Water makes 70% of the human body weight and 70% of Earth's surface is covered with water. This makes water absolutely critical to life on Earth as we know it ! Irena Salina's award-winning documentary "Flow : For Love Of Water" is an investigation into what experts label the most important political and environmental issue of the 21st Century - The Global Water Crisis.

Flow The film features interviews with water and community activists Maude Barlow, Peter Gleick scientists Ashok Gadgil, Rajendra Singh and Vandana Shiva. The film won the Grand Jury Award at the Mumbai International Film Festival.

The film concentrates on the big business of privatization of water infrastructure which prioritizes profits over the availability of clean water for people and the environment. Major businesses depicted in the film are Nestle, The Coca-Cola Company, Suez (company), and the International Monetary Fund (IMF).


Salina builds a case against the growing privatization of the world's dwindling fresh water supply with an unflinching focus on politics, pollution, human rights, and the emergence of a domineering world water cartel.

Interviews with scientists and activists intelligently reveal the rapidly building crisis, at both the global and human scale, and the film introduces many of the governmental and corporate culprits behind the water grab, while begging the question "CAN ANYONE REALLY OWN WATER?"

Beyond identifying the problem, FLOW also gives viewers a look at the people and institutions providing practical solutions to the water crisis and those developing new technologies, which are fast becoming blueprints for a successful global and economic turnaround.


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MerKaBa is centered at the base of the spine and has a direct effect on the kundalini energy that is also housed there. According to the Vedic understanding of the 'Kundalini Energy', it is coiled like a serpent' 3 & 1/2 times at the coccyx and under certain conditions will rise to the top of the body in an 'awakening' experience.

It essentially means that this dormant energy flows freely up the spine and has a positive effect on the various chakras centers of the body. The MerKaBa facilitates this process of kundalini awakening by aligning the energy fields in that location and facilitates greater movement of energy throughout the body. It also opens blocked channels and cleanses the chakra points.


Spherical Breathing is the process of taking energy in directly through the prana tube and sending out through the navel/heart is known as spherical breathing. It involves taking the prana (ether) from the Cosmos and the Earth through the crown of the head and the base of the body (perineum) simultaneously and combines them in the navel/heart area into a small sphere of light. Then it continue to radiate out from the navel/heart into a larger sphere that surrounds the body. Hence the "spherical" sensation of this energy flow. This method of taking energy directly into our bodies (not from a secondary source such as food) is utilized by dolphins, whales and individuals who choose to fast or not eat food at all.... known as breatharians.


The Teaching Of Spherical Breathing : Using 18 Breaths

By Drunvalo Melchizedek

There are 17+1 breaths, where the first six are for balancing the polarity, the next seven for proper pranic flow through the entire body. The further breaths are for shifting the consciousness from 3rd to 4th dimension and finally the last three breaths is for re-creating the rotating Merkaba within and around the body. The last breath is not taught. Once each day, enter into this meditation, until the time comes when you are a conscious breather, remembering with each breath your intimate connection with God.


FIRST BREATH: Inhale

HEART: Open your heart and feel love for all life. If you cannot do this, you must at least open to this love as much as is possible for you. This is the most important instruction of all.

MIND: Become aware of the male tetrahedron (the apex facing up to the sun, the point facing to the front for male, the point to the back for females) filled with the brilliant white light surrounding your body. Visualize it the best you can. If you cannot visualize it, sense or feel it surrounding you.

BODY: At the same moment of inhalation, place your hands in the mudra of your thumb and first finger touching. Remember, lightly touch your fingers, and do not allow your fingers to touch each other or any other object. Keep your palms facing up.

BREATH: At this same moment, with empty lungs, begin to breath in a complete yogic manner. Breath through your nostrils only, except at certain places which will be described. Simply put, breath from your stomach first, then your diaphragm, and finally your chest. Do this in one movement, not three parts. The exhale is completed either by holding the chest firm and relaxing the stomach, slowly releasing the air, or by holding the stomach firm and relaxing the chest. The most important aspect is that this breathing must be rhythmic. Begin by using seven seconds in and seven seconds out, but as you get familiar with this meditation, find your own rhythm. The following instructions for a complete Yogic Breath are from "the Hindu-Yogi Science of Breath" by Yogi Ramacharake. Perhaps this description will be helpful.

Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphragm, which descending exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the middle part of the lungs, pushing out the lower ribs, breastbone and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or even pairs of ribs.

At first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lowered diaphragm to the highest point of the chest in the region of the collar bone, being expanded with a uniform movement. Avoid a jerky series of inhalations, and strive to attain a steady continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a few seconds after a little practice.

Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward as the air leaves the lungs. When the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of the exercise easy, and the movement once acquired will be afterward performed almost automatically.

FIRST BREATH: Exhale

HEART: Love

MIND: Become aware of the female tetrahedron, (apex pointing to the earth, point facing to the back for males, point facing to the front for females), also filled with the brilliant white light

BODY: Keep the same mudra.

BREATH: Do NOT hesitate at the top of the inhalation to begin the exhalation. Exhale quite slowly, approximately seven seconds, in the Yogic manner. When the air is out of the lungs, without forcing, relax the chest and abdomen and HOLD the breath. When you feel pressure to breathe again, after about five seconds or so, then do the following:

MIND: Be aware of the flat equilateral triangle at the top of the female tetrahedron located in the horizontal plane that passes through your chest at the sternum. In a flash, and with a pulse like energy, send that triangular plane down through the female tetrahedron. It gets smaller as it goes down and pushes out the tip or apex of the tetrahedron all the negative energy of the mudra or electrical circuit, a light will shoot out of the apex toward the center of the Earth. The Mind exercise is performed along with the following BODY movements.

BODY: Move your eyes slightly toward each other, or, in other words, slightly cross your eyes. Now bring them up to the top of their sockets, or in other words, look up. Also, this looking up motion should not be extreme. You will feel a tingling feeling between your eyes in the area of your third eye . You can now look down to the lowest point you can, as fast as you can. You should feel an electrical sensation move down your spine. The MIND and BODY must coordinate the above mental exercis e with the eye movements. The eyes look down from their up position at the same time the mind sees the triangular horizontal plane of the female tetrahedron move down to the apex of the female tetrahedron. This combined exercise will clean out the negative thoughts and feelings that have entered into your electrical system. Specifically, it will clean out the part of your electrical system that is associated with the particular mudra you are using. Immediately upon pulsing the energy down your spine, you change mudras to the next one and begin the entire cycle over again. The next five breaths are a repeat of the first breath with the following mudra changes:

Second breath mudra: Thumb and second finger together

Third breath mudra: Thumb and third finger together

Fourth breath mudra: Thumb and little finger together

Fifth breath mudra: Thumb and first finger together (same as first breath)

Sixth breath mudra: Thumb and second finger together (same as second breath)

The first part, the first six breaths, the balancing of the polarities, and the cleansing of your electrical system is now complete. You are now ready for the next part, the next seven breaths.

Here an entirely new breathing pattern begins. You do not need to visualize the star tetrahedron at this time. Only the tube that runs through the star, from the apex of the male tetrahedron above your head to the apex of the female tetrahedron below your feet, needs to be seen and worked with. This extends one hand length above your head and one hand length below your feet. The diameter of YOUR tube will be the size of the hole formed by YOUR thumb and forefinger touching.

BREATH NUMBER SEVEN: Inhale

HEART: Love. There is another refinement here that can be used after you have perfected this meditation.

MIND: Visualize or sense the tube running through your body. The instant you begin the seventh inhale, see the brilliant white light of the prana moving down the tube from the top and up the tube from the bottom at the same time. This movement is almost instantaneous. The point where these two light beams meet within your body is controlled by the mind and is a vast science known throughout the universe. In this teaching however, we will only be shown what is necessary , that which will take you from third to fourth dimensional awareness. In this case you will direct the two beams of prana to meet at your navel, or more correct, within your body at navel level, inside the tube. The moment the two beams of prana meet, which is just as the inhale begins, a sphere of white light or prana is formed at the meeting point about the size of a grapefruit centered on the tube. It all happens in an instant. As you continue to take the inhale of the seventh breath, the sphere of prana begins to concentrate and grow slowly.

