William Shatner, well known as James T. Kirk, captain of the USS Enterprise, in the science fiction television series Star Trek presents this 1977 documentary movie about our Extraterrestrial Origins and the lesser known reality of an ET intervention in our history many thousand years ago which helped shape our civilization and who we are today ...


William Shatner explores the theory that the U.S. government is involved in a cover-up of visiting alien spacecraft.

Based on a book, 'Miracles of the Gods' by Erich Von Daniken, this documentary contains evidence of extraterrestrial life here on earth.

Proof discovered through photographs taken by scientists and evidence of actual voyages found by archaeologists.

Everything from the Peruvian Crystal Skull to the megalithic structures in the jungles of Southeast Asia is accepted as evidence for the Ancient Astronaut theory. Cave drawings, old legends, Biblical stories and even some psychic visions of late Jeane Dixon are understood as facts, all of which point to the truth behind the UFO/ET Reality.


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A cub of the Divine Lion, somehow I found myself confined in a sheepfold of frailties and limitations. Fear-filled, living long with sheep, day after day I bleated. I forgot my affrighting bellow that banishes all enemy sorrows.

O invincible Lion of the Self! Thou didst drag me to the water hole of meditation, saying: ‘Thou art a lion, not a sheep! Open thine eyes, and roar!’

After Thy hard shakings of spiritual urge, I gazed into the crystal pool of peace. Lo, I saw my face like unto Thine!


I know now that I am a lion of cosmic power. Bleating no more, I shake the error forest with reverberations of Thine almighty voice. In divine freedom I bound through the jungle of earthly delusions, devouring the little creatures of vexing worries and timidities, and the wild hyenas of disbelief.









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This short documentary feature is part of a promotional DVD about "The Indigo Festival" held in Israel !

Featuring: Younger Brother, Madboojah Project, Shpongle, Man With No name, Extrawelt, Tikal, Haltya, Mad Professor, URINIMU, James Monro, Mascaline, U-Recken, Huda G, Perfect Stranger, Laroz Sound System and many more.



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If ancient aliens visited Earth, can evidence of their existence be found in the mysterious structures that still stand throughout the world? Inexplicably, megalithic structures found on different continents are strikingly similar, and the cutting and moving of the massive stones used to build these magnificent feats would be a struggle for modern day machinery, let alone ancient man. Ancient astronaut theorists suggest that the standing stones in Carnac, France were used as an ancient GPS system for ancient flying machines. The recently discovered Gobekli Tepe in Turkey, which has been dated back 12,000 years, has finely chiseled pillars that experts describe as a Noah's Ark in stone. Is it possible that extraterrestrials assisted primitive man in constructing these unexplained structures? If so, what was the purpose of these grand projects?



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Biblical texts and ancient lore frequently describe winged creatures carrying messages from the heavens. But are angels merely the product of mankind's imagination, or do they really exist? If so, where do they come from? Ancient astronaut theorists suggest that the Bible's Old Testament reads like a handbook on extraterrestrial visitations. Accounts of angels can also be found in Islamic and Indian texts. Infinite stories around the globe describe unearthly guardians, entrusted to both observe and protect as well as tales of powerful warriors bringing about everything from plague to peace. Are angels really supernatural beings from heaven, or something more? If so, might angels really be travelers, visiting Earth from distant planets?



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Super-heated death rays... High-tech rockets... Powerful sonic weapons... Are these examples of modern day science or could these technologies have originated thousands of years ago? Is it possible that early man possessed scientific knowledge far beyond that of our own century? Ancient texts, folklore and art suggest humans witnessed disc-shaped flying machines and fire-spewing chariots. Could these be accounts of flying saucers and rocket ships? And if so, was advanced technology left here by visitors from the stars? Did mankind's quest to unlock the secrets of levitation, anti-gravity and laser technology merely spring from our imaginations or did these ideas come from otherworldly beings?



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There is good reason to believe that two small “pyramid” shapes, as drawn within Sanctuary Phase II on May 30, 2011, were meant to represent another, much larger crop picture which appeared nearby at Hackpen Hill on the same night. Thus each of those two “pyramid” shapes at Sanctuary shows a dot and four straight lines, just as one may see within each of two “cone” shapes at Hackpen Hill with a circle and four curved arcs.

