The Legend of Terence McKenna is with us even today, living through discussions, messages, videos, podcasts, pictures and all communication within the psychedelic community. His views on psychedelics / hallucinogenic plants, shamanism, consciousness, creation, space time continuum, reality, shamanistic approaches to the UFO phenomena, Eschaton, Novelty, Psilocybin ... have always charmed audiences worldwide. Hearing Terence talk was letting ones imagination drift in the river of mental imagery beautifully created by the words of Terence McKenna !

McKenna theorizes that as the North African jungles receded toward the end of the most recent ice age, giving way to grasslands, a branch of our tree-dwelling primate ancestors left the branches and took up a life out in the open -- following around herds of ungulates, nibbling what they could along the way. Among the new items in their diet were psilocybin-containing mushrooms growing in the dung of these ungulate herds. The changes caused by the introduction of this drug to the primate diet were many -- McKenna theorizes, for instance, that synesthesia (the blurring of boundaries between the senses) caused by psilocybin led to the development of spoken language: the ability to form pictures in another person's mind through the use of vocal sounds. About 12,000 years ago, further climate changes removed the mushroom from the human diet, resulting in a new set of profound changes in our species as we reverted to pre-mushroomed and frankly brutal primate social structures that had been modified and/or repressed by frequent consumption of psilocybin.

From an interview with Terence McKenna in High Times magazine:

High Times : From your writings I have gleaned that you subscribe to the notion that psilocybin mushrooms are a species of high intelligence -- that they arrived on this planet as spores that migrated through outer space, and are attempting to establish a symbiotic relationship with human beings. In a more holistic perspective, how do you see this notion fitting into the context of Francis Crick's theory of directed panspermia, the hypothesis that all life on this planet and its directed evolution has been seeded, or perhaps fertilized, by spores designed by a higher intelligence?

Terence : As I understand the Crick theory of panspermia, it's a theory of how life spread through the universe. What I was suggesting -- and I don't believe it as strongly as you imply -- is that intelligence, not life, but intelligence may have come here in this spore-bearing life form. This is a more radical version of the panspermia theory of Crick and Ponampurama. In fact I think that theory will probably be vindicated. I think in a hundred years if people do biology they will think it quite silly that people once thought that spores could not be blown from one star system to another by cosmic radiation pressure. As far as the role of the psilocybin mushroom, or its relationship to us and to intelligence, this is something that we need to consider. It really isn't important that I claim that it's an extraterrestrial, what we need is a body of people claiming this, or a body of people denying it, because what we're talking about is the experience of the mushroom. Few people are in a position to judge its extraterrestrial potential, because few people in the orthodox sciences have ever experienced the full spectrum of psychedelic effects that are unleashed. One cannot find out whether or not there's an extraterrestrial intelligence inside the mushroom unless one is willing to take the mushroom.

High Times : You have a unique theory about the role that psilocybin mushrooms play in the process of human evolution. Can you tell us about this?


Terence : Whether the mushrooms came from outer space or not, the presence of psychedelic substances in the diet of early human beings created a number of changes in our evolutionary situation. When a person takes small amounts of psilocybin visual acuity improves. They can actually see slightly better, and this means that animals allowing psilocybin into their food chain would have increased hunting success, which means increased food supply, which means increased reproductive success, which is the name of the game in evolution. It is the organism that manages to propagate itself numerically that is successful. The presence of psilocybin in the diet of early pack-hunting primates caused the individuals that were ingesting the psilocybin to have increased visual acuity. At slightly higher doses of psilocybin there is sexual arousal, erection, and everything that goes under the term arousal of the central nervous system. Again, a factor which would increase reproductive success is reinforced.

High Times : Isn't it true that psilocybin inhibits orgasm?

Terence : Not at the doses I'm talking about. At a psychedelic dose it might, but at just slightly above the "you can feel it" dose, it acts as a stimulant. Sexual arousal means paying attention, it means jumpiness, it indicates a certain energy level in the organism. And then, of course, at still higher doses psilocybin triggers this activity in the language-forming capacity of the brain that manifests as song and vision. It is as though it is an enzyme which stimulates eyesight, sexual interest, and imagination. And the three of these going together produce language-using primates. Psilocybin may have synergized the emergence of higher forms of psychic organization out of primitive protohuman animals. It can be seen as a kind of evolutionary enzyme, or evolutionary catalyst.

High Times : There is a lot of current interest in the ancient art of sound technology. In a recent article you said that in certain states of consciousness you're able to create a kind of visual resonance and manipulate a "topological manifold" using sound vibrations. Can you tell us more about this technique, its ethnic origins, and potential applications?

Terence : Yes, it has to do with shamanism that is based on the use of DMT in plants. DMT is a near- or pseudo-neurotransmitter, that when ingested and allowed to come to rest in the synapses of the brain, allows one to see sound, so that one can use the voice to produce, not musical compositions, but pictoral and visual compositions. This, to my mind, indicates that we're on the cusp of some kind of evolutionary transition in the language-forming area, we are going to go from a language that is heard, to a language that is seen, through a shift in interior processing. The language will still be made of sound, but it will be processed as the carrier of the visual impression. This is actually being done by shamans in the Amazon. The songs they sing sound as they do in order to look a certain way. They are not musical compositions as we're used to thinking of them. They are pictoral art created by audio signals.


