'The Pink Floyd and Syd Barrett Story' is a documentary released on DVD on 24 March 2003, produced by Otmoor Productions in 2001 as part of the BBC's Omnibus series and originally called Syd Barrett: Crazy Diamond (in the US, a slightly modified version aired as the last episode of VH1's Legends series in January, 2002). Directed by John Edginton, the film includes interviews with all the Pink Floyd members - Roger Waters, David Gilmour, Nick Mason and Richard Wright - plus the "fifth Pink Floyd", Bob Klose, who left the band in 1965. The film includes rare early television appearances of Pink Floyd and home movies.

One of the most famous creators and characters of the psychedelic era, Syd Barrett has not conducted an interview or released music since the early seventies yet his self-imposed anonymity still fascinates fans old and new. The original songwriter for Pink Floyd was only with the band for a vibrant 3 years when he left in 1968, yet when the band released their greatest hits album in 2001 Syd had written over a fifth of the tracks. It's been over 35 years since Syd Barrett left the band yet mystery still surrounds this prodigy of rock.


The Pink Floyd and Syd Barrett Story retells the fascinating story of the start of one of the largest and most influential bands in rock and the drug induced breakdown of their original song writer and lead man. The release of this personal and candid profile of the once effervescent musician and now cult figure of Syd Barrett. Roger Waters, Dave Gilmour, Nick Mason and Rick Wright retell how Syd's slip from reality haunted the band for many years and this is clearly demonstrated in the tracks Shine On You Crazy Diamond and Wish You Were Here. There are also insights from former girlfriends, landlords, flatmates, producers, managers, friends and famous fans. Also featuring rare early footage of the band performing; including a live show at the UFO Club, and an appearance with former landlord Mick Leonard on Tomorrows World.

The focus of the film is Syd Barrett, the lead vocalist and guitarist of the early Pink Floyd, who created their unique psychedelic sound and most of the band's early songs, including the singles "Arnold Layne" and "See Emily Play" and much of their first album The Piper at the Gates of Dawn.

Syd Barrett's name passed into rock folklore when he quit Pink Floyd in 1968 and, after two extraordinary but erratic solo albums, disappeared from music altogether amid rumours of a drug-induced breakdown.

The Pink Floyd and Syd Barrett Story has contributions from Humble Pie drummer Jerry Shirley (who played on Syd Barrett's two solo albums The Madcap Laughs and Barrett as well as Syd's final London concert on 6 June 1970 with David Gilmour, when Barrett abruptly left the stage after playing only four numbers), bassist Jack Monck who played at Syd's last ever public concert in 1972 at the Cambridge Corn Exchange, producer Joe Boyd who produced Arnold Layne, photographer Mick Rock who photographed Barrett for The Madcap Laughs cover, and artist Duggie Fields who shared an apartment in London's Earls Court with Barrett in 1968 and witnessed his changing mental state at close hand.

According to his sister, Barrett actually watched the documentary when it was broadcast on the BBC. He apparently found it "too loud", although he did enjoy seeing Mike Leonard, who he referred to as his "teacher". He also enjoyed hearing "See Emily Play" again.

A little about Syd ...

Born Roger Keith Barrett in 1946 in Cambridge, Syd Barrett obtained his nickname from regulars at a local jazz club who when finding out his surname, christened him after as old drummer from the area. Aged 17 he moved down to London to attend the Camberwell Art School. In London he met up with old friend Roger Waters, who he had an understanding with since they were young that they would start a band together. Syd consequently joined up with the people Roger was playing with.

Syd quickly became the main songwriter, and named the band after two Georgia blues men Pink Anderson and Floyd Council. Their experiments with feedback and electronic sound quickly made them the hippest band among London’s early psychedelic set. Whilst Pink Floyd were experimenting with sound and light they also started experimenting in the other side of London’s psychedelic set - drugs. Some thought that with the aid of drugs Syd was more liberated and had the freedom to write memorable songs. Nevertheless his grasp on reality was slipping away. He didn’t turn up for interviews and started to refuse to perform though he’d quite happily practise. His behaviour became so erratic that an American tour had to be cut short.

The band was in a dilemma; Syd was becoming a liability yet he still wrote the majority of their songs. Their solution in January 1968 was to excuse him from performing to concentrate on song writing. Dave Gilmour was asked to join the band to cover for Syd. Two of the songs that he wrote Vegetable Man and Scream The Last Scream were not released by EMI but their apparent autobiographical style was not lost on many. Pink Floyd admit that their style back in the late sixties was if there was a problem they would ignore it, then one day it came to a point where they did ignore the problem by not picking Syd up.