Furthermore, a “pyramid” drawn on the left at Sanctuary shows lines which are only half the width of those drawn on the right, for lines 1, 2 and 3 but not 4 (the lowest). If we look carefully at two “cones” which were drawn at Hackpen Hill (yellow numbers “2” and “3”), we can see that the “cone” drawn on the left likewise contains four curved arcs below a circular dot, which contain only half the areas of normal for arcs 1, 2 and 3 but not 4 (the lowest), when compared to another “cone” drawn on the right (or above)

So we can be fairly sure that two “pyramids” as drawn within Sanctuary Phase II were meant to represent the new Hackpen Hill crop picture, but on a much smaller scale. Why would the crop artists do this? Well, if Hackpen Hill were meant to represent some energetic outburst in space, perhaps the unexpected outburst of a comet, then its smaller version within Sanctuary Phase II could tell where the outburst will take place in Earth’s sky: especially since the rest of that crop picture shows a schematic image of our night sky, with four bright planets currently in alignment during June of 2011.

Red Collie



The farmer on whose land the formation was created isn't very happy about people trespassing on his property and threatens to cut down the formation if anyone is seen entering the formation ! Here's Gary King interviewing the farmer in question, David White !





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On the 28th of May, a crop circle formation was discovered at The Sanctuary, near Avebury, Wiltshire comprising of 9 circles, possibly depicting some sort of a planetary alignment and the path of an approaching comet !

2 days later, on May 30th 2011, the circle makers returned to add on to the original design !

Reference : Crop Circle Connector

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"The Roswell Incident" is a Channel 4 Documentary about the famous UFO crash at Roswell, New Mexico in 1947 where 3 ETs (Only one is believed to have survived the crash later called EBE-1) along with other collected debris were recovered by the US Air Force and taken back to an Air Force / Military facility for further investigation.

Over the years there have been multiple official explanations and retracted statements by the authorities, all of which speak of a huge cover up by the powers that be.


The Alien Autopsy video is also featured towards the end of the film. After having heard about the physical description of the beings recovered from key witnesses I know the Alien Autopsy video is clearly fake !

The official story about Roswell has changed so many times that the truth now remains mostly elusive.


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"I AM" is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.


Armed with nothing but his innate curiosity and a small crew to film his adventures, Shadyac set out on a twenty-first century quest for enlightenment. Meeting with a variety of thinkers and doers–remarkable men and women from the worlds of science, philosophy, academia, and faith–including such luminaries as David Suzuki, Noam Chomsky, Howard Zinn, Archbishop Desmond Tutu, Lynne McTaggart, Ray Anderson, John Francis, Coleman Barks, and Marc Ian Barasch – Shadyac appears on-screen as character, commentator, guide, and even, at times, guinea pig. An irrepressible “Everyman” who asks tough questions, but offers no easy answers, he takes the audience to places it has never been before, and presents even familiar phenomena in completely new and different ways. The result is a fresh, energetic, and life-affirming film that challenges our preconceptions about human behavior while simultaneously celebrating the indomitable human spirit.

The pursuit of truth has been a lifelong passion for Shadyac. “As early as I can remember I simply wanted to know what was true,” he recalls, “and somehow I perceived at a very early age that what I was being taught was not the whole truth and nothing but the truth.” He humorously describes himself as “questioning and searching and stumbling and fumbling toward the light.” The “truth” may have been elusive, but success wasn’t. Shadyac’s films grossed nearly two billion dollars and afforded him the glamorous and extravagent A-List lifestyle of the Hollywood blockbuster filmmaker. Yet Shadyac found that more – in his case, a 17,000-square foot art-filled mansion, exotic antiques, and private jets — was definitely less. “What I discovered, when I began to look deeply, was that the world I was living in was a lie,” he explains. “Much to my surprise, the accumulation of material wealth was a neutral phenomenon, neither good or bad, and certainly did not buy happiness.” Gradually, with much consideration and contemplation, he changed his lifestyle. He sold his house, moved to a mobile home community, and started life—a simpler and more responsible life – anew.

But, at this critical juncture, Shadyac suffered an injury that changed everything. “In 2007, I got into a bike accident which left me with Post Concussion Syndrome, a condition where the symptoms of the original concussion don’t go away.” These symptoms include intense and painful reactions to light and sound, severe mood swings, and a constant ringing sound in the head. Shadyac tried every manner of treatment, traditional and alternative, but nothing worked. He suffered months of isolation and pain, and finally reached a point where he welcomed death as a release. “I simply didn’t think I was going to make it,” he admits.

But, as Shadyac wisely points out, “Death can be a very powerful motivator.” Confronting his own mortality, he asked himself, “If this is it for me – if I really am going to die – what do I want to say before I go? What will be my last testament?” It was Shadyac’s modern day dark night of soul and out of it, I AM was born. Thankfully, almost miraculously, his PCS symptoms began to recede, allowing him to travel and use his movie-making skills to explore the philosophical questions that inhabited him, and to communicate his findings in a lively, humorous, intellectually-challenging, and emotionally-charged film.