BODY: For the next seven breaths use the same mudra for both inhale and exhale, the thumb, first and second touching together palms up.

BREATH: Deep rhythmic Yogic breathing, seven seconds in and seven seconds out. There is no holding of the breath from now on. The flow of prana from the two poles will not stop or change in any way when you go from inhale to exhale. It will be a continuous flow that will not stop for a long as you breath in this manner, even after death.

SEVENTH BREATH: Exhale

MIND: The prana sphere centered at the navel continues to grow. By the time of the full exhale, the prana sphere will be approximately eight or nine inches in diameter.

BREATH: Do not force the air out of your lungs. When your lungs are empty naturally, immediately begin the next breath.

EIGHTH BREATH: Inhale

HEART: Love.

MIND: The prana sphere continues to concentrate life force energy and grow in size

EIGHT BREATH: Exhale

MIND: The prana sphere continues to grow in size and will reach maximum size at the end of this breath. This maximum size is different for each person. If you put your longest finger in the center of your navel, the line on your wrist defining your hand will show you the radius of the maximum size of this sphere for YOU. This sphere of prana cannot grow larger.

NINTH BREATH: Inhale

MIND: The prana sphere cannot grow larger, so what happens is the prana begins to concentrate within the sphere. The visual appearance is that the sphere grows BRIGHTER.

BREATH: Sphere grows brighter and brighter as you inhale.

NINTH BREATH: Exhale

BREATH: As you exhale, the sphere continues to grow brighter and brighter.

TENTH BREATH: Inhale

MIND: About half way through this inhale, as the sphere continues to brighter, the prana sphere reaches critical mass. The sphere ignites into a sun, a brilliant blinding ball of white light. You are now ready for the next step.

TENTH BREATH: Exhale

MIND: At the moment of exhale, the small sphere two hand lengths in diameter bulges to expand. In one second, combined with the breath talked about below, the sphere expands quickly out to the sphere of Leonardo, out at your finger tips of your extended arms. Your body is now completely enclosed within a huge sphere of brilliant white light. You have returned to the ancient form of spherical breathing. However, at this point, this sphere is not stable. You MUST breath three more times to keep the sphere stable.

BREATH: At the moment of exhale, make a small hole with your lips and blow out your air with pressure. As you feel the sphere begin to bulge, all within the first second of this exhale, let all of your air out rapidly. The sphere will expand at that moment.

ELEVENTH, TWELFTH and THIRTEENTH BREATH: Inhale and Exhale

MIND: Relax and just feel the flow of the prana flowing from the two poles and meeting at the navel and then expanding out to the large sphere

BREATH: Breath rhythmically and deeply. At the end of the thirteenth breath you have stabilized the large sphere and are ready for the important 14th breath.

THE FOURTEENTH BREATH

HEART: Love

MIND: On the inhale of the 14th breath, at the very beginning of the breath, move the point where the two beams of prana meet from the navel to the sternum, the fourth dimensional chakra. The entire large sphere, along with the original sphere, which is also still contained within the large sphere, moves up to the new meeting point within the tube. Though this is very easy to do, it is an extremely powerful movement. Breathing from this new point within the tube will inevitably change your awareness from third to fourth dimensional consciousness, or from earth consciousness to Christ consciousness.

BODY: This mudra will be used for the rest of the meditation. Place the left palm on top of the right palm for males and the right palm on top of the left palm for females. It is a mudra that relaxes.

BREATH: Rhythmic breath and deep. However, if you continue to breathe from your Christ center without moving on to the MER-KA-BA, which is what is recommended until you have made contact with your Higher Self, then shift to a shallow breath. In other words, breath rhythmically but in a comfortable manner where your attention is more on the flow of energy moving up and down the tube meeting at the sternum and expanding out to the large sphere. Just feel the flow. Use your feminine side to just be. At this point don't think, just breath, feel and be. Feel your connection to All Life through the Christ Breath. Remember your intimate connection with God.