Syd went on to release two solo albums The Madcap Laughs and Barrett in 1970. After the poor reception of the second album Syd retreated to his mothers house in Cambridge. Back at home he joined up with some Cambridge musicians and formed The Stars. But Syd's involvement was like his attention span, short. During the following years Syd moved between London and Cambridge staying on friends’ floors. In the mid 70s he even turned up at the studios where Pink Floyd were recording Shine On You Crazy Diamond the song written about Syd.

In 1978 he got tired of London and walked back to Cambridge, where he now lives, calling himself Roger Barrett having left Syd behind. The Pink Floyd and Syd Barrett Story is a moving portrait of a cult figure.


References :

• The Pink Floyd & Syd Barrett Story : Wikipedia
• The Pink Floyd & Syd Barrett Story DVD : Pink Floyd.org

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Zen : The Best of Alan Watts is a documentary film directed by Elda Hartley presenting the Zen Philosophy as known to Alan Watts. Alan Watts (1915-1973) who held both a master's degree in theology and a doctorate of divinity, is best known as an interpreter of Zen Buddhism in particular, and Indian & Chinese philosophy in general.

He authored more than 20 excellent books on the philosophy and psychology of religion, and lectured extensively, leaving behind a vast audio archive. With characteristic lucidity and humor Watts unravels the most obscure ontological and epistemological knots with the greatest of ease.


While many in the 60's played the stock market and paid their mortgages, Alan Watts lived aboard a colorful houseboat, writing, speaking, and inspiring a generation to re-assess their values.

For more than forty years, Alan Watts earned a reputation as a foremost interpreter of Eastern philosophies for the West. Beginning at age sixteen, when he wrote essay for the journal of the Buddhist Lodge in London, he developed an audience of millions who were enriched through his books, tape recordings, radio, television, and public lectures.

In all, Watts wrote more than twenty-five books and recorded hundreds of lectures and seminars, all building toward a personal philosophy that he shared in complete candor and joy with his readers and listeners throughout the world. His overall works have presented a model of individuality and self-expression that can be matched by few philosophers.

His life and work reflects an astonishing adventure: he was an editor, Anglican priest, graduate dean, broadcaster, author, lecturer, and entertainer. He had fascinations for archery, calligraphy, cooking, chanting, and dancing, and still was completely comfortable hiking alone in the wilderness. He held a Master's Degree in Theology from Sudbury-Western Theological Seminary and an Honorary DD from the University of Vermont in recognition of his work in the field of comparative religions.



He held fellowships from Harvard University and the Bollingen Foundation, and was Episcopal Chaplain at Northwestern University during the Second World War. He became professor and dean of the American Academy of Asian Studies in San Francisco, made the television series "Eastern Wisdom and Modern Life" for National Educational Television, and served as a visiting consultant for psychiatric institutions and hospitals, and for the United States Air Force. In the mid-sixties he traveled widely with his students in Japan, and visited Burma, Ceylon, and India.


References :

• The Alan Watts Archive
• D.I.Y : Alan Watts Audio Archive
• The Alan Watts Podcast

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Based on the hugely popular book by best-selling author Deepak Chopra, the How To Know God Movie is an exciting, insightful journey towards a better understanding of one of life's greatest mysteries.

Uniquely blending science and philosophy, Chopra offers such an inspiring approach in spiritual thinking, that any viewer, regardless of faith, can undergo a profound quest "to know God"...and attain a new concept of what they think they know !

Ultimately, through Chopra's brilliant narration, one may come to understand that the quest for God is really a journey in self-understanding. Thought-provoking, practical and thoroughly entertaining, this material, presented by one of the most advanced thinkers of our time, is perhaps the one of the most uplifting movies you'll ever see.


Here is an excerpt from Deepak Chopra's "How to Know God : The Soul's Journey into the Mystery of Mysteries" ... God has managed the amazing feat of being worshiped and invisible at the same time. Millions of people would describe him as a white-bearded father figure sitting on a throne in the sky, but none could claim to be an eyewitness. Although it doesn't seem possible to offer a single fact about the Almighty that would hold up in a court of law, somehow the vast majority of people believe in God -- as many as 96 percent, according to some polls. This reveals a huge gap between belief and what we call everyday reality. We need to heal this gap. What would the facts be like if we had them? They would be as follows. Everything that we experience as material reality is born in an invisible realm beyond space and time, a realm revealed by science to consist of energy and information.

This invisible source of all that exists is not an empty void but the womb of creation itself. Something creates and organizes this energy. It turns the chaos of quantum soup into stars, galaxies, rain forests, human beings, and our own thoughts, emotions, memories, and desires. In the pages that lie ahead we will see that it is not only possible to know this source of existence on an abstract level but to become intimate and at one with it. When this happens, our horizons open to new realities. We will have the experience of God. After centuries of knowing God through faith, we are now ready to understand divine intelligence directly. In many ways this new knowledge reinforces what spiritual traditions have already promised. God is invisible and yet performs all miracles. He is the source of every impulse of love. Beauty and truth are both children of this God. In the absence of knowing the infinite source of energy and creativity, life's miseries come into being. Getting close to God through a true knowing heals the fear of death, confirms the existence of the soul, and gives ultimate meaning to life.

Our whole notion of reality has actually been topsy-turvy. Instead of God being a vast, imaginary projection, he turns out to be the only thing that is real, and the whole universe, despite its immensity and solidity, is a projection of God's nature. Those astonishing events we call miracles give us clues to the workings of this ineffable intelligence. Consider the following story: In 1924 an old French villager is walking home. With one eye lost in the Great War and the other severely damaged by mustard gas in the trenches, he can barely see. The setting sun is bright, so the old man is completely unaware of the two youths on bicycles who have wheeled around the corner and are barreling down on him. At the moment of impact an angel appears. He takes the lead bicycle by its two wheels, lifts it a few feet in the air, and sets it down safely on the grass beside the road. The second bicycle stops short, and the youths become tremendously excited. "There are two! There are two!" one of them shouts, meaning that instead of just the old man alone, two figures are standing in the road.

The entire village becomes very worked up, claiming afterward that the youths were drunk or else have made up this fantastic tale. As for the old man, when he is asked about it, he says he doesn't understand the question. Could we ever come to an answer ourselves? As it happens, the old man was a priest, Père Jean Lamy, and the appearance of the angel has come down to us through his own testimony before his death. Lamy, who was saintly and beloved, seems to be credited with many instances where God sent angels or other forms of divine aid. Although reluctant to talk about them, his attitude was matter-of-fact and modest. Because of Lamy's religious vocation, it is easy to dismiss this incident as a story for the devout. Skeptics would not be moved. Yet I am fascinated simply by whether it could have happened, whether we can open the door and allow helpful angels into our reality, along with miracles, visions, prophecy, and ultimately that great outsider, God himself.

We all know that a person can learn about life without religion. If I took a hundred newborn babies and filmed every moment of their lives from beginning to end, it wouldn't be possible to predict that the believers in God will turn out to be happier, wiser, or more successful than the nonbelievers. Yet the video camera cannot record what is happening below the surface. Someone who has experienced God may be looking on the entire world with wonder and joy. Is this experience real? Is it useful to our lives or just a subjective event, full of meaning to the person having it but otherwise no more practical than a dream? One bald fact stands at the beginning of any search for God. He leaves no footprints in the material world. From the very beginning of religion in the West, it was obvious that God had some kind of presence, known in Hebrew as Shekhinah. Sometimes this word is simply translated as "light" or radiance.

Shekhinah formed the halos around angels and the luminous joy in the face of a saint. It was feminine, even though God, as interpreted in the Judeo-Christian tradition, is masculine. The significant fact about Shekhinah was not its gender, however. Since God is infinite, calling the deity He or She is just a human convention. Much more important was the notion that if God has a presence, that means he can be experienced. He can be known. This is a huge point, because in every other way God is understood to be invisible and untouchable. And unless some small part of God touches the material world, he will remain inaccessible forever. We personify God as a convenient way of making him more like ourselves. He would be a very perverse and cruel human, however, to remain so hidden from us while demanding our love. What could possibly give us confidence in any kind of benevolent spiritual Being when thousands of years of religion have been so stained by bloodshed? We need a model that is both part of religion yet not bounded by it. The following simple, three-part scheme fits our commonsense view of God. Shaped like a reality sandwich, this scheme can be pictured as follows :

The picture is not new in its top and bottom layers, placing God above the material world and removed from it. God must be separate from us, or else we would be able to see him here, strolling about as he did in the Book of Genesis. There, after the seven days of creation, God walked in the garden of Eden, enjoying his handiwork in the cool of the evening. Only the middle element of our diagram, called the transition zone, is new or unusual. A transition zone implies that God and humans meet on common ground. Somewhere miracles take place, along with holy visions, angels, enlightenment, and hearing the voice of God. All of these extraordinary phenomena bridge two worlds: They are real and yet they are not part of a predictable cause-and-effect. To put it another way, if we stubbornly cling to material reality as the only way to know anything, skepticism about God is totally justified. Miracles and angels defy reason, and even though holy visions may be catalogued time after time, the rational mind remains defiant, defending its sure grip on the material plane. "You really think God exists?

Well, let's break it down. You're a doctor, I'm a doctor. Either God is causing these diseases we see every day, or else he can't do anything to stop them. Which one is the God you want me to accept?" This voice is from a skeptical colleague I used to make rounds with in the hospital, a confirmed atheist. "I don't want you to accept either one," I would protest. But he would press the point. "Reality is reality. We don't have to argue over whether an enzyme or hormone is real, do we? God can't survive any kind of objective test. But we all know that. Some of us just choose not to keep on fooling ourselves."

On one level he was right. Materialist arguments against God remain powerful because they are based on facts, but they fall apart once you dive deeper than the material world. Dame Julian of Norwich lived in England in the fourteenth century. Dame Julian asked God directly why he had created the world. The answer came back to her in ecstatic whispers: You want to know your lord's meaning in what I have done? Know it well, love was his meaning. Who reveals it to you? Love. What did he reveal to you? Love. Why does he reveal it to you? For love. For Dame Julian God was something to eat, drink, breathe, and see everywhere, as though she were an infatuated lover. Yet since the divine was her lover, she was elevated to cosmic heights, where the whole universe was "a little thing, the size of a hazelnut, lying in the palm of my hand."

Reference :

• Spirit Sight
• Deepak Chopra : How To Know God

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Pink Floyd The Wall is a 1982 musical film by British director Alan Parker based on the 1979 Pink Floyd album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

The film is highly metaphorical and is rich in symbolic imagery and sound. It features very little dialogue and is mainly driven by the Pink Floyd sound ...

Directed by Alan Parker ; Produced by Alan Marshall
Written by Roger Waters ; Narrated by Pink Floyd

Starring ...

Bob Geldof
Christine Hargreaves
Eleanor David
Alex McAvoy
Bob Hoskins
Michael Ensign

Music by Pink Floyd & Michael Kamen (orchestrations)




The film depicts the construction and ultimate demolition of a metaphorical wall. Though the film is open to interpretation, the wall itself clearly reflects a sense of isolation and alienation.

Pink played by Bob Geldof, the protagonist of the film, is a rock star, one of several reasons behind his apparent depressive emotional state. He is first seen in a quiet hotel room, having trashed it. The opening music is not by Pink Floyd, but is the Vera Lynn recording of "The Little Boy that Santa Claus Forgot". During the following scenes, it is revealed that Pink's father was killed during World War II while he was just a baby.

The movie then flashes back to Pink as a young English boy growing up in the early 1950s. Throughout his childhood, Pink longs for a father figure. At school, he is humiliated for writing poems in class. The poems that the teacher reads aloud are lyrics from "Money" from the Pink Floyd album The Dark Side of the Moon. Pink is also affected by his overprotective mother. He eventually gets married, but he and his wife grow apart and she has an affair while Pink is on tour. When Pink learns of the affair, he resorts to acquiring expensive materialistic possessions and turns to a willing groupie (Jenny Wright), only to trash the hotel room and drive her away.

Pink slowly begins to lose his mind to metaphorical worms. He shaves off all of his body hair (an incident inspired by former band member Syd Barrett, who appeared at a 1975 recording session of Wish You Were Here, having shaved his eyebrows and body hair and, while watching The Dam Busters on television, morphs into his neo-Nazi alter-ego. Pink's manager (Bob Hoskins), along with the hotel manager (Michael Ensign) and some paramedics, discover Pink, and inject him with drugs to enable him to perform. On stage, Pink hallucinates that he is a neo-Nazi dictator, his concert a rally in a suburban neighbourhood singing "Waiting for the Worms". The scene is inter-cut by images of the animated marching hammers ...

References :

• Pink Floyd The Wall Film (Wikipedia)
• Pink Floyd

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Sixto Paz Wells is one of the most famous UFO / ET contactees in the world and a required guest in the world’s most important international congresses on the UFO subject. Similarly, he’s been interviewed in the world’s most prestigious radio and TV programs.

Sixto is a 54 year old Peruvian citizen, born in Lima, Perú on December the 12th, 1955. He studied primary and secondary school with the Marian Brothers (Maristas in Spanish) and also studied history at the Pontificia Universidad Católica.

He has been in contact with a race of Mongolian looking humans originally from the Orion constellation who have established a large base on one of Jupiter's moon's Ganymede. He has had a number of contact experiences after he first established telepathic communication with the extraterrestrials in 1974. These were quickly followed by a number of UFO sightings and physical contact with the extraterrestrials in the desert area of Chilca, Peru.

The sightings involved multiple witnesses and the physical contacts involved a number of individuals who were being prepared for more extensive human extraterrestrial interactions. Sixto's case was independently investigated by the Spanish journalist Juan José Benitez who was so impressed by the sightings and contacts that he wrote a number of books describing what was happening at Chilca, Peru.

Here is a video documentary called "The Cosmic Plan" in which Sixto shares information passed on to him by the Extraterrestrials about Earth, it's creation, the birth of the human species etc ...



Sixto Paz is one of the most famous UFO/ET contactees in the world and a required guest in the world's most important international congresses on the UFO subject. Similarly, he's been interviewed by many radio and TV programs. He was able to establish contact with the UFOs and their crews in the 1970's and produced his vision for the Cosmic Plan over recent decades.

This documentary discusses Creation, Evolution, UFO contact, Crop Circles, ET communication at Chilbolton, Atlantis, Extraterrestrials such as the Pleiadians, the Orions, the Sirian Tribes, the Shining Ones, Hollow Earth, the inner kingdom of Agartha, city of Shambhala, 2012 and more. Much of the narrative and philosophy given in this presentation mirrors that given to Billy Meier and revealed in his videos and contact notes.

You can also watch "The Cosmic Plan" in parts on YouTube ...


The video contains some excellent animations throughout the story told by Sixto. At the end of the main sequence is the DVD extra footage of some of Sixto's regular contacts/appearances of UFOs on video and stills.


References :

• Exopolitics UK
• Mysterious America
• Plan Cosmico
  

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Search for Ancient Technology is a documentary featuring Erich Von Daniken, author of the 'Chariots of the Gods' who presents compelling evidence of the presence of highly advanced flight technology in ancient times.

Born on April 14th, 1935, in Zofingen, Switzerland, Erich von Daniken was educated at the College St-Michel in Fribourg, where already as a student he occupied his time with the study of the ancient holy writings.

While managing director of a Swiss 5-Star Hotel, he wrote his first book, Chariots of the Gods, which was an immediate bestseller in the United States, Germany, and later in 38 other countries.



In the United States, Erich von Daniken won instant fame as a result of the television special “In Search of Ancient Astronauts,” based upon his first book. In 1993, the German television station SAT-1 started a twenty-five part TV series with and by Erich von Daniken, entitled “Auf den Spuren der All-Machtigen” (Pathways of the Gods). In 1996, the American TV company ABC/Kane produced a one-hour special, filmed all over the world, entitled Chariots of the Gods – The Mysteries Continue.

This film was broadcast on the ABC network on September 26th 1996. In 1996/97 ABC/Kane produced another documentary with Erich von Daniken (seen on the Discovery Channel). In Germany, the biggest TV network, RTL, showed the film on November 26th, 1996. 7,7 million viewers in Germany alone watched the program. Today, Erich von Daniken continues his filming with ABC and RTL.


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In this Channel 4 series called "What We Still Don't Know", Sir Martin Rees asks several fundamental questions about creation and tries to answer them.

"Are We Alone ?" ...


Sir Martin explores the possibility that life exists on planets beyond our own. He unveils an unsettling scientific debate that has startling consequences for us Earthlings.



"Why Are We Here ?" ...


Everything you thought you knew about the universe is wrong. It's made of atoms, right? Wrong. Atoms only account for a measly 15% of everything that exists. The mass of the universe consists of something so mysterious and elusive that it has been dubbed 'dark matter'.

"Are We Real ?" ...


There is a fundamental chasm in our understanding of ourselves, the universe, and everything. To solve this, Sir Martin takes us on a mind-boggling journey through multiple universes to post-biological life. On the way we learn of the disturbing possibility that we could be the product of someone else's experiment.


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Mile Sur Mera Tumhara is one of the oldest tunes on "Unity & Diversity" aired on India's premier National Television Network, Doordarshan. Mile Sur Mera Tumhara was telecast for the first time on Independence Day 1988, after the telecast of the Prime Minister’s speech from the ramparts of the Red Fort.

The song's lyrics are unique, One phrase, repeated in fourteen Indian languages: "Milē sur mērā tumhārā, tō sur banē hamārā", meaning "When my tune and your tune merge, it becomes our tune".... "Sur Ki Nadiyan Har Dishaan Sey Bahakay Sagar Me Milay ... Badalon Ka Roop Lai Kai Barsay Halkay Halkay" ... Flowing Rivers of Music merge into the Sea ... then take the form of Clouds and fall to Earth as the gentle rain ... :)

Some of the well known Indian people featured in this video were ... Amitabh Bachchan, Mithun Chakraborty, Tanvir Ashai, Kamal Hasan, K.R.Vijaya, Revathi, Jeetendra, Waheeda Rehman, Hema Malini, Tanuja, Sharmila Tagore, Shabana Azmi, Deepa Sahi, Om Puri, Dina Pathak, Meenakshi Seshadri (Actors: Film and T.V.) Mallika Sarabhai (Dancer) Mario Miranda (Cartoonist) Mrinal Sen (Filmmaker) Sunil Gangopadhyay, Annadashankar Ray (Authors) Bhimsen Joshi, M Balamuralikrishna, Lata Mangeshkar, Suchitra Mitra (Singers) Narendra Hirwani, S Venkataraghavan, Prakash Padukone, Ramanathan Krishnan, Arun Lal, PK Banerjee, Chuni Goswami, Syed Kirmani, Leslie Claudius, Gurbux Singh (Sportsmen), Pratap Pothen, [AV Ramanan], Shashi (Aana Paappaan)... The new avataar of Mile Sur Mera Tumhara was recently released on the eve of the Indian Republic Day (26th Jan) by Amitabh Bachchan who is the only one to reappear in the sequel too ... "I am very thankful that they have considered me to have the opportunity to stand along with my son and daughter-in-law to make it a very historic piece of music," ~ Amitabh Bachchan More than 60 known personalities, including actors Priyanka Chopra, Deepika Padukone, Ranbir Kapoor, Shahid Kapoor, Salman Khan, Shilpa Shetty and Juhi Chawla along with other prominent personalities feature in the new version of the song. It features 22 superstars, 18 musicians, 13 artistes and singers and 15 other known personalities. If we can understand how we are all united as one nation celebrating all the diverse ways in which we peacefully co-exist, we should also be able to take this understanding to a level of global consciousness where all illusionary boundaries are dissolved as there is no other ... no perceived outside enemy ... It's time we take the message of unity to a universal level where we awaken to the inherent oneness of all creation ... we are ☝ ... Namaste ... ☼:~) References : Hindustan Times Related Articles :

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"I Believe in UFOs" is a recently aired BBC Documentary presented by Danny Dyer who goes on a quest investigating Aliens, UFOs, Crop Circles and other ultra dimensional magical light phenomena experienced and observed by many all around the world.

Danny talks to prominent researchers, UFO enthusiasts and others who believe having experienced something unknown & mysterious, possibly of Extraterrestrial origin.

The tone of this documentary is pretty balanced with people interviewed sharing all perspectives of believing, knowing and those of skeptical inquiry into the UFO / Alien / Crop Circle phenomena ! The documentary features some awe inspiring footage of some amazing Crop Circles of 2009 ... At James Gilliland's ECETI ranch Danny seemed a bit distraught after the spiritual session as the judgmental ego came to the fore as it was encountering something new ... something expansive taking one beyond the limits of the ego ...

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We are aware that while the planet is under going a shift to a higher frequency that, because she is a living moving energy system, all who reside within her energy fields will also experience this realignment. Firstly what many are experiencing naturally as the planet undergoes her transformation which is what is termed the 'Creation of the Lightbody'.

So the next few pages will outline the different stages we may experience as this occurs and how it is manifesting in our own energy fields e.g. bouts of flu, headaches etc. Secondly as many are enthusiastic and joyous at these changes, I would like to cover practical things that we can consciously do to build and increase the Light quotient in our own bodies.

Tuning ourselves to the higher octaves of Light and changing our vibrational frequency has been explored extensively in previous chapters which I will briefly summarize and then add a few additional techniques to accelerate this process. The process of transition into Light is a gradual one. We are not matter one day and pure Light the next. Our energy fields are infused with and realigned to Light gradually or else we would experience electrical 'burn out'.


Creation of the Lightbody is due to the planets current transition process and is not an optional experience or process. According to that, the Lightbody is gradually created through the transmutation of our current physical body as it mutates and absorbs more Light. Again this is interconnected with the realignment of our energy fields to higher frequencies and higher octaves of Light and the following information describes the actual physical process and common symptoms as this change occurs.

We are all evolving and absorbing Light at our own pace. Some are consciously working with these changes and so their transmutation is quicker, some are unaware and are absorbing this Light and change in direct relation to planetary change. However, one can classify this creation into levels ...



1. FIRST LEVEL

- when the body drops density it commonly displays mutational symptoms of flu, headaches, diarrhea, rashes, muscle and joint aches. Most flu epidemics are actually Light epidemics! Brain chemistry changes, right and left brain functions blend and the pituitary and pineal glands begin to change in size. The DNA structure and chemical components begin to change and pick up extra hydrogen atoms and chemicals that the cells need to take undifferentiated higher Light and break it down into useable Light encodements for the DNA.



2. SECOND LEVEL

- the etheric blueprint floods with light and releases karmic experiences, individuals may feel disoriented as well as experience of 'bouts of flu'. Many begin to question "why am I here". Light in the etheric blueprint releases 4th dimensional structure and causes spins in the geometries of the emotional, mental and spiritual bodies. Change is rapid and many feel tired.



3. THIRD LEVEL

- physical senses become much stronger. Your bodies not only absorb Light for its own change but also acts as a transducer- decoder of higher light energies to the planet as a whole. The process of the in-breath is now irreversible, like an elastic band that has been stretched to maximum capacity, been let go of and will return to its natural state.



4. FOURTH LEVEL

- major changes are in the brain and its chemistry and electromagnetic energies - symptoms are often headaches, blurry vision, loss of hearing and sometimes chest pains. Crystal regulators in the etheric body keep lines of light within the 5th dimensional blueprint from connecting again until you are ready. Chest pains are due to the expanding energies of the heart as it opens to deeper levels. Vision and hearing are being realigned to function differently. The mental body begins to wonder if it really is in charge and individuals get strong unexplainable and undeniable urges to follow spirit without hesitation. Individuals may get lashes of telepathy, clairvoyance and nearly all begin to experience empathy. This is a time of feeling, of honoring and accepting and validating the emotional body and learning to control it.



5. FIFTH LEVEL

- the mental body decides to tune to spirit, dreams change and may become more 'lucid', you get feelings of de ja vu. Thought processes become non linear. Being's oscillate between knowing and doubt. We realize the habitual nature of thinking and behavior and look at de-programming and re-programming to create the "I" we wish to be, not the "I" we thought we were from our interaction with parents, peers and society etc. Change seems to be constant and we consciously begin to discern from our heart rather than judge from 'conditioned responses'.



6. SIXTH LEVEL

- we draw to us others for mutual support and stimulation of growth. We question what is real, our mental process and how we identify with others and ourselves changes rapidly. Re-evaluation may be uncomfortable but we feel it must be done - we look at our relationships, jobs, home environment, living styles, it is a time of letting go, of moving on. We change our friends, everything feels to be in a state of flux but we feel lighter, vaster, freer somehow. By this stage the Light quotient in our being is 33% - we feel as though we are opening up our inner senses and clairvoyance, clairaudience etc. seem normal and natural to us.



7. SEVENTH LEVEL

- the heart chakra opens more, we become more 'real' with other emotions, we just have to be ourselves! We release blocks and old patterns - it is a time of great emotional clearing and great intensity as we seek to rid ourselves of emotional baggage. We feel more in tune with each moment, feeling very present and flowing with life.

Often old relationships end or change rapidly as Being's dig deep and honour their feelings - there is simply no room for denial on any level. We begin to lose emotional attachment to others. Chest pains (angina) are more common as the heart continues to open its energy fields. (Doing the Unified chakra meditation will assist in the heart opening). Fear at this time is released as the energy fields of all the bodies are realigned through the heart and when aligned, fear drops away. Pressure at the forehead or back or the head is due to the opening of the pituitary and pineal glands as they absorb more light, when these glands are fully open, activated and functioning at the highest level, aging and death cease. When the pineal gland is fully open we experience multi-dimensionality yet duality seems to increase as we leave it behind. Some days we feel connected and joyous, others we are in fear and caught up in survival issues. Many wish to 'ascend' and leave the planet as we sense the very real possibility of ascension through our deepening connection with spirit. As we learn to follow our joy, we may then want to 'save the planet' and have everyone follow their joy.

ALL are stages of progression and reflect our changing perception. Dietary wise, you feel to eat less, more light, live food - many at this stage have ceased to eat meat, sugar and drink alcohol as they 'feel' the effects of these substances on the vibrational fields of the body.



8. EIGHTH LEVEL

- we leave the 'saving and rescuing' mode behind . The pineal and pituitary glands change shape, if headaches persist ask the Being's who are working with you to simply 'tone it down' for they don't feel pain, or ask them to release endorphin's - the brains natural opiate. The brain is being activated - particularly the cerebrum, the 'sleeping giant'. Cranial expansion is common; triangular 'seed crystals' in the brow and recorder crystals in the right side of the brain are activated along with the 8th, 9th and 10th chakras. We begin to be hooked into the languages of Light. The pituitary and pineal glands are opened fully and work together to create the 'Arc of the Covenant', a rainbow light that arcs over the top of the head to the third eye that is a decoding mechanism for higher dimensional language. You may find it hard to find words to express yourself as you may think in geometries and tones. If confused do the unified chakra meditation and ask for messages to be decoded and translated. Again you become much more aware of the vastness and multi-dimensionality of your nature, that you can be anything that you want to be, you cease to operate from obligation and relationships become transpersonal. You share words from your heart and soul and others may feel disorientated when dealing with you as they no longer have 'hooks' into you to link with. You operate from a deep level of serenity with heightened sensitivity and awareness yet feel grounded and transformed. By this stage, it is possible to be sustained purely by Light and prana, to take no nourishment from the atmospheric realms and to be healthily sustained by the etheric.



9. NINTH LEVEL

- decoding geometries and toning is easier, spirit is using the languages of light which shift the 6th dimensional blueprint into a new template for your 5th dimensional Lightbody. Your body may change shape as the energy fields shift. You feel interconnected to all Being's everywhere and less connected to the opinions of others. You release the desire for and the energy to sustain the 'game of separation and limitation' and feel truly free. The 9th level sees a mass descension of the Lightbody into physical form. As with the 3rd and 6th, this level sees a strong re-evaluation as we begin the final surrender to Spirit and we truly become the Divine instrument. Here Spirit determines our income, our work, other being's in our lives, everything. This is the dissolution of the ego-self and while ecstatic, it can be most painful. Making the leap can be fearful even though we have evolved through eons of time to reach this point. We may go back and forth, clinging to old comfort zones before completely letting go - there is no turning back and all must be released. 9th level is surrender and then ecstasy; the letting go of the "I" - we realize that while free will is real it is also an illusion as it only there to guide us and to empower us to be One with Spirit. Survival fears leave - focus in on the Now at one-at-ment. Though fears may surface, they seem unreal and are easily put aside.

We tend to disconnect from consensus reality and our choices and reality seem unreal to others. From the 7th, 8th and 9th the inner light noticeably radiates out and by now you feel unbelievably grounded, connected, centered, filled with purpose and desiring only to serve. For awhile you may slip between the 8th & 9th, from feeling complete at-one-ment to being ' a limited human being' again, this settles down by the end of the 9th level. You then continually feel connected and operate from your Christ level and your intention and motivation is always for the highest, although others, due to their own inner triggers and issues, may not always choose to see that. The 9th is where we begin to hook up to our I AM. The last three levels unify all energy fields, all chakras are unified and you become totally connected to your I AM.



10. TENTH LEVEL

- you are one with Source consciousness and know all is possible. DNA is no longer 2 strand but 12 strand; teleportation, manifestation etc. are instantaneous. The Merkabah (another name for our Lightbody) has been built and allows you to pass through space, time and dimensions complete in your totality. It has its own consciousness to be directed by you.



THE 11th LEVEL

11. Eleventh level - all levels of the lightbody have been constructed and activated and are connected to your physical body via 'spin points'. These light matrix's lie along the physical acupuncture meridians and are lines of light intersecting in beautiful geometries - a new 5th dimensional circulatory system of Light. Cellular regeneration has been accomplished. Time is no longer linear but simultaneous - past, present and future co-exist - all exist in parallels. There is no separation and you will fully manifest your vision of Heaven on Earth and express the ecstasy of Spirit. In this 'frame' of conscious awareness many now access and create new types of Light based technologies, new community living, new systems of government and equitable food and resource distribution systems. All have received specialist training and skills to help create and manifest the New World - the 'Golden Age'.



12. THE 12th LEVEL

- the continuation of the Creation and implementation of the New World systems - hook up with other 12th level initiates who bring into existence new governments, new financial and educational systems, better system of food and resource allocation etc. as all will be redefined in the final stages of Earth's ascension so that all may exist in joy, equality and harmony. By this time the planet and her inhabitants will have been 'rewoven' into Light to shine in their full glory as the final stages of this Divine Plan unfolds. The planet goes to Light, shifts out of this dimension and is brought into a multi-star system where everyone is a lightbody and follows Spirit in total Mastery. All parallel realities are rewoven and absorbed back to Spirit and all have aligned their will to the Divine.


.... Excerpt from the book "The Art of Resonance"


Source : Gregg Braden


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