used in the final edit. Also a lot of interviews were conducted with ex-addicts, treatment providers, the father of an ex-addict, a psychotherapist, scientists, a Bwiti shaman and Howard Lotsof. And finally a traditional Bwiti initiation in Central West Africa was shot in June of 2004.

What’s finally used in the film brings the spectator close to the personal experience of the (ex-) addict and focuses less on the science behind Ibogaine. Next to that, the spectator becomes a witness of the spectacular traditional Bwiti-ritual, which contrasts very much to the use of Ibogaine in the Western World. Unfortunately, it wasn't possible to get people of pharmaceutical companies and regular treatment centers in front of the camera, as they didn’t react on the invitation, or stated that they "had no comments." For more information on the film, go to www.ibogainefilm.com.

The ritual eating of iboga has been a psychopharmacological sacrament in the Bwiti religion for several centuries, and was likely practiced among Pygmies in much earlier times (Fernandez, 1982). In Gabon and elsewhere in West Central Africa, ibogaine is ingested in the form of scrapings of Tabernanthe iboga root bark. The ritual aim of eating iboga has been conceptualized as "binding"; the binding across time through ancestral contact, or binding participants socially on the basis of a common shared experience of a distinctive consciousness and system of belief (Fernandez, 1982; Fernandez and Fernandez, 2001).

In the colonial era Bwiti became a context of collective psychological resistance to the anomie and demoralization related to the strain on indigenous community and family institutions. Bwiti offered a dignified realm of spiritual endeavor, "the work of the ancestors" and social cohesion. Following Gabonese independence in 1960, Bwiti has remained constellated with national identity and contemporarily retains significant social and political importance (Swiderski, 1988; Samorini, 1995).

Iboga has not commonly been used to treat addiction in the traditional African Bwiti context. Iboga has been sought as a treatment for some somatic conditions, in particular for infertility (Fernandez, 1982). In the colonial era the indigenous community experienced a crisis due to a sharp decline in fertility caused by venereal disease stemming from prostitution and the separation of men from their families by the large-scale physical relocation of indigenous workers.

The possibility of an objective basis for the use of iboga in this setting is suggested by evidence associating iboga alkaloids with antimicrobial activity or effects on cell-mediated immunity. Iboga alkaloids are reportedly active against Candida albicans in the intact animal (Yordanov et al., 2005). In vitro studies indicate reversal of multidrug resistance in human cancer cells (Kam et al., 2004) and activity against Mycobacterium tuberculosis (Rastogi et al., 1998), human immunodeficiency type 1 virus (Silva et al., 2004), and the tropical parasite Leishmania amazonensis (Delorenzi et al., 2002).

The first observation of ibogaine as treatment for substance related disorders in 1962 involved a network of lay drug experimenters who ingested a variety of hallucinogens and systematically recorded their experiences (Lotsof and Alexander, 2001). Withdrawal symptoms were unexpectedly absent in heroin-dependent individuals who had taken ibogaine. Common to various sociological definitions of the term "subculture" is a system of beliefs, norms and values apart from a superordinate culture (Clarke, 1974; Dowd and Dowd, 2003).

The ibogaine subculture has elicited wariness from the "superordinate culture" of conventional clinical medicine (Kleber, 2001), and has been invoked regarding the null hypothesis that ibogaine's reported effect in opioid withdrawal is not pharmacologically mediated, but is instead accounted for by suggestion and ritual (Sharpe and Jaffe, 1990). The ibogaine subculture is also significant as the setting of case report evidence that influenced the decision of the National Institute on Drug Abuse (NIDA) to pursue its ibogaine project (Alper, 2001), and the Food and Drug Administration (FDA) to approve a clinical trial (Mash et al., 1998).


Ibogaine is unscheduled in most of the world, with the exception of the US, Belgium, Denmark, France, Sweden, Switzerland, and Australia where it is illegal. Ibogaine has not been popular as a recreational drug regardless of its legal status (Kleber, 2001), and apparently only two arrests involving ibogaine are known to have occurred in the US (Ranzal, 1967; Lane, 2005). Iboga alkaloids reportedly are not self-administered, and do not produce withdrawal signs following chronic administration in animals (Aceto et al., 1992).

As of late 2006, ibogaine hydrochloride (HCl) was available for $400-$500USDper gram (ethnogarden.com, 2006), and the dosage typically used for opioid withdrawal is in the range of 1-2 g. Purity on the order of 97-98% has been reported on certificates of analysis for supplies of ibogaine HCl used in the subculture. Ibogaine is also available as Tabernanthe iboga extract or dried root bark.


The Iboga Experience from a Buddhist Perspective ...

First off let me start by saying that my belief system is closest to that of the Buddhist and in fact I adhere somewhat to a Tibetan Buddhist way of perceiving things. Thus my experience in the jungles is coloured by this perspective and to try and describe things without referring to Buddhist conceptual models would be tying my own hands.

Profound experiences of insight have happened to me on a couple of occasions, experiences that left me with a harmonious and centred being, and the effects stayed with me for up to a year. These experiences were understandings of the essential emptiness that is our fundamental reality, the 'skylike' nature of mind. Some came through psilocybin and others through trichocereus cactus, but all were all conducted with the aid of a loving and benevolent teacher, without whom I would never have approached these states of being.