The Mer-Ka-Ba, The Vehicle Of Ascension

The Last Three Breaths

You are asked not to attempt this FOURTH PART until you have made contact with your Higher Self, AND your Higher Self has given you permission to proceed. This part is to be taken seriously. The energies that will come into and around your body and spirit are of tremendous power. If you are not ready, you could hurt yourself. If your Higher Self gives you permission to enter into the MER-KA-BA, then don t fear, for you will be ready.

FIFTEENTH BREATH: Inhale:

HEART: Love

MIND: Be aware of the whole star tetrahedron. Realize that there are three whole star tetrahedrons superimposed over each other. One is the body itself, and is locked in place and never, except under certain conditions, moves. It is placed around the body according to maleness or femaleness. The second whole star tetrahedron is male in nature, it is electrical, is literally the human mind and rotates counter-clockwise relative to your body looking out, or to put it another way, it rotates toward your left side. The third whole star tetrahedron is female in nature, is magnetic, is literally the human emotional body and rotates clockwise relative to your body looking out, or to put it another way, it rotates toward your right side.

To be clear, we are not telling you to rotate the male tetrahedron one way and the female the other way. When we say rotate the whole star tetrahedron, we mean the whole thing.

On the inhale of the fifteenth breath, as you are inhaling, you will say to yourself, in your head, the code words, EQUAL SPEED. This will tell your mind that you want the two rotatable whole star tetrahedrons to begin spinning in opposite directions at equal speeds at the time of the exhale. Meaning that for every complete rotation of the mind tetrahedrons, there will be a complete rotation of the emotional tetrahedrons.

BODY: Continue the mudra of the folded hands from now on.

BREATH: Breath Yogic and rhythmically an deeply again, but only for the next three breaths, after that return to the shallow breathing.

FIFTEENTH BREATH: Exhale

MIND: The two sets of tetrahedrons take off spinning. In an instant, they will be moving at exactly one third the speed of light at their outer tips. You probably will not be able to see this because of their tremendous speed, but you can feel it. What you have just done is to start the MOTOR of the MER-KA-BA. You will not go anywhere, or have an experience. It is just like starting the motor of a car, but having the transmission in neutral.

BREATH: Make a small hole with your lips just like you did for breath Number Ten. Blow out in the same manner, and as you do, feel the two sets of tetrahedrons take off spinning.

SIXTEENTH BREATH: Inhale

MIND: As you let out the breathe, the two sets of tetrahedrons take off from their one third speed of light setting to two third speed of light in an instant. As they approach two thirds speed of light speed a phenomena takes place. A disk about 55 feet in diameter forms around the body at the level of the base of the spine. And the sphere of energy that is centered around the two sets of tetrahedrons forms with the disk to create a shape that looks like a FLYING SAUCER around the body. This energy matrix is called the MER-KA-BA. However, it is not stable. If you see or sense the MER-KA-BA around you at this point, you will know it to be unstable. It will be slowly wobbling. Therefore Breath Number Seventeen is necessary.

BREATH: Same as breath 16, make a small hole in your lips, and blow out with pressure. It is at this point that the speeds increases. As you feel the speed increasing, let out all your breath with force. This action will cause the higher speed to be fully obtained and the MER-KA-BA to be formed.

SEVENTEENTH BREATH: Inhale

HEART: Remember, unconditional love for all life must be felt through out all of this meditation or no results will be realized.

MIND: As you breathe in, say to yourself, in your head, the code NINE TENTHS THE SPEED OF LIGHT. This code will tell your mind to increase the speed of the MER-KA-BA to nine tenths the speed of light which will stabilize the rotating field of energy. It will also do something else. This third dimensional universe that we live in is tuned to 9/10 the speed of light. Every electron in your body is rotating around every atom in your body at 9/10 the speed of light. This is the reason this particular speed is selected.