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Since i started blogging about Indigo Children, i have read some pages on the subject and was happy to learn so much about our spiritual reality each one of us is trying to understand and connect with in our own special way. Some choose to live unconsciously living by a doctrine, a metaprogrammed illusion we so lovingly call " Reality " while choosing to break free over the weekend to alter our consciousness by any and all means available for a brief moment or two and then we say, " it's time to get back to reality " ! Our little understanding of the nature of creation and what this life is all about has led the world to chaos where we fight ourselves behind the facade of the personalities subtle ego play ...

One of these many blogs on Indigo Children is NoahNow's Blog on Indigo, Crystal & the Star Child where i read these lines " Es Kava Turen Hai " which means " We work towards an identical goal " ! We are all here to learn, to evolve, to grow spiritually and in order to progress we need to break free from the illusions of our much chaotic reality of dualism and separation. The 3 dimensional essence of our being is certainly not the only one as there are many you's and many me's, we are all the same assisting no one else but reflections of our own selves ( In Lak'ech Ala K'in ) move forward, to grow spiritually, to strengthen our weakest links and to understand within our greatest weaknesses lies our greatest strength. All weaknesses our opportunities for the soul to evolve through conscious choice.

In his book Chariots of the Gods, Erich Von Daniken researches deep within our history for evidence to support that we have been visited by Extraterrestrials in the past and these Ancient Astronauts were perceived as Gods by our ancestors which is also the basis for many of the religions we follow on Earth. Erich Von Daniken doesn't rule out the possibility of the involvement of Extraterrestrials in some form of genetic engineering creating our own species, the Homo Sapiens.

From the Pyramids of Egypt, to the Nazca lines in Peru, the monuments of Easter Island, the Stonehenge ... there are hundreds and thousands of these ancient monolithic structures left by ancient civilizations which have stood the ravages of time and till date pose the question to man, how did our ancestors get these gigantic rocks up there ! Rock carvings inside caves and ancient artifacts depict the presence of winged gods, feathered serpent gods such as Quetzalcoatl, amphibious gods who some believe to have come from the Dog Star, Sirius ... Clearly we have had Extraterrestrials visiting Earth in Ancient Times and we can be rest assured there are many advanced civilizations out there and some have been here on Earth since time immemorial !

Many researchers into the UFO enigma tend to overlook a very important fact. While it is assumed that most flying saucers are of alien or perhaps Governmental Military origin, another possible origin of UFOs is ancient India and Atlantis. What we know about ancient Indian flying vehicles comes from ancient Indian sources; written texts that have come down to us through the centuries. There is no doubt that most of these texts are authentic; many are the well known ancient Indian Epics themselves, and there are literally hundreds of them. Most of them have not even been translated into English yet from the old sanskrit.

The Indian Emperor Ashoka started a 'Secret Society of the Nine Unknown Men': great Indian scientists who were supposed to catalogue the many sciences. Ashoka kept their work secret because he was afraid that the advanced science catalogued by these men, culled from ancient Indian sources, would be used for the evil purpose of war, which Ashoka was strongly against, having been converted to Buddhism after defeating a rival army in a bloody battle. The 'Nine Unknown Men' wrote a total of nine books, presumably one each. Book number was 'The Secrets of Gravitation!' This book, known to historians, but not actually seen by them dealt chiefly with 'gravity control.' It is presumably still around somewhere, kept in a secret library in India, Tibet or elsewhere (perhaps even in North America somewhere). One can certainly understand Ashoka's reasoning for wanting to keep such knowledge a secret, assuming it exists.

Ashoka was also aware of devastating wars using such advanced vehicles and other 'futuristic weapons' that had destroyed the ancient Indian 'Rama Empire' several thousand years before. Only a few years ago, the Chinese discovered some sanskrit documents in Lhasa, Tibet and sent them to the University of Chandigarh to be translated. Dr. Ruth Reyna of the University said recently that the documents contain directions for building interstellar spaceships! Their method of propulsion, she said, was 'anti- gravitational' and was based upon a system analogous to that of 'laghima,' the unknown power of the ego existing in man's physiological makeup, 'a centrifugal force strong enough to counteract all gravitational pull.' According to Hindu Yogis, it is this 'laghima' which enables a person to levitate.

Dr.Reyna said that on board these machines,which were called 'Astras' by the text, the ancient Indians could have sent a detachment of men onto any planet, according to the document, which is thought to be thousands of years old. The manuscripts were also said to reveal the secret of 'antima'; 'the cap of invisibility' and 'garima'; 'how to become as heavy as a mountain of lead.' Naturally, Indian scientists did not take the texts very seriously, but then became more positive about the value of them when the Chinese announced that they were including certain parts of the data for study in their space program! This was one of the first instances of a government admitting to be researching anti-gravity.

The manuscripts did not say definitely that interplanetary travel was ever made but did mention, of all things, a planned trip to the Moon, though it is not clear whether this trip was actually carried out. However, one of the great Indian epics,the Ramayana, does have a highly detailed story in it of a trip to the moon in a Vimana (or 'Astra') and in fact details a battle on the moon with an 'Asvin' (or Atlantean') airship. This is but a small bit of recent evidence of anti-gravity and aerospace technology used by Indians.

To really understand the technology, we must go much further back in time. The so-called 'Rama Empire' of Northern India and Pakistan developed at least fifteen thousand years ago on the Indian subcontinent and was a nation of many large, sophisticated cities, many of which are still to be found in the deserts of Pakistan, northern, and western India. Rama existed, apparently, parallel to the Atlantean civilization in the mid- Atlantic Ocean, and was ruled by 'enlightened Priest-Kings' who governed the cities.