But this would not be a high-octane Hollywood production. The director whose last film had a crew of 400, assembled a streamlined crew of four, and set out to find, and film, the thinkers who had helped to change his life, and to seek a better understanding of the world, its inhabitants, their past, and their future. Thus, Shadyac interviews scientists, psychologists, artists, environmentalists, authors, activists, philosophers, entrepreneurs, and others in his quest for truth. Bishop Desmond Tutu, Dr. Noam Chomsky, historian Dr. Howard Zinn, physicist Lynne McTaggart, and poet Coleman Banks are some of the subjects who engage in fascinating dialogue with Shadyac.

Shadyac was very specific about what he was after, wanting I AM to identify the underlying cause of the world’s ills – “I didn’t want to hear the usual answers, like war, hunger, poverty, the environmental crisis, or even greed,” he explains. “These are not the problems, they are the symptoms of a larger endemic problem. In I AM, I wanted to talk about the root cause of the ills of the world, because if there is a common cause, and we can talk about it, air it out in a public forum, then we have a chance to solve it.”

Ironically, in the process of trying to figure out what’s wrong with the world, Shadyac discovered there’s more right than he ever imagined. He learned that the heart, not the brain, may be man’s primary organ of intelligence, and that human consciousness and emotions can actually affect the physical world, a point Shadyac makes with great humor by demonstrating the impact of his feelings on a bowl of yogurt. And, as Shadyac’s own story illustrates, money is not a pathway to happiness. In fact, he even learns that in some native cultures, gross materialism is equated with insanity.

Shadyac also discovers that, contrary to conventional thinking, cooperation and not competition, may be nature’s most fundamental operating principle. Thus, I AM shows consensus decision-making is the norm amongst many species, from insects and birds to deer and primates. The film further discovers that humans actually function better and remain healthier when expressing positive emotions, such as love, care, compassion, and gratitude, versus their negative counterparts, anxiety, frustration, anger and fear. Charles Darwin may be best known for popularizing the notion that nature is red in tooth and claw, but, as Shadyac points out, he used the word love 95 times in The Descent of Man, while his most famous phrase,survival of the fittest, appears only twice.

“It was a revelation to me that for tens of thousands of years, indigenous cultures taught a very different story about our inherent goodness,” Shadyac marvels. “Now, following this ancient wisdom, science is discovering a plethora of evidence about our hardwiring for connection and compassion, from the Vagus Nerve which releases oxytocin at simply witnessing a compassionate act, to the Mirror Neuron which causes us to literally feel another person’s pain. Darwin himself, who was misunderstood to believe exclusively in our competitiveness, actually noted that humankind’s real power comes in their ability to perform complex tasks together, to sympathize and cooperate.”

Shadyac’s enthusiastic depiction of the brighter side of human nature and reality, itself, is what distinguishes I AM from so many well-intentioned, yet ultimately pessimistic, non-fiction films. And while he does explore what’s wrong with the world, the film’s overwhelming emphasis is focused on what we can do to make it better. Watching I AM is ultimately, for many, a transformative experience, yet Shadyac is reluctant to give specific steps for viewers who have been energized by the film. “What can I do?” “I get asked that a lot,” he says. “But the solution begins with a deeper transformation that must occur in each of us. I AM isn’t as much about what you can do, as who you can be. And from that transformation of being, action will naturally follow.”

Shadyac’s transformation remains in process. He still lives simply, is back on his bicycle, riding to work, and teaching at a local college, another venue for sharing his life-affirming discoveries. Reflecting Shadyac’s philosophy is the economic structure of the film’s release; all proceeds from I AM will go to The Foundation for I AM, a non-profit established by Shadyac to fund various worthy causes and to educate the next generation about the issues and challenges explored in the film. When he directs another Hollywood movie, the bulk of his usual eight-figure fee will be deposited into a charitable account, as well. “St. Augustine said, ‘Determine what God has given you, and take from it what you need; the remainder is needed by others.’ That’s my philosophy in a nutshell,” Shadyac says, “Or as Gandhi put it, ‘Live simply, so others may simply live.’”


Shadyac’s enthusiasm and optimism are contagious. Whether conducting an interview with an intellectual giant, or offering himself as a flawed character in the narrative of the film, Shadyac is an engaging and persuasive guide as we experience the remarkable journey that is I AM. With great wit, warmth, curiosity, and masterful storytelling skills, he reveals what science now tells us is one of the principal truths of the universe, a message that is as simple as it is significant: We are all connected – connected to each other and to everything around us. “My hope is that I AM is a window into Truth, a glimpse into the miracle, the mystery and magic of who we really are, and of the basic nature of the connection and unity of all things. In a way,” says Shadyac, a seasoned Hollywood professional who has retained his unerring eye for a great story, “I think of I AM as the ultimate reality show.”




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