BREATH: Breathe rhythmically and in a Yogic manner.

SEVENTEENTH BREATH: Exhale

MIND: The speed increases to 9/10 the speed of light and stabilizes the MER-KA-BA.

BREATH: Same as breath 15 and 16, make a small hole in your lips, and blow out with pressure. As you feel the speed take off, let all your breath out with force. You are now in your stable and Third dimensionally tuned MER-KA-BA. With the help of your Higher Self, you will understand what this really means.

EIGHTEENTH BREATH:

This very special breath will not be taught here. You must receive it from Your Higher Self. It is the breath that will take you through the speed of light into the fourth dimension. You will disappear from this world and reappear in another one that will be your new home for awhile. This is not the end, but the beginning of an ever expanding consciousness returning you HOME to your FATHER.


Source : Drunvalo Melchizedek


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• Om Mani Padme Hum : Buddhist Mantra

'Om Mani Padme Hum' in Sanskrit or 'Om Mani Peme Hung' as in Tibetan Buddhism is known to contain the essence of all of Buddha's teachings in this magical six syllable mantra of the bodhisattva of compassion, Avalokiteshvara (Tibetan Chenrezig, Chinese Guanyin).


OM MANI PADME HUM purifies us at 3 levels Mind, Body & Speech and in this way liberates us from all negative karma. This Mantra is popularly known as " The Jewel in the Lotus " or " The Diamond in the Lotus " ( "mani" means Diamond , a precious jewel and Padma means Lotus flower which is the spiritual symbol of consciousness )

The Jewel refers to the Mind or consciousness and the Lotus refers to the Heart that is the source of Love energy.

The meaning of OM MANI PADME HUM is "Om , salutations to the Jewel of consciousness (the Mind)
which has reached the Heart's lotus."


Here is what His Holiness Tenzin Gyatso The Fourteenth Dalai Lama of Tibet has to say about 'Om Mani Padme Hum' ...

It is very good to recite the mantra OM MANI PADME HUM, but while you are doing it, you should be thinking on its meaning, for the meaning of the six syllables is great and vast. The first, OM, is composed of three pure letters, A, U, and M. These symbolize the practitioner's impure body, speech, and mind; they also symbolize the pure exalted body, speech and mind of a Buddha.

Can impure body, speech and mind be transformed into pure body, speech and mind, or are they entirely separate? All Buddhas are cases of being who were like ourselves and then in dependence on the path became enlightened; Buddhism does not assert that there is anyone who from the beginning is free from faults and possesses all good qualities. The development of pure body, speech, and mind comes from gradually leaving the impure states and their being transformed into the pure.

How is this done? The path is indicated by the next four syllables. MANI, meaning jewel, symbolizes the factor of method- the altruistic intention to become enlightened, compassion, and love. Just as a jewel is capable of removing poverty, so the altruistic mind of enlightenment is capable of removing the poverty, or difficulties, of cyclic existence and of solitary peace. Similarly, just as a jewel fulfills the wishes of sentient beings, so the altruistic intention to become enlightened fulfills the wishes of sentient beings.

The two syllables, PADME, meaning lotus, symbolize wisdom. Just as a lotus grows forth from mud but is not sullied by the faults of mud, so wisdom is capable of putting you in a situation of non-contradiction where as there would be contradiction if you did not have wisdom. There is wisdom realizing impermanence, wisdom realizing that persons are empty of self-sufficient or substantial existence, wisdom that realizes the emptiness of duality (that is to say, of difference of entity between subject and object), and wisdom that realizes the emptiness of inherent existence. Though there are may different types of wisdom, the main of all these is the wisdom realizing emptiness.

Purity must be achieved by an indivisible unity of method and wisdom, symbolized by the final syllable, HUM, which indicates indivisibility. According to the sutra system, this indivisibility of method and wisdom refers to one consciousness in which there is a full form of both wisdom affected by method and method affected by wisdom. In the mantra, or tantra vehicle, it refers to one consciousness in which there is the full form of both wisdom and method as one undifferentiable entity. In terms of the seed syllables of the five conqueror Buddhas, HUM is the is the seed syllable of Akshobhya- the immovable, the unfluctuating, that which cannot be disturbed by anything.