Essentially these states allowed me to perceive that the fabric of our reality is our imagination, and thus with that understanding, anything, absolutely anything is possible in the universe (however, it is important that we realise that it is all a product of our imagination). This is the fundamental nature of exoreality - and endoreality. The intellectual, however, can never come close to the experiential as much as we try. Using words and concepts to describe the subtlety of the experience can be compared to using a ten pound hammer to forge butterfly wings - the wrong tools, clumsy and blunt.

Iboga functions in a subtly different way from these other plants. In small amounts it seems to somehow slow the metabolism down, more so the more you take. Your entire being becomes still and, through the stillness, you begin to see. You begin to be aware of what is going on around you, as your intellectual mind is stilled and the mechanisms that cloud your mind with random thought are all put on slow, or pause. Other senses start coming alive, as the five senses mix synergistically. This is the case up until you take the barely sub-lethal doses they give you in an initiation.

Then you really start to see! Somehow the iboga manages to change your vibration, slow you down to such an extent that you become super-aware on the physical plane (exoreal) of events occurring at other dimensional vibrations (endorealities). Your body cools down, you seem no longer to even breathe and it would look to an outsider as if you were comatose. In fact, although your motor coordination is not functioning properly, your consciousness is now coming into its own.

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'Grass' is a hilarious movie by Ron Mann about the history of the Hemp Weed, Marijuana, Ganja, the sacred herb, the 'Green Gold' and the myths associated with Marijuana built over the years by the US government through mass media propaganda ... movies such as 'Reefer Madness' which are sure to make your roar with laughter !

This film looks at the last 100 years of marijuana use, culture, and legislation, compiled from 400 hours of archival footage. Narrated by the celebrity weed aficionado Woody Harrelson, whose very name in the credits will ensure a laugh from audiences.


"This film explores the history of the American government's official policy on marijuana in the 20th century. Rising with nativist xenophobia with Mexican immigration and their taste for smoking marijuana, we see the establishment of a wrong headed federal drug policy as a crime issue as opposed to a public health approach. Fuelled by prejudice, hysterical propaganda and political opportunism undeterred by voices of reason on the subject, we follow the story of a costly and futile crusade against a substance with questionable ill effects that has damaged basic civil liberties."

- Kenneth Chisholm



"The history of marijuana in the United States since its unofficial introduction in the early twentieth century is presented. As a product, it has been a focus of a strong government campaign to rids its distribution and use, primarily from the 1930's to the 1970's. Harry J. Anslinger, the first Commissioner of the Federal Bureau of Narcotics, and President Richard Nixon were the chief persons waging the war. During the early battle, marijuana was popularly thought to cause a slew of maladies, including temporary insanity and murderous tendencies, as depicted through such movies as Marihuana (1936/I) aka "Reefer Madness". This popular belief led to marijuana being effectively classified an illegal substance in the United States in 1937. When some of these myths were debunked, especially through the free-wheeling 1960's, anti-marijuana messaging turned to it being a gateway substance to stronger more dangerous illicit drugs, such as heroin. As much of the marijuana coming into the United States since the 1950's was from China, the government also used anti-Communist messaging. Both Anslinger and Nixon quashed any scientific reports that came out refuting the government's claims, such as a report commissioned by New York Mayor 'Fiorello Laguardia' . To the end of the century, America's war on marijuana has cost the government several billions of dollars."

- Huggo



"Most of my films celebrate popular culture, underground artists, marginal artists," says Mann.

"They bring them to a mainstream audience. This film brings an underground issue forward, but it's motivated by a desire to do what's right. That's very different. That makes the film political. I was surprised at the reaction to the political content. I think people do respond to the wastefulness of the American war on marijuana ... especially the cost. There is a political point being made more overtly political than anything I've ever done ... and it's summed up by Woody Harrelson saying the American anti-marijuana campaign has been misguided and totally ineffective."

The political nature of drug laws and anti-drug campaigns, incidentally, was underlined by a story in The Globe and Mail the week before the screening of Grass at the Toronto International Film Festival. The story detailed how Mexico's economy was harmed by being designated as soft on drugs, an idea spearheaded by the United States ... the kind of moral and political chicanery Grass exposes.

One of the funniest movies on the American history of Marijuana !


For some more laughs ... Here is 'Reefer Madness' ... :D ...



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In this talk titled 'Spiritual Dimension Of Time Travel' presented by the Theosophical Society in America in Chicago, Fred Alan Wolf, PhD discusses spirituality and the concept of self from his unique perspective as a physicist, explains some of the fundamental premises of quantum theory including the observer effect, and how the concepts of time and mind are reconcilable and can, in fact, have the same meaning. Fred Alan Wolf quotes Buddha's teaching of a realm which he describes as unborn, unoriginated, uncreated ... unformed ... Fred says his purpose is to understand what this means and bring to us the same understanding the best possible way he can ... Fred says ... besides calling this knowledge 'The Yoga Of Time Travel' he would call it the Physics of Shiva, The God Of Time !