The seven greatest capital cities of Rama were known in classical Hindu texts as 'The Seven Rishi Cities.' According to ancient Indian texts, the people had flying machines which were called 'Vimanas.' The ancient Indian epic describes a Vimana as a doubledeck, circular aircraft with portholes and a dome, much as we would imagine a flying saucer. It flew with the 'speed of the wind' and gave forth a'melodious sound.' There were at least four different types of Vimanas; some saucer shaped, others like long cylinders ('cigar shaped airships').

The ancient Indian texts on Vimanas are so numerous, it would take volumes to relate what they had to say. The ancient Indians, who manufactured these ships themselves, wrote entire flight manuals on the control of the various types of Vimanas, many of which are still in existence, and some have even been translated into English.

The Samara Sutradhara is a scientific treatise dealing with every possible angle of air travel in a Vimana. There are 230 stanzas dealing with the construction, take-off, cruising for thousands of miles, normal and forced landings, and even possible collisions with birds. In 1875, the Vaimanika Sastra, a fourth century B.C. text written by Bharadvaja the Wise, using even older texts as his source, was rediscovered in a temple in India. It dealt with the operation of Vimanas and included information on the steering, precautions for long flights, protection of the airships from storms and lightning and how to switch the drive to 'solar energy' from a free energy source which sounds like 'anti-gravity.' The Vaimanika Sastra (or Vymaanika-Shaastra) has eight chapters with diagrams, describing three types of aircraft, including apparatuses that could neither catch on fire nor break. It also mentions 31 essential parts of these vehicles and 16 materials from which they are constructed, which absorb light and heat; for which reason they were considered suitable for the construction of Vimanas.

This document has been translated into English and is available by writing the publisher: VYMAANIDASHAASTRA AERONAUTICS by Maharishi Bharadwaaja, translated into English and edited, printed and published by Mr. G. R.Josyer, Mysore, India, 1979 (sorry, no street address). Mr. Josyer is the director of the International Academy of Sanskrit Investigation, located in Mysore. There seems to be no doubt that Vimanas were powered by some sort of 'anti-gravity.' Vimanas took off vertically, and were capable of hovering in the sky, like a modern helicopter or dirigible. Bharadvaja the Wise refers to no less than 70 authorities and 10 experts of air travel in antiquity.

These sources are now lost. Vimanas were kept in a Vimana Griha, a kind of hanger, and were sometimes said to be propelled by a yellowish-white liquid, and sometimes by some sort of mercury compound, though writers seem confused in this matter. It is most likely that the later writers on Vimanas, wrote as observers and from earlier texts, and were understandably confused on the principle of their propulsion. The 'yellowish- white liquid' sounds suspiciously like gasoline, and perhaps Vimanas had a number of different propulsion sources, including combustion engines and even 'pulse-jet' engines. It is interesting to note, that the Nazis developed the first practical pulse-jet engines for their V-8 rocket 'buzz bombs.' Hitler and the Nazi staff were exceptionally interested in ancient India and Tibet and sent expeditions to both these places yearly, starting in the 30's, in order to gather hisoteric evidence that they did so, and perhaps it was from these people that the Nazis gained some of their scientific information!

According to the Dronaparva, part of the Mahabarata, and the Ramayana, one Vimana described was shaped like a sphere and borne along at great speed on a mighty wind generated by mercury. It moved like a UFO, going up, down, backwards and forwards as the pilot desired. In another Indian source, the Samar, Vimanas were 'iron machines, well-knit and smooth, with a charge of mercury that shot out of the back in the form of a roaring flame.' Another work called the Samaranganasutradhara describes how the vehicles were constructed. It is possible that mercury did have something to do with the propulsion, or more possibly, with the guidance system. Curiously, Soviet scientists have discovered what they call 'age old instruments used in navigating cosmic vehicles' in caves in Turkestan and the Gobi Desert. The 'devices' are hemispherical objects of glass or porcelain, ending in a cone with a drop of mercury inside.

It is evident that ancient Indians flew around in these vehicles, all over Asia, to Atlantis presumably; and even, apparently, to South America.Writing found at Mohenjodaro in Pakistan (presumed to be one of the 'Seven Rishi Cities of the Rama Empire') and still undeciphered, has also been found in one other place in the world: Easter Island! Writing on Easter Island, called Rongo-Rongo writing, is also undeciphered, and is uncannily similar to the Mohenjodaro script. Was Easter Island an air base for the Rama Empire's Vimana route? (At the Mohenjo- Daro Vimana-drome, as the passenger walks down the concourse, he hears the sweet, melodic sound of the announcer over the loudspeaker,'Rama Airways flight number seven for Bali, Easter Island, Nazca, and Atlantis is now ready for boarding. Passengers please proceed to gate number..') in Tibet, no small distance, and speaks of the 'fiery chariot' thus: 'Bhima flew along in his car, resplendent as the sun and loud as thunder... The flying chariot shone like a flame in the night sky of summer ... it swept by like a comet... It was as if two suns were shining. Then the chariot rose up and all the heaven brightened.



In the Mahavira of Bhavabhuti, a Jain text of the eighth century culled from older texts and traditions, we read: 'An aerial chariot, the Pushpaka, conveys many people to the capital of Ayodhya. The sky is full of stupendous flying-machines, dark as night,but picked out by lights with a yellowish glare.' The Vedas, ancient Hindu poems, thought to be the oldest of all the Indian texts, describe Vimanas of various shapes and sizes: the 'ahnihotravimana' with two engines, the 'elephant-vimana' with more engines, and other types named after the kingfisher, ibis and other animals.