Thus the six syllables, OM MANI PADME HUM, mean that in dependence on the practice which is in indivisible union of method and wisdom, you can transform your impure body, speech and mind into the pure body, speech, and mind of a Buddha. It is said that you should not seek for Buddhahood outside of yourself; the substances for the achievement of Buddhahood are within. As Maitreya says in his SUBLIME CONTINUUM OF GREAT VEHICLE (UTTARA TANTRA) all beings naturally have the Buddha nature in their own continuum. We have within us the seed of purity, the essence of a One Gone Thus (TATHAGATAGARBHA), that is to be transformed and full developed into Buddhahood.

Source : Sacred Texts


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In this rare interview ex president Bill Clinton speaks about Government Secrets, UFOs, Area 51, Aliens, the Roswell incident and the exciting times that lie ahead of us when the truth is revealed for all to know ...

Clinton speaks of the billions of solar systems out there and the possibility of life existing elsewhere in other universes being huge. He speaks of life on Mars and how we should continue to explore life on Earth and in the Heavens beyond Terra ! He knows more than he says he does but it's a good start to accept before the masses that there is more ... Related Articles :

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The Crop Circle Season continues with some more fresh crop circle formations in the UK ... Sacred Geometry in the form of Crop Art from our Transdimensional friends this season has so far been fantastically exquisite especially the Windmill Hill Crop Circle ( In the picture above) which formed on the 25th of May, 2009 and the Time Map Crop Circle which formed on the 4th of May, 2009 at Clatford ! Wiltshire continues to be the top hot spot for Crop Circles !!!


East Kennett Longbarrow, near Avebury, Wiltshire. Reported 3rd May 2009




Clatford, near Manton, Wiltshire. Reported 4th May 2009.




All Cannings Bridge, near Stanton St Bernard, Wiltshire. Reported 6th May 2009.




Peaks Down, near Swindon, Wiltshire. Reported 9th May 2009.




Roundway Hill (2), near Devizes, Wiltshire. Reported 10th May 2009.




Barbury Castle, near Wroughton, Wiltshire. Reported 24th May 2009.




Bishop Cannings, near Devizes, Wiltshire. Reported 24th May 2009.




Windmill Hill, near Avebury Trusloe, Wiltshire. Reported 25th May 2009.





Waylands Smithy, near Kingstone Coombs, Oxfordshire. Reported 29th May 2009.



This one looks like a 'Jellyfish' or an 'Octopus' ... researchers should come up with some great interpretations based on their deep understanding of astronomy, sacred geometry and the metaphysical ! :)


" In Lak'ech Ala K'in "


Source : Crop Circle Connector


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The UFO Phenomena is almost unheard of in India and then comes along the news of an amazing UFO sighting on National TV like this one which happened on the 8th of July 2007 in Karnal, Haryana. Two blue colored lights hovering in the skies encircling each other for over 2 hours, witnessed live by thousands and the video footage seen by millions of Indians across the country.

The video is in Hindi which roughly translates the general reactions from people as ...

Some people thought these Orbs to be circus lights while scientists were working on the possibility of these lights originating from Earth's surface, which should give the light some sort of a tail however nothing of that sort was visible in this rare spectacle which is clearly one of the most prominent UFO sightings in India and ironically hardly ever heard of since the mainstream media is doing a great job in keeping things low key !



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Aldous Leonard Huxley was a British author, most famous for his novel Brave New World. One of the psychedelic pioneers who brought to the modern world an eclectic view of the raving psychedelic culture that stemmed from the use of psychedelics such as Mescaline and LSD to attain altered states of consciousness, to tune into other higher realms and parallel universes !

Aldous Huxley wrote 'The Doors Of Perception' inspired by these words of William Blake ... "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."