Dr. Quantum expresses all of the complicated serious stuff about Science, Quantum Physics, Yoga, Time Travel in an extremely easy to follow and awesomely humorous way ... signature style Fred Alan Wolf ! He made me laugh a lot as the 'I' was watching these videos late last night !!! ... HAHAHA ツ ... One of the best videos I've seen in recent times ....

Fred Alan Wolf is a physicist, writer, and lecturer who earned his Ph.D. in theoretical physics at UCLA in 1963. He continues to write, lecture throughout the world, and conduct research on the relationship of quantum physics to consciousness. Dr. Wolf has taught at the University of London, the University of Paris, the Hahn-Meitner Institute for Nuclear Physics in Berlin, The Hebrew University of Jerusalem, and San Diego State University in the United States. Aka "Dr. Quantum," he is a member of the Martin Luther King, Jr. Collegium of Scholars and the author of eleven books, including the National Book Award-winning "Taking the Quantum Leap." Wolf's work in quantum physics and consciousness is well known through his popular and scientific writing, and his radio talk show, television and film appearances across the United States and abroad.

An excerpt from the book 'The Yoga Of Time Travel' ...


I N T R O D U C T I O N


“I don’t understand you,” said Alice. “It’s dreadfully confusing!”

“That’s the effect of living backwards,” the Queen
said kindly: “it always makes one a little giddy
at first—”

“Living backwards!” Alice repeated in great
astonishment. “I never heard of such a thing!”

“—but there’s one great advantage in it, that one’s
memory works both ways.”

“I’m sure mine only works one way,” Alice remarked.
“I can’t remember things before they happen.”

“It’s a poor sort of memory that only works
backwards,” the Queen remarked.

— Lewis Carroll, Through the Looking-Glass


Most of us assume, as Alice does, that whatever we can remember has already taken place. If asked why we don’t remember scenes from our future, we might answer: “Because, dummy, they haven’t happened yet!” But as the Queen in Lewis Carroll’s delightful book suggests, perhaps we do have memories of the future, however nonsensical that may sound. Consider the albeit radical possibility that the Queen is right: memory does work both ways. That is, you are perfectly able to remember the future just as well as you can recall the past. Further, consider that having a two-way memory could lead, as the Queen suggests, to distinct advantages. For example, it might help you deal with synchronicities and experiences of déjà vu, avoid health problems, make significant predictions about your life, and offer many other benefits, as may become clear as this book unfolds.


A Quick Look into the Future of This Book

In the chapters ahead, we will look at space and time with new eyes, taking into consideration how both relativity (the science of the very large) and quantum mechanics (the science of the very small) have completely altered what we mean by time and space. We’ll look farther into physical time and space and learn why they are considered manifestations of one thing rather than separate categories. We will also explore the notion of sacred time. We will see how time, mind, and spirit have a surprising relation with each other. And we will learn how a mind yoga for time travel springs forth from this relationship, offering surprising benefits and accessible to us all.



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The Secret Life Of Plants is a 1979 documentary directed by Walon Green based on a book of the same name written by Peter Tompkins and Christopher Bird. It is described as "A fascinating account of the physical, emotional, and spiritual relations between plants and man."

The movie also features the deep insightful knowledge of the African Dogon Tribe about the nature of the Universe ... They share sacred knowledge about Po Tolo, Sirius's companion star invisible to the naked eye. This is proven by modern astrology today ... Sirius does have an orbiting companion star invisible to the naked eye and the Dogon Tribe have known this for thousands of years without any astronomical equipment. The Dogon Tribe have known to have had an extraterrestrial contact with beings from Sirius and they shared much knowledge with them about the universe ... and the unity of all creation .

The movie shows us that plants too are sentient and respond to human emotions, despite their lack of a nervous system and a brain. This sentience is observed primarily through changes in the plant's conductivity, as through a polygraph, as pioneered by Cleve Backster.

It features the Stevie Wonder soundtrack Journey through the Secret Life of Plants. The film made heavy use of time-lapse photography (where you can see plants grow in a few seconds, creepers reaching out to other plants and tugging on them, mushrooms and flowers popping open, etc.), certainly in order to portray them as animate beings. When the film was released, such images were a novelty to the general public.


Psychobotany: Psycho (from the Greek psyche meaning mind or soul); botany (the study of plants).

Psychobotany attempts to cultivate a cultural terrain that includes a wide array of efforts at human/plant communication. Artists, scientists, subcultures, religions, activists, and visionaries all share plots in the field of Psychobotany. Combining elements of scientific truth, spiritual beliefs, aesthetic savvy, and social expression, Psychobotany is a fertile ground where the diverse cultural roots of human/plant communication can take hold.

That said, this book is about much more than just plants; it delves quite deeply into such topics as the aura, psychophysics, orgone, radionics, kirlian photography, magnetism/magnetotropism, bioelectrics, dowsing, and the history of science.


                                                       Photo Credit : Ryan Padilla

((( ॐ ωє αяє σиє ¢σиѕ¢ισυѕиєѕѕ ))) ...... ツ !


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