Unfortunately, Vimanas, like most scientific discoveries, were ultimately used for war. Atlanteans used their flying machines, 'Vailixi,' a similar type of aircraft, to literally try and subjugate the world, it would seem, if Indian texts are to be believed. The Atlanteans, known as 'Asvins'in the Indian writings, were apparently even more advanced technologically than the Indians, and certainly of a more war-like temperament. Although no ancient texts on Atlantean Vailixi are known to exist, some information has come down through esoteric, occult sources which describe their flying machines.

Similar,if not identical to Vimanas, Vailixi were generally 'cigar shaped' and had the capability of manoeuvering underwater as well as in the atmosphere or even outer space. Other vehicles, like Vimanas, were saucer shaped, and could apparently also be submerged.According to Eklal Kueshana, author of 'The Ultimate Frontier,' in an article he wrote in 1966, Vailixi were first developed in Atlantis 20,000 years ago, and the most common ones are 'saucer shaped of generally trapezoidal cross- section with three hemispherical engine pods on the underside.' 'They use a mechanical antigravity device driven by engines developing approximately 80,000 horse power.' The Ramayana, Mahabarata and other texts speak of the hideous war that took place, some ten or twelve thousand years ago between Atlantis and Rama using weapons of destruction that could not be imagined by readers until the second half of this century.

The ancient Mahabharata, one of the sources on Vimanas, goes on to tell the awesome destructiveness of the war: '...(the weapon was) a single projectile charged with all the power of the Universe. An incandescent column of smoke and flame as bright as the thousand suns rose in all its splendour... An iron thunderbolt, a gigantic messenger of death, which reduced to ashes the entire race of the Vrishnis and the Andhakas.... the corpses were so burned as to be unrecognizable. The hair and nails fell out; pottery broke without apparent cause, and the birds turned white.... after a few hours all foodstuffs were infected.... to escape from this fire, the soldiers threw themselves in streams to wash themselves and their equipment...' It would seem that the Mahabharata is describing an atomic war!

References like this one are not isolated; but battles, using a fantastic array of weapons and aerial vehicles are common in all the epic Indian books. One even describes a Vimana-Vailix battle on the Moon! The above section very accurately describes what an atomic explosion would look like and the effects of the radioactivity on the population. Jumping into water is the only respite.

When the Rishi City of Mohenjodaro was excavated by archaeologists in the last century, they found skeletons just lying in the streets, some of them holding hands, as if some great doom had suddenly overtaken them. These skeletons are among the most radioactive ever found, on a par with those found at Hiroshima and Nagasaki. Ancient cities whose brick and stonewalls have literally been vitrified, that is-fused together, can be found in India, Ireland, Scotland, France, Turkey and other places. There is no logical explanation for the vitrification of stone forts and cities, except from an atomic blast.

Futhermore, at Mohenjo-Daro, a well planned city laid on a grid, with a plumbing system superior to those used in Pakistan and India today, the streets were littered with 'black lumps of glass.' These globs of glass were discovered to be clay pots that had melted under intense heat! With the cataclysmic sinking of Atlantis and the wiping out of Rama with atomic weapons, the world collapsed into a 'stone age' of sorts, and modern history picks up a few thousand years later Yet, it would seem that not all the Vimanas and Vailixi of Rama and Atlantis were gone. Built to last for thousands of years, many of them would still be in use, as evidenced by Ashoka's 'Nine Unknown Men' and the Lhasa manuscript. That secret societies or 'Brotherhoods' of exceptional, 'enlightened' human beings would have preserved these inventions and the knowledge of science, history, etc., does not seem surprising. Many well known historical personages including Jesus, Buddha, Lao Tzu, Confucious, Krishna, Zoroaster, Mahavira, Quetzalcoatl, Akhenaton, Moses, and more recent inventors and of course many other people who will probably remain anonymous, were probably members of such a secret organization. It is interesting to note that when Alexander the Great invaded India more than two thousand years ago, his historians chronicled that at one point they were attacked by 'flying,fiery shields' that dove at his army and frightened the cavalry. These 'flying saucers' did not use any atomic bombs or beam weapons on Alexander's army however, perhaps out of benevolence, and Alexander went on to conquer India.

It has been suggested by many writers that these 'Brotherhoods' keep some of their Vimanas and Vailixi in secret caverns in Tibet or some other place is Central Asia, and the Lop Nor Desert in western China is known to be the centre of a great UFO mystery. Perhaps it is here that many of the airships are still kept, in underground bases much as the Americans, British and Soviets have built around the world in the past few decades. Still, not all UFO activity can be accounted for by old Vimanas making trips to the Moon for some reason.

Undoubtedly, some are from the Military Governments of the world, and possibly even from other planets. Of course, many UFO sightings are 'swamp, gas, clouds, hoaxes, and hallucinations, while there is considerable evidence that many UFO sightings, especially 'kidnappings' and the like, are the result of what is generally called 'telepathic hypnosis.' One common thread that often runs between 'Alien kidnappings,' 'sex with aliens,' and other 'close encounters of a third kind' is a buzzing in the ears just before the encounter. According to many well informed people, this is a sure sign of telepathic hypnosis. Source : The Anti-Gravity Handbook by David Hatcher Childress Related Articles:

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Baraka (1992) is a Todd-AO (70 mm) purely cinematic visual film directed by Ron Fricke, cinematographer for Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio. Often compared to Koyaanisqatsi, Baraka's subject matter has some similarities ? including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity.



The film also features a number of long tracking shots through various settings, including one through former concentration camps at Auschwitz (in Nazi-occupied Poland) and Tuol Sleng (in Cambodia) turned into museums honoring their victims: over photos of the people involved, past skulls stacked in a room, to a spread of bones. In addition to making comparisons between natural and technological phenomena, such as in Koyaanisqatsi, Baraka searches for a universal cultural perspective: for instance, following a shot of an elaborate tattoo on a bathing Japanese yakuza mobster with one of Native Australian tribal paint.

The movie was filmed at 152 locations of 24 countries: Argentina, Australia, Brazil, Cambodia, China, Ecuador, Egypt, France, Hong Kong, India, Indonesia, Iran, Israel, Italy, Japan, Kenya, Kuwait, Nepal, Poland, Saudi Arabia, Tanzania, Thailand, Turkey, and the United States.

It contains no dialogue. Instead of a story or plot, the film uses themes to present new perspectives and evoke emotion purely through cinema. The film was the first in over twenty years to be photographed in the 70mm Todd-AO format.



The title Baraka is a word that means blessing in many different languages.

The music score is provided by Brendan Perry and Lisa Gerrard (from Dead Can Dance) and Michael Stearns is noticeably different from the minimalist one provided by Philip Glass for Koyaanisqatsi. Notable music was also contributed by the band Brother.

The film was produced by Mark Magidson, who also produced and directed the film Toward the Within, a live concert performance by Dead Can Dance.


Directed by Ron Fricke
Produced by Mark Magidson
Written by Constantine Nicholas
Genevieve Nicholas
Music by Michael Stearns, Dead Can Dance
Release date(s) 1992
Running time 96 min
Language None ( Non-Verbal )

President Barack Obama's response to the question of UFOs and Extraterrestrials is interesting as it suggests Obama is in the know of things, hence adopted an extremely cautious stance on the greatest story of our times. He remains focussed on serving humanity however not ignoring the extraterrestrial phenomena which has been misconstrued to a great extent by the mainstream media and disinformation propaganda black ops.



Jeff Peckman, who came to national attention earlier this year when he launched a ballot initiative to create an Extraterrestrial Affairs Commission in Denver and later announced that he possessed actual footage of a live ET, continues his campaign to thrust alien life into the political limelight. This week, he invited Barack Obama to hear a briefing on UFOs and extraterrestrial life from a private citizen's perspective. Adjust your tin foil hat and find out what Peckman has to say to the presidential candidate and why he wants to say it before the election.

Peckman hopes to chat with Obama before he’s elected, when the CIA - gatekeeper of all shadowy information - hands the senator its own version of the extraterrestrial truth. At least one former president did get the full Facts of Intergalactic Life, according to Peckman:

President Reagan’s UFO/ET briefing at Camp David March 6-8, 1981 is described in a twenty-one page alleged transcript that was declassified from “Top Secret” last October 2007. The document suggests that CIA Director William Casey and several other unnamed advisors revealed facts about UFOs and ETs that clearly astonished Reagan.

But Democrats have apparently not have been afforded the same courtesy:

The day after his inauguration, President Jimmy Carter requested information on the UFO/ET issue but was denied the material by CIA Director George Bush Sr. Key Republicans like Bush Sr. are reported to have a big role in keeping information about UFOs from the public.

President Clinton was also not allowed a briefing from high level government officials. Instead he had to rely in large part on credible witness testimony from former high-ranking military, intelligence agency, and government contractor personnel organized by Dr. Steven Greer of the Disclosure Project.

So does Peckman think he’ll actually win Obama's ear? Probably not. He says the offer “is just a courtesy.” But ultimately, he wants the Democratic Party to force the issue on extraterrestrial disclosure by adding four objectives to its platform:

· To hold open, secrecy-free hearings on the UFO/Extraterrestrial presence on and around Earth.
· To hold open hearings on advanced energy and propulsion systems that, when publicly released, will provide solutions to global environmental challenges.
· To enact legislation which will ban all space-based weapons.
· To enact comprehensive legislation to research, develop and explore space peacefully and cooperatively with all cultures on Earth and in space.

There is no indication that Peckman plans to make a similar offer to Senator McCain. Perhaps McCain is one of those “key Republicans” keeping aliens and their technology under wraps.

Source

The Extra Campaign

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'UFOs : The Secret Evidence' is a 2 hour television programme set out to solve some of the great UFO mysteries, perhaps even provide a catch-all explanation for the whole field of Ufology. 'UFOs: The Secret Evidence' was written and presented by journalist Nick Cook, who has been an aviation editor and aerospace consultant for the world-renowned trade publication "Jane's Defence Weekly". His impeccable credentials might suggest a rather stuffy approach to the subject, but Nick Cook actually brings with him a down-to-earth, common sense approach which is refreshing. His stance on UFOs seems open-minded and objective. He also manages to gain interviews with some very intriguing individuals from the aerospace and intelligence fields.




The programme started by asserting that UFO reports began during the Second World War. This is an incorrect assertion, unfortunately, ignoring a wealth of historical evidence dating back centuries. Still, it's probably fair to say that the first official military reports on the subject were generated in the 1940s, and that is the focus of Nick's investigation. He tackled the phenomenon of the 'Foo Fighters' reported by airmen during WWII and, with John Dering (a senior scientist at SARA), considered the possibility that the Nazis were sending up prototype Unmanned Aerial Vehicles which were "reusable"!

A bizarre technological artefact known as 'the Fly Trap' was visited, and the theory that it was a test-rig for Nazi flying saucers was discussed. This was in the context of a secret Nazi underground base where derro-like scientists played with glowing bell-shaped devices which seemed to defy gravity. This was research which led to the death of several scientists, allegedly.

Brigadier General Roger Ramey and Colonel Thomas J. BuBose with the Roswell 'wreakage' Then we moved onto the Roswell incident, via the infamous U.S. defence programme to incorporate Nazi scientists into sensitive research areas (like White Sands Missile Range), known as Operation Paperclip. The Roswell incident resulted, it was alleged, from a top secret defence programme known as 'Sky Hook', which sent up advanced surveillance balloons. Its flight path took it over Roswell, and when one crashed the UFO story was sprung to hide the truth about 'Sky Hook' from the Soviets.

This is a running theme throughout Nick Cook's thesis. Whatever the truth behind the wider phenomenon, the subject was used mercilessly by intelligence agencies in the psychological war with the Soviet Union. This occurred to such an extent that UFOs became part of American culture for a long while; as a propaganda instrument UFOs were unrivalled in their success, it was claimed. Not only that, but the U.S. then used UFO flaps as a means to track the progress of their experimental craft.

It all sounds like those clever military intelligence people had their finger on the pulse all along! This rose-tinted view of UFO history, US of A-style, was backed up by various characters from the Intelligence field interviewed by Nick Cook, who all smiled knowingly as they openly revealed the deepest secrets of military intelligence to the public. "We suckered you all, you fools!" they arrogantly insinuated. But this version of history runs against the grain of the U.S. Government's public panic over the subject at the time, as revealed in various memos that have come to light.

After the death of the brutal Soviet premier Joseph Stalin, the CIA upped the ante, using UFOs as a propaganda tool to cover up the top secret flights of the U2 spy-plane over the Soviet Union. It didn't work, of course, because the Soviets shot one down. One would have expected the UFO phenomenon to stop dead in its tracks at that point. But, no, on it went, cruelly ignoring the whole CIA/Propaganda theory.

So various other aerospace oddities are wheeled out of their hangers to shock and amaze us. Like the 'Avro Car', and the 'Silver Bug'. There is something to be said for the idea that sightings of UFOs at or near sensitive aerospace research establishments might just have something to do with what's going on there. Policeman Lonnie Zamora might have seen a 'Silver Bug', or a downed prototype Sampler destined for the Moon, next to White Sands, for instance.

The Russians certainly seemed to be well and truly hooked on UFOs, with Andropov ordering the Red Army to watch the skies, which they did dutifully for 13 years. But the canny Russians would have known that the Americans liked to regularly risk their young pilots on surveillance missions across Soviet territory, despite already having spy satellite technology quite sufficient for the task. There's more to all this than meets the eye. Yes, Stealth aircraft undoubtedly contributed to UFO sightings. But that's not the whole story.

And Nick Cook seems to realise that too. The first hint of that came when watching the uncomfortable reaction of British sceptics Andy Roberts and Dave Clarke to his gentle questioning. They were not amongst friends, one could judge. Then his appraisal of the eye-witness account of pilot Tom Hanley, who described the incredible manoeuvring capability of an unidentified flying object darting around his reconnaissance aircraft, seemed to open up greater potentials than the US military dangerously interfering with its own advanced aircraft.

The 1952 flap over Washington D.C. also brought about a pause for thought. Nick Cook is not a dyed-in-the-wool sceptic by any means.

He then tackled subsidiary subjects, like cattle mutilations across stretches of the continental USA. He concluded that these were covert missions carried out by military agents using helicopters and field-based surgical equipment, to monitor contamination levels of some kind. It would have been easier to just buy some cattle and then take body parts to the lab for analysis, I'd have thought. But ten out of ten for style, that's for sure.



Then there was the alien abduction phenomenon, which is a massive subject in its own right. Nick Cook looked at the Travis Walton case, including an excellent interview with the man himself. No explanation was forthcoming, except for a generalised gloss over the experiences of the Contactees some years before. Perhaps to try to indict the U.S. Government in human experiments against the will, or knowledge, of the victims involved, was a step too far for Cook. The U.S. Government's dismissive contempt for the great, impoverished mass of its own people has been clear to see for many years, most recently noted during the Hurricane Katrina debacle. So it's possible, surely?

'UFOs: The Secret Evidence" wound up with a look at satellite photographs showing contrails from an unidentified craft which flew halfway across the globe at 8000mph. 'Aurora' was the modern UFO par excellence, it seems. But however fast these things get, the fact remains that the difficulty with identifying many UFOs lies in their bizarre patterns of manoeuvrability. If the Nazis created the Foo Fighters back in the 1940s, then why the heck are we still flying around in fixed wing aircraft 60 years later? It all seems so unlikely. Yes, UFOs were a wonderful cover story to hide black projects behind, but the black projects in themselves do not completely solve the UFO problem. Not by a long chalk. In the end, Nick Cook seemed to agree.

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In 1938, Albert Hofmann (January 11, 1906 – April 29, 2008) was working as a research chemist at the laboratory of the Sandoz company in Basel, Switzerland, where he began studying the medicinal properties of plants. He was studying the alkaloid compounds of ergot, a fungus which forms on rye.

This poisonous fungus that grows on rye had been used for centuries as a folk remedy to bring on childbirth and ease headaches. The doctor believed that ergot could be a storehouse of new medicines, and he set about synthesizing new chemicals from it. In 1938, Hofmann had synthesized the 25th chemical: lysergic acid diethylamide. It showed little effect in test animals, bar restlessness, and it was shelved.




Five years later, on a hunch - or a "peculiar presentiment", as Hofmann puts it - he brewed up a fresh batch. In the process, he was overcome by dizziness. Sent home, he "sank into a not unpleasant intoxicated-like condition, characterised by an extremely stimulated imagination".

The next day, Hofmann concluded that the sensations could only have been caused by accidental exposure to something in his lab, perhaps the LSD. To be sure, the cautious doctor gave himself an extremely conservative amount of the chemical - 250 millionths of a gram. It was, in fact, the equivalent of a megadose of the mind-agent, still one of the most powerful known to man.
Albert Hofmann began his historic 'Bicycle Ride' back home when he realized the world had changed dramatically. The smallest of dozes began to show in the vivid patterns and colors he saw in the changing landscapes as he made his way home.

"Everything in my field of vision wavered and was distorted as if seen in a curved mirror," said Albert Hofmann." I had the feeling that I could not move from the spot. I was cycling, cycling, but the time seemed to stand still." It was 1943, and Hofmann was experiencing the world's first LSD trip.

By the time the frightened 37-year-old research chemist reached home, he was terrified. The room spun. The walls rippled. His worried neighbour who offered him a glass of milk had horrifically transformed as well. He felt like he was dying. After a few hours, the intensity of the experimental drug he'd dosed himself with fell and he was able to enjoy the "fantastic and impressive" effects. Next day, he felt wonderful as he took a walk in the wilderness ... feeling oneness with everything around him ... "A sensation of wellbeing and renewed life flowed through me. The world was as if newly created." LSD's effects did not come as much of a revelation to science. Such psyche-manifesting agents, or "psychedelics", were already well known. Mescaline had been discovered in the late 1800s and made famous in 1954 as the subject of Aldous Huxley's book The Doors of Perception. What was extraordinary about LSD was its power. It was about 10,000 times more powerful than mescaline, and a tiny amount was enough to trigger profound alterations in consciousness.

Soon, LSD caused a revolution in psychiatry. Therapists and doctors used it to treat forms of mental illness, including neurosis, psychosis and depression. More than 40,000 people underwent psychedelic therapy. Respected figures considered it a wonder drug and gave their careers over to LSD research. By 1965, more than 2,000 papers had been published, many reporting extremely positive outcomes in treating anxiety, obsessive compulsive disorder and alcoholism. Hofmann's vision of LSD as a "medicine for the soul" seemed to be coming to fruition. LSD began to leak out into élite society. Artists, painters, performers and musicians began to experiment with it in looser, less formal contexts. Anaïs Nin, Ken Kesey, Allen Ginsberg and Huxley all explored its creative potential. Huxley believed such drugs gave normal people the gift of the spontaneous visionary experience usually reserved for mystics and saints.


The public grew more and more curious about this "miracle drug". Self-experimentation began to increase. In a society facing growing industrialisation and urbanisation, alienation and boredom, everyone wanted to be reborn. Already, a counterculture had sprung up to oppose the wealth-driven homogeneity of capitalist America. LSD was rapidly adopted as the sacrament for this bohemian "hippie" movement. In the age of the moon landings and the exploration of space, here was a tool that allowed a similar, metaphorical journey, a short cut to enlightenment. By the mid-1960s, the drug was booming. Hofmann remembers the time distinctly. "I had not expected that LSD, with its unfathomable, uncanny, profound effects, so unlike the character of a recreational drug, would ever find worldwide use as an inebriant. People had the mistaken opinion that it would be sufficient simply to take LSD in order to have such miraculous effects." Rampant use led inevitably to "bad trips" among recreational users, and Hofmann could only watch with a mixture of astonishment and dismay. "They did not use it in the right way, and they did not have the right conditions.



So they were not adequately prepared for it," he says. "It is such a delicate and deep experience, if used the right way." He was stricken by doubt and concern that misuse and fear of the drug would lead to it being taken out of the hands of responsible investigators and psychiatrists. Would LSD - the drug which, on that spring day in 1943, reconnected Hofmann with the "deeply euphoric" visionary encounters he'd experienced in nature as a boy - become a blessing for humanity, or a curse? A curse, the authorities concluded. In 1966, the drug was outlawed around the world. Psychiatric treatment continued but was steadily throttled by red tape and LSD's reputation as an "insanity drug". By the 1970s, research had stopped altogether. Today, it languishes in near obscurity, banished to the fringes of science and society. " Wrong and inappropriate use has caused LSD to become my problem child," he says. "The history of LSD to date amply demonstrates the catastrophic consequences that can ensue when its profound effect is misjudged and the substance is mistaken for a pleasure drug." He took the drug many times. He believed it to be just another means to attain extraordinary states of consciousness. " Breathing techniques, yoga, fasting, dance, art " , he said were equally good. He took pleasure in recalling his boyhood experiences in nature that he linked with psychedelics. " LSD brings about a reduction of intellectual powers in favour of an emotional experiencing of the world. It can help to refill our consciousness with this feeling of wholeness and being one with nature."


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This literary and metaphysical epic unifies the cosmological phenomena of our time - from crop circles to quantum mechanics to the worldwide resurgence of shamanism - in support of the Mayan prophecy that the year 2012 portends an unprecedented global shift.

Cross Umberto Eco, Aldous Huxley, and Carlos Castaneda and you get the voice of Daniel Pinchbeck. And yet nothing quite prepares you for the lucidity, rationality, and informed audacity of this seeker, skeptic, and cartographer of hidden realms.

In tracing the meaning of the end of the Mayan Calendar in 2012, and the imminent transition from one world to another prophesied by the Hopi Indians of Arizona, Pinchbeck synthesizes indigenous cosmology, alien abductions, shamanic revivalism, crop circles, psychedelic visions, the current ecological crisis and the Judeo-Christian Apocalypse into a new vision for our time. The result is an unprecedented and riveting inquiry into where humanity is immediately headed - and its strange and startling congruence with the ideas of the mysterious civilization of the Classical Maya.

Throughout the 1990s, Pinchbeck had been a member of New York's literary select. He wrote for publications like ArtForum, Esquire, and The New York Times Magazine. Critics acclaimed his first book, Breaking Open the Head, as the most significant contribution to psychedelic literature since the work of Terence McKenna.

But the unexpected occurred: Pinchbeck found himself increasingly pulled into the shamanic and metaphysical realms he was reporting on as a journalist. As his mind opened to new and sometimes threatening experiences, disparate threads and synchronicities made new sense: Humanity, every sign suggested, faces an imminent decision between greater self-potential and environmental ruin. The Mayan "birth date" of 2012 could herald the close of one way of existence and the beginning of another, symbolized by the prophesied return of the Mesoamerican deity Quetzalcoatl, the mysterious "Plumed Serpent" of ancient myth. In just the nick of time, the skeptical modern mind can reclaim the suppressed psychic, intuitive, and mystical dimensions of being, and institute a new planetary culture. But it is only - and by no means assuredly - possible if we confront the environmental catastrophe staring us in the face.

Something is in the air: many, if not most, of us feel that real change - for good or ill - is afoot. Pinchbeck's journey - a metaphysical opus that takes the reader from the endangered rain forests of the Amazon, to the stone megaliths of the English plains, to the Burning Man festival in the Black Rock desert of Nevada - tells the tale of a single man in whose trials we ultimately recognize our own secret thoughts and unease over modern life. And a redemptive vision of where we are heading.

Reviews :

"Daniel Pinchbeck's 2012: The Return of Quetzalcoatl is a dazzling kaleidoscopic journey through the quixotic hinterlands of consciousness, crop circles, and ancient prophecy, as well as an intriguing and deeply personal odyssey of transformation. 2012 presents a compelling and complex teleological argument, weaving together the twilit realms of the human imagination and the harsh realities of accelerated global catastrophe. Its conclusions are surprisingly robust, original, and thankfully optimistic."
- Sting

"A daring and intriguing, sometimes deeply disturbing, very well researched and extremely readable book that puts an entirely new slant on 2012. From quantum physics to aliens, from crop circles to reincarnation, from shamanic hallucinogens to Rudolf Steiner, from the Amazon jungle to Stonehenge, from fragments of jaundiced autobiography to the ending of worlds, Pinchbeck takes us on a mind-bending, paradigm-rattling ride."
- Graham Hancock

"Few things are more difficult to convey in writing than the epiphanic drug experience or the mystical vision, and it is to Pinchbeck's credit as a writer that he is able to articulate these visions so clearly and memorably."
_ Geoff Dyer, Los Angeles Times

"Pinchbeck's reporting is fascinating and entertaining." - Brian Doherty, Washington Post Book World (front page)

"The author is not some hippy-dippy hedonist staggering down the road of excess but rather a skeptical philosopher of consciousness seeking the enlightened path." - Troy Patterson, Entertainment Weekly

Daniel Pinchbeck has also received some typical media sensationalized reviews as well particularly from the Rolling Stone to which Daniel responds ...

I was delighted that Rolling Stone found my work significant enough to deserve feature coverage. Unfortunately, the piece [RS 1008] was full of inaccuracies and outright abrications on a factual level, as well as sensationalist distortions of my ideas. To take a few examples, the first and last scenes never actually happened. We did not visit “a bunch of people on dimethyltryptamine,” I had not seen a “downtown rock show with Moby” the night before, and there was no woman groaning on a futon. I do not have “buck teeth.” Similarly, the scene described at the end never occurred-I don’t even own a copy of The Lion King.

I found the writer’ loose relationship to truth particularly depressing when she attempted to define my ideas. I am not “actively bidding to become [my] generation’s Timothy Leary”-in fact I critique Leary quite harshly in my first book. In my work, I don’t advocate mass use of psychedelics as Leary did, and certainly do not consider them to be “the answer.”

In 2012: The Return of Quetzalcoatl, I do not argue that “the world as we know it is about to end-on December 21, 2012.” My hypothesis is that we are already in an accelerated process of consciousness evolution, and I explore the possibility that the Mayan Calendar is, as Carl Johan Calleman describes in The Mayan Calendar and the Transformation of Consciousness, a “timetable” for understanding this process.

I most emphatically do not argue or think that “only the psychedelic elite and those who have reached a kind of supramental consciousness” will “be saved in 2012.” I do think that a deep transformation in the mindset of those who hold power in the modern West is necessary if we are going to avert disaster in the next few years, as we approach resource depletion and biospheric collapse.

In the future, it would be wonderful to see a magazine with the rich legacy of Rolling Stone approach the living currents of the intellectual counterculture of the 1950s and 60s with far more grace, integrity, and sophistication.

Quetzalcoatl

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