Later on, Jim Morrison drew inspiration from Huxley's Book and started 'The Doors' alongside Ray Manzarek and Robby Krieger ...

Aldous Huxley's The Gravity of Light is a feature film essay on Aldous Huxley's cultural criticism and social prophecy in light of the new millennium, the dawning of the age of Aquarius.

Narration: Dr. Jean Houston.

A contemporary reading of Huxley's oeuvre, a rendition and interpretation, inspired by an immersion into his life and thought. Complex, iconoclastic, psychedelic, and historical.

Aldous Huxley: The Gravity Of Light incorporates rare archival footage, computer rendered 3D animation, speculative fictions, and selections from his essays.

Personal in tone, the film also recalls the impact of Huxley's LSD-25 and mescaline experimentations and writings for a whole generation of youth and examines the utopianistic impulses associated with the recent Rave scene. The work reflects the aesthetics and poesis of the psychedelic state without collapsing into the tie-dye cliches that have trivialized the '60's era.

Doctor Jean Houston, a senior advisor to the United Nations on matters of Human Development, eloquently speaks on the immense contribution Huxley has made concerning the possible human.

Special thanks to Laura Huxley and Jean Houston.


"Hockenhull's simultaneously thoughtful and carefully conceived approach to the subject has made for a kind of documentary I would not hesitate to compare with the works of Trinh T. Minh-ha in form and self-reflexivity and Derek Jarman in style and composition. Hockenhull's approach to this "hybrid" form of cinema manages to aggressively question our presumptions and preconceptions around the current Zeitgeist while simultaneously exploring the knowledge and impact of one of the twentieth century's greatest minds."

~ Alex Mackenzie, Curator/Programmer


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Interacting Galaxies Group Arp 194

Over the past 19 years Hubble has taken dozens of exotic pictures of galaxies going "bump in the night" as they collide with each other and have a variety of close encounters of the galactic kind. Just when you thought these interactions couldn't look any stranger, this image of a trio of galaxies, called Arp 194, looks like one of the galaxies has sprung a leak. The bright blue streamer is really a stretched spiral arm full of newborn blue stars. This typically happens when two galaxies interact and gravitationally tug at each other.

Resembling a pair of owl eyes, the two nuclei of the colliding galaxies can be seen in the process of merging at the upper left. The blue bridge looks like it connects to a third galaxy. In reality the galaxy is in the background and not connected at all. Hubble's sharp view allows astronomers to try and visually sort out what are foreground and background objects when galaxies, superficially, appear to overlap. This picture was issued to celebrate the 19th anniversary of the launch of the Hubble Space Telescope aboard the space shuttle Discovery in 1990. During the past 19 years Hubble has made more than 880,000 observations and snapped over 570,000 images of 29,000 celestial objects.




The Pistol Star: A Brilliant Star in Milky Way's Core

Astronomers using NASA's Hubble Space Telescope have identified what may be the most luminous star known — a celestial mammoth which releases up to 10 million times the power of the Sun and is big enough to fill the diameter of Earth's orbit. The star unleashes as much energy in six seconds as our Sun does in one year.

The image, taken by a University of California, Los Angeles (UCLA)-led team with the recently installed Near-Infrared Camera and Multi-Object Spectrometer (NICMOS) aboard Hubble, also reveals a bright nebula, created by extremely massive stellar eruptions. The nebula is so big (four light-years) that it would nearly span the distance from the Sun to Alpha Centauri, the nearest star to Earth's solar system.

The astronomers estimate that when the titanic star was formed one to three million years ago, it may have weighed up to 200 times the mass of the Sun before shedding much of its mass in violent eruptions.

"This star may have been more massive than any other star, and now it is without question still among the most massive — even at the low end of our estimates," says Don F. Figer of UCLA. "Its formation and life stages will provide important tests for new theories about star birth and evolution."



Hubble - Spitzer Color Mosaic of the Galactic Center

This composite color infrared image of the center of our Milky Way galaxy reveals a new population of massive stars and new details in complex structures in the hot ionized gas swirling around the central 300 light-years. This sweeping panorama is the sharpest infrared picture ever made of the Galactic core.


Source : HubbleSite


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The 2009 Crop Circle Season has begun with some amazing crop circles around the Wiltshire region !

While we know most crop circles to appear in and around Wiltshire and other parts of Southern England there are some really amazing crop circles reports (2008) from America, Canada, Switzerland, Italy, Germany and France as well.

Here are some of the recently reported crop circles of 2009 ...

The Ridgeway, near Avebury, Wiltshire. Reported on the 14th April, 2009.

Rutlands Farm, near Avebury, Wiltshire. Reported on the 23rd of April, 2009.

West Kennett Longbarrow, Near Avebury, Wiltshire. Reported 19th April, 2009.

Morgan's Hill, Near Devizes, Wiltshire. Reported on the 24th of April, 2009.

Roundway Hill, near Devizes, Wiltshire. Reported on the 29th of April, 2009.

Source: Crop Circle Connector

* Crop Circle Season 2009 Part 2

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The 'Baby Boomers' of the 60's and the 70's had a lot going on for their parents to deal with unlike the Psychedelic Families of today who have raised children with an open minded approach on the use of psychedelics. Alex, Allyson & Zena Grey are one such Psychedelic family among the many others and they recently shared their views on the subject 'Psychedelics : What do we tell our children' at the World Psychedelik Forum ...

Growing up in a culture where psychedelics are demonized, mind-altering substances are not a welcome topic of conversation in many homes. Knowing the perils and promise of entheogens, many of us face the question of whether to broach the subject with our children at all and if so, how. Alex and Allyson Grey share from their own experience and site reports from MAPS, Erowid, Entheogen Review, Drug Policy Alliance, and include both U.S. and European source material.



Notes from the Podcast :

"Our parents were completely unprepared for the sixties . . . and for our behavior." – Alex Grey

[In drug education as it is practiced today] there is this kind of overriding mis-characterization of drugs, and an exaggeration of the problems that, marijuana especially, gives us." –Alex Grey "And they contradict people’s own observations." –Allyson Grey

"There are perils, and we have children and we want to protect them. So drugs can lead to terrible things as well." –Allyson Grey

"Basically, you want to establish a bond with your children, and not to come in with total, preconceived notions about how they ought to behave. The idea is to listen and to establish a link of trust so that you can really be there for them, instead of alienating them. So you have to learn about these substances and the possible substances they’re using, so that you can be an informed assist for them." –Alex Grey

"If you’ve already been lying to your kids about drugs, then why should they listen to you about anything, including the dangers of meth?" –Alex Grey

"If any of you haven’t gone a year and a half without any substances, it’s really a great experience. The altered state of sobriety is something Alex and I recommend." –Allyson
Grey

"This is what my mother taught me when it came to sex, and I applied it to drugs. Whenever a child asks a question you answer it, and you don’t tell them things they don’t want to know, or they’re not ready to know. But if they ask you something, you tell them honestly." –Allyson Grey

"We’re part of an underground society, and that’s a heavy burden to place on a young mind if they’re not ready." –Alex Grey

Also, included in this podcast is a talk with Ralph Abraham who speaks about "The Connection Between Mathematics and the Logos" ! Ralph Abraham tells the story of how he became involved with the psychedelic community and how psychedelic medicines informed his work and that of the generation who developed the personal computer among other achievements. In this trialogue, Ralph poses (and answers) the question, "Have psychedelics had an influence in the evolution of science, mathematics, the computer revolution, computer graphics, and so on?"

"We have to admit that mathematics has been reborn, and this rebirth is some kind of outcome of, apparently, the computer revolution and the psychedelic revolution, which took place concurrently, concomitantly, cooperatively in the 1960s." –Ralph Abraham

Download Podcast



Alex, Allyson & Zena Grey spoke on 'Art, Love, Family & Psychedelics' at the Burning Man Festival 2003 ... You can download the Podcast here :

Part 1

Part 2


Source : Matrix Masters (Psychedelic Salon